Rare Russian Yury Pavlovich Annenkov ink portrait of his father, circa 1920

Frame: 18 1/4" x 14 3/8"
Portrait: 12 3/4" x 9 3/4"

Davids notes: Provenance is the collection of Russian art of a NYC known Russian artist who is suffering from dementia, and for that reason her collection is being sold by the family who doesn't want her name revealed.

This fine work by Annenkov of his father, is an ink portrait, an original work of art. It was offered at Drouot-Richelieu in 2007 in a June 25th sale(lot 199) with an estimate of 6700.00 to 9400.00(5000 to 7000 euros) but failed to sell. Portrait drawings in ink by this artist have sold for as much as 300,000.00.

The drawing has a shipping or storage label on the front, and the original 199 lot number from Drouot on the front near the bottom of the glass.

Yury Annenkov
(Source: Wiki) Yury Pavlovich Annenkov (Russian: Юрий Павлович Анненков also known as Georges Annenkov); 23 July [O.S. 11 July 1889] 1889 in Petropavlovsk, Akmolinsk Oblast, Russian Empire - 12 July 1974 in Paris, France), was a Russian artist mostly known for his book illustrations and portraits. He also worked for theatre and cinema (design). A member of Mir Iskusstva.

In his essay "On Synthetism" (1922), Yevgeny Zamyatin writes that "[Annenkov] has a keen awareness of the extraordinary rush and dynamism of our epoch. His sense of time is developed to the hundredth of a second. He has the knack--characteristic of Synthetism--of giving only the synthetic essence of things."

Yury Annenkov was born into a well-known family (among his ancestors was Pavel Annenkov, Alexander Pushkin's publisher); his father, Pavel Annenkov was involved with revolutionary activities that led him to exile in Siberia. The Annenkovs moved back to St. Petersburg in 1892.

In 1908, Annenkov entered the University of St. Petersburg and attended Savely Seidenbergs studio classes, together with Marc Chagall. Next year, 1909, he attended Jan Ciąglinski's studio. In 1911-1912, Annenkov moved to Paris to work in the studios of Maurice Denis and Felix Vallotton. In 1913, Annenkov worked in Switzerland. Upon his return to St. Petersburg in 1914, Annenkov mostly contributed to magazines (Satirikon, Teatr i Iskusstvo, Otechestvo) and worked for theatres.

Maxim Gorky's fairy-tale book, Samovar, published in 1917 was his first work as a book designer. His recognition as a book illustrator came in the wake of his most known work-- designing Alexander Blok's poem, "The Twelve", published in 1918 and gone through three printings within a year. In the next few years Annenkov designed numerous books for Petrograd authors (Mikhail Kuzmin and Aleksey Remizov, to name a few). In 1919 Annenkov designed and staged "First Distiller, or How an Imp Earned a Hunk of Bread", a comedy by Count Lev Tolstoi.

Commissioned by the Bolshevik government, Annenkov together with Mstislav Dobuzhinsky, S. Maslovski and A. Kugel, designed and staged the open-air mystery "Liberated Labour Anthem" on 1 May 1920 in Petrograd. Later that year, Annenkov staged and designed another mass show, The Storming of the Winter Palace, part of the October Revolution anniversary celebrations in Palace Square, Petrograd. In 1919-1920 Annenkov made a series of abstract sculptural assemblages and collages, influenced by the Dada movement.

1922 saw his book "Portraits". It contained 80 pictures of the key-figures of Russian art of the time (Gorki, Zamyatin, Remizov, Sologub, Blok, Akhmatova a.o.) made in 1906-1921. The book also included essays by Yevgeny Zamyatin and Mikhail Kuzmin. He joined the Mir Iskusstva.

Annenkov left Russia in July 1924, first living in Germany and later settling in Paris. He continued to work as an artist and served as a costume designer for motion pictures. He was co-nominated with Rosine Delamare for the Academy Award for Best Costume Design for their work in the film The Earrings of Madame de (1953).

In 1934 he wrote a satyrical novel A Tale of Trivia (Повесть о пустяках) under a pen name B. Temiriasev. The novel takes place between the Russian Revolution and Russian Civil War.

Discoloration to the overall drawing in the form of darkening or foxing on the right side.