Amazing Julian Onderdonk Oil Canvas
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Description
Attributed to Julian Onderdonk, it does not have a COA. Medium: oil canvas. 37.5 x 29 inches. Provenance: private owner.
Biography: 1882 - 1922. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New York City, and was glad to accept $14 for the lot.In 1909, Julian Onderdonk returned to the family studio in San Antonio. He painted "the bigness of Texas, dusty roads, the blooming cactus or hillsides of blue lupine, rolling gulf clouds, aged liveoaks, and the gray brush in winter. His style changed somewhat in his later years."Onderdonk was heavy-set with dark eyes and hair, quiet and serious, "a strong personality." When he died at 40, "five of his pictures were on the way to New York. He also had order ahead for $20,000 of work." He was known as the painter of the bluebonnet flowers of Texas.
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Biography: 1882 - 1922. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New York City, and was glad to accept $14 for the lot.In 1909, Julian Onderdonk returned to the family studio in San Antonio. He painted "the bigness of Texas, dusty roads, the blooming cactus or hillsides of blue lupine, rolling gulf clouds, aged liveoaks, and the gray brush in winter. His style changed somewhat in his later years."Onderdonk was heavy-set with dark eyes and hair, quiet and serious, "a strong personality." When he died at 40, "five of his pictures were on the way to New York. He also had order ahead for $20,000 of work." He was known as the painter of the bluebonnet flowers of Texas.
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
Condition
Mint based on the description
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Amazing Julian Onderdonk Oil Canvas
Estimate $3,000 - $8,000
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