Lot 1218

LUIGI SABATELLI (attr. a)

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Dormose in wood and metal attr. GiÃ² Ponti: Height 90 cm Width 61 cm Depth 188 cm Seat 49 cm Wood and metal sleepers attr. GiÃ² Ponti, Italian manufacture years. The dormose consists of a wooden frame with metal details and elements. The benc

2023Dormose in wood and metal attr. GiÃ² PontiSee Sold Price

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Gio Ponti (1891 - 1979) Wooden Bench Attr. to Gio Ponti: Height: 54 cm Width: 119 cm Depth: 46 cm Medium-sized walnut wood bench attr. to Gio Ponti from the 1940s and 1950s. The bench is totally made of wood, in the side part the legs have decorative "scrol

2023Gio Ponti (1891 - 1979) Wooden Bench Attr. to Gio PontiSee Sold Price

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Small Wooden Bench Attr. to Gio Ponti: Height: 38 cm Width: 119 cm Depth: 54 cm Small walnut bench attr. to Gio Ponti from the 1940s and 1950s. The bench is totally made of wood, in the side part the legs have decorative "scroll" motifs.

2023Small Wooden Bench Attr. to Gio PontiSee Sold Price

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Edward Durell Stone (Attr.) - Stool: A slatted oak stool, attributed to Edward Durell Stone for Fulbright Furniture. 14.5 x 21 x 18. All measurements are in inches.

2023Edward Durell Stone (Attr.) - StoolSee Sold Price

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Attr. George Nakashima Walnut Bench/Low Table: Attributed to George Nakashima Walnut Bench/Low Table, with client name to underside, h. 12 1/4 in., w. 18 3/4 in., d. 14 1/4 in. Provenance: Estate of Eric Bloomquist, Bloomington, IL.

2023Attr. George Nakashima Walnut Bench/Low TableSee Sold Price

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Pair of Charlotte Perriand Attr. dark stools: Height 30 CM, diameter 32 CM, Pair of stools Attr. to Charlotte Perriand

2023Pair of Charlotte Perriand Attr. dark stoolsSee Sold Price

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Charlotte Perriand Attr. Pair of stools: Height 30 CM, diameter 32 CM, Pair of stools attr. to Charlotte Perriand in pine wood

2023Charlotte Perriand Attr. Pair of stoolsSee Sold Price

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Tony Paul (Attr.) - Stools: A pair of wicker stools, attributed to Tony Paul. 11.5 x 13. All measurements are in inches.

2023Tony Paul (Attr.) - StoolsSee Sold Price

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Arne Jacobsen (Attr.) - Dot Stools: A set of eight vintage 'Dot' stools, attributed to Arne Jacobsen. Stamped 'Made in Denmark.' 18 x 13 . Measurements are in inches. (Height x Width x Depth)

2023Arne Jacobsen (Attr.) - Dot StoolsSee Sold Price

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Tony Paul (Attr.) - Stool: A wicker and wood stool attributed to Tony Paul. 17.5 x 20. All measurements are in inches.

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McGuire (Attr.) - Antalya Barstools: A set of five 'Antalya' style barstools attributed to McGuire, in rawhide and rattan. 46 x 22 x 17.5 . Measurements are in inches. (Height x Width x Depth)

2023McGuire (Attr.) - Antalya BarstoolsSee Sold Price

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Tony Paul (Attr.) - Stools: A pair of vintage wicker stools, attributed to Tony Paul. 11.5 x 13. All measurements are in inches.

2023Tony Paul (Attr.) - StoolsSee Sold Price

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(2) ATTR. DE PUYDT BELGIAN OAK BARSTOOLS, 1960'S: Dimensions: H 44" x W 13" x D 17" x SH 32.5" Condition: In very good vintage condition overall; natural cosmetic/surface wear including some rubbing and fading to wood finish, scattered dings and scuf

2024(2) ATTR. DE PUYDT BELGIAN OAK BARSTOOLS, 1960'SSee Sold Price

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Arthur Umanoff (Attr.) - Stools: Two unique pairs of low stools with wicker seats and iron frames attributed to Arthur Umanoff. One set has black frames, the other has brown frames. 25 x 20 x 14.5. Measurements are in inches. (Height

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RARE HIRTSHALS PINE STOOL ATTR. RAINER DAUMILLER: Solid pine tripod stool with molded seat, produced by Hirtshals Savvaerk, Denmark, c. 1960's-1970's. Design attributed to Rainer Daumiller; stamped Hirtshals Furniture underneath. Dimensions: H 18" x

2024RARE HIRTSHALS PINE STOOL ATTR. RAINER DAUMILLERSee Sold Price

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Lee Swennes (Attr.) - Stool: A wooden studio craft stool attributed to Lee Swennes. 22.5 x 17.5 x 10.5. Measurements are in inches. (Height x Width x Depth)

2023Lee Swennes (Attr.) - StoolSee Sold Price

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Item Details

Description

(Firenze, 1772 - Milano, 1850)
Studio di testa femminile
Olio su tela, cm 45X38,5

Inscritto sul telaio: Sabatelli fece

Formatosi all'Accademia del disegno di Firenze, Sabatelli si mostrò subito un abilissimo disegnatore e grazie al mecenatismo della famiglia Capponi nel 1788 l'artista si trasferì a Roma dove entrò in contatto con Felice Giani, Vincenzo Camuccini, Antoine-Jean Gros, François-Xavier Fabre e Jean-Baptiste Wicar. Nel 1794 lo sappiamo a Venezia, meta di studio indispensabile per acquisire la sensibilità cromatica e dove il giovane si dedicò anche a realizzare alcuni ritratti a penna (Roma, Galleria nazionale d'arte moderna e contemporanea). Rientrato in patria nel 1795 Sabatelli s'impose sia come interprete di opere a soggetto religioso per le chiese di Firenze e della provincia, sia come pittore profano di soggetti mitologici e allegorici per le decorazioni dei palazzi privati, esprimendo un elegante e colto gusto neoclassico, che gli permise agli inizi del nuovo secolo di trasferirsi a Milano e all'Accademia di Brera.