East Asia, China, Sui Dynasty, ca. 581 to 618 CE. A finely-molded terracotta horse created during the relatively short-lived Sui Dynasty. Scarcer than the pottery horses of the succeeding Tang Dynasty, this noble steed stands upon an integral rectangular plinth and wears a well-detailed saddle with a skirt and pommel as well as a delineated bridle. Its facial expression connotes intense determination as the animal bites on the bit and looks downward with wide-opened eyes and a pronounced, well-manicured mane, all characteristic of the Sui style which signified the emerging penchant for increased naturalism in Chinese pottery that would evolve in the coming centuries. Adding to its beauty are the remains of green, red, and yellow straw glazing. The straw glazing in the Sui Dynasty was the origin of celadon, so admired in later dynasties. Custom wooden display stand included. Size: 13" L x 4.75" W x 12.25" H (33 cm x 12.1 cm x 31.1 cm); 13.25" H (33.7 cm) on included custom stand.

Who can say enough about the influence of the horse throughout the history of China! The horse played a significant role in the unification of the Chinese Empire, as this animal enabled the ancients to communicate to parties near and far due to the great speed of these noble steeds. The horse also assisted the military to conquer distant lands and grow the empire. As the desire for stronger, faster breeds grew, the ancients imported horses from Central Asia, leading to the creation of the famous Silk Road.

This piece has been tested using thermoluminescence (TL) analysis and has been found to be ancient and of the period stated. A full printed and bound report is available to the buyer upon request.

Provenance: East Coast collection, New York Gallery, New York City, New York, USA, acquired before 2010

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Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.

#157504

Figure repaired from multiple large pieces with small chips, some resurfacing, overpainting, and light adhesive residue along break lines. Surface wear and abrasions commensurate with age, losses to one ear, parts of legs, mouth, bridle, and parts of tail, with fading to some areas of glaze pigmentation, and light roughness across most surfaces. Nice earthen deposits and craquelure to glaze throughout. Old inventory label on wooden display stand.