Attributed to Syed Haider Raza, it does not have a COA. Medium: acrylic canvas. 22 x 22 inches. Provenance: private owner.
Biography: Born: 1922 - 2016. Syed Haider Raza Alais S.H. Raza (born 22 February 1922) is an eminent Indian artist who has lived and worked in France since 1950, but maintains strong ties with India.His works are mainly abstracts in oil or acrylic, with a very rich use of color, replete with icons from Indian cosmology as well as its philosophy. He was awarded the Padma Shri and Fellowship of the Lalit Kala Akademi in 1981 and Padma Bhushan in 2007.He became India's priciest modern artist on June 10, 2010 when a seminal work, 'Saurashtra' by the 88-year-old sold for Rs 16.42 crore ($3,486,965) at a Christie's auction .Syed Haider Raza was born in Babaria,[6] Mandla district, Madhya Pradesh, to Sayed Mohammed Razi, the Deputy Forest Ranger of the district and Tahira Begum, and it was here that he spent his early years and took to drawing at age 12; before moving to Damoh also in Madhya Pradesh at 13, where he completed his school education from Government High School, Damoh.After his high school, he studied further at the Nagpur School of Art, Nagpur (1939-43), followed by Sir J. J. School of Art, Bombay (1943-47), before moving to France in October 1950 to study at the École nationale supérieure des Beaux-Arts (ENSB-A) in Paris, 1950-1953 on a Govt. of France scholarship. After his studies, he travelled across Europe, and continued to live and exhibit his work in Paris.[10] He was later awarded the Prix de la critique in Paris in 1956, becoming the first non-French artist to receive the honour.Syed Haider Raza, has his first solo show in 1946 at Bombay Art Society Salon, and was awarded the Silver Medal of the society.His work evolved from painting expressionistic landscapes to abstract ones. From his fluent water colours of landscapes and townscapes executed in the early 40's he moved towards a more expressive language painting landscapes of the mind.1947 proved to be a very important year for him, as first his mother died, and this was also the year when he co-founded the revolutionary Bombay Progressive Artists' Group (PAG) (1947-1956) along with K.H. Ara and F.N. Souza (Francis Newton Souza), which set out to break free from the influences of European realism in Indian art and bring Indian inner vision (Antar gyan) into the art, the group had its first show in 1948, the year his father died in Mandla and most of his family of four brothers and a sister migrated to Pakistan, after the partition of India.Once in France, he continued to experiment with currents of Western Modernism moving from Expressionist modes towards greater abstraction and eventually incorporating elements of Tantrism from Indian scriptures. Whereas his fellow contemporaries dealt with more figural subjects, Raza chose to focus on landscapes in the 1940s and 50s, inspired in part by a move to the France.In 1959, he married French artist, Janine Mongillat, and three years later, in 1962, he became a visiting lecturer at the University of California in Berkeley, USA. Raza was initially enamored of the bucolic countryside of rural France. Eglise is part of a series which captures the rolling terrain and quaint village architecture of this region.Showing a tumultuous church engulfed by an inky blue night sky, Raza uses gestural brushstrokes and a heavily impasto-ed application of paint, stylistic devices which hint at his later 1970s abstractions.[citation needed]By the 1970s Raza had grown increasingly unhappy and restless with his own work and wanted to find a new direction and deeper authenticity in his work, and move away from what he called the 'plastic art'. His trips to India, especially to caves of Ajanta - Ellora, followed by those Benaras, Gujarat and Rajasthan, made him realise his roots and study Indian culture more closely, the result was 'Bindu', which signified his rebirth as a painter. The Bindu came forth in 1980, and took his work deeper and brought in, his new-found Indian vision and Indian ethnography. One of the reasons he attributes to the origin of the 'Bindu', have been his elementary school teacher, who on finding him lacking adequate concentration, drew a dot on the blackboard and asked him to concentrate on it.After the introduction of 'Bindu' (a point or the source of energy), he added newer dimensions to his thematic oeuvre in the following decades, with the inclusion of themes around the Tribhuj (Triangle), which bolstered Indian concepts of space and time, as well as that of 'prakriti-purusha' (the female and the male energy), his transformation from a expressionist to a master of abstraction and profundity, was complete.The unique energy vibrating with colour in his early landscapes are now more subtle but equally, if not more, dynamic. Raza abandoned the expressionistic landscape for a geometric abstraction and the 'Bindu'. Raza perceives the Bindu as the center of creation and existence progressing towards forms and colour as well as energy, sound, space and time.His work took another leap in 2000, when he began to express his increasingly deepened insights and thoughts on Indian spiritual, and created works around the Kundalini, Nagas and the Mahabharat.Sayed Haider Raza's paintings with herringbone triangles, blue moons, licks of flame and inner vistas trigger transcendental experiences. India's beloved Raza was born in central India and grew up among forests. Madhya Pradesh is far from the sea, it has hills, but not great mountains, and most of all it has had tribal princes and long waves of peace. As a child, Raza must have seen nocturnal wild creatures padding softly and dark birds flitting through damp jungles and dry forests and his early work was mainly landscapes.

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