Attributed to Lamar Dodd, it does not have a COA. Medium: mixed media paper. 31 x 15 inches. Provenance: private owner. On the left side the mat presents some humidity but it does not affect the piece or its beauty.
Biography: 1909 - 1996. Lamar Dodd's remarkably diverse career in art and art education originated and culminated in Georgia. Born and raised in the state, Dodd received initial art instruction at LaGrange College as a youngster aged 12, before relocating many years later to New York, where he studied at the Art Students League with notable instructors such as George Luks, Boardman Robinson, and John Steuart Curry.Dodd returned to the South in 1937, becoming a faculty member in the art department at the University of Georgia. He became chair of the art department the next year, a position he maintained until 1973.Under Dodd's vision, the art department flourished. The art faculty and students expanded far beyond the paltry numbers Dodd faced in the 1930s. His interests in painting and arts advocacy delivered him to foreign corners of the world and introduced him to environments beyond the South.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Mint based on the description