SANTI MOIX (Barcelona, 1960).
Untitled, 1986.
Mixed media on paper.
Signed in the lower right corner.
Size: 98 x 148 cm (irregular); 107 x 157 cm (frame).
The paper, as is usual in Moix's style, exudes delicacy and refinement. A lover of large format, although he always begins with small sketches, Moix usually mixes textures, brushstrokes and brushstrokes. And, yes, a lot of colour, which serves to give his dreamlike atmosphere a bright, sometimes disturbing tone.
Based in New York City, Santi Moix lives immersed in an incessant search that drives him to work with an astonishing voracity and creativity. His work, direct and daring, is always a field of search, learning and resolution. A multifaceted creator, Moix also draws and sculpts, but it is in painting that he finds his place for reflection. Although his painting is eminently abstract, Moix has on numerous occasions demonstrated his great capacity for drawing (most recently with his series of works based on Mark Twain's The Adventures of Huckleberry Finn). His own language leads him to disturbing and enigmatic creations that sail between abstraction and figuration. The artist assures us that, on the other hand, his sculpture drinks from his painting and vice versa, and that they are inseparable, as they are all part of the same journey. His works are like an echo of nature, objects that are impossible to find in it. Santi Moix's work is characterised by accumulation and fragmentation, sensuality and a poetic sense of form in a flat, dense and vital horizontal space. He breaks with the image of continuity, creates digressions that advance and retreat to build, finally, schematic biomorphic structures. Paintings and sculptures that are elements in movement, like labyrinths that branch out to infinity, and provoke a reflection on a fluctuating world dragged along by the fastness and speed that introduces us to a different, free, vital, overflowing and passionate time.One of the artist's recent works has consisted of restoring a Romanesque church of San Víctor, located in the village of Saurí, in Pallars Sobirà, thus including his mark and motifs in it, bringing his painting into a religious building for the first time, although he has carried out similar actions in museums and public spaces. In 2002 he was awarded a grant from the John Simon Guggenheim Memorial Foundation.