Ueda Fujo Signed Woodblock White Dream

UEDA FUJOJapan, 20th Century"White Dream". Signed lower right. Numbered 198/200. Titled lower center.Woodblock print, dai-oban tate-e, 22" x 15.25" sight. Framed 27.5" x 21&qu

Ueda Fujo, woodblock print, Ueda Fujo (Japanese, 1899-1970), "...Rosenthal", 1960, woodblock print, red seal mark, pencil signed lower right "F. Ueda", 28.25"h x 10.25"w (sheet), 37"h x 17"w (framed)

comprising "White Dream" and "Cats" both signed in pencil. Not examined out of frames. Toning, stains to cats, butterflies with cracked glass.

Lot 11 Carol Summers American (1925-2016) Aetna's Dream woodblock signed upper right, proof sheet: 35 3/4 x 35 1/4 inches frame dimensions: 37 3/4 x 37 1/4 x 1 1/4 inches, wood frame with glazing Prov

Kiyoshi Saito. "Bizen". 1966 Japanese mid-century still life of a black vase on a stand. Color woodblock. Signed in white lower left corner. Pencil titled, dated, and numbered 35/50 along lower margin

This woodblock print on paper has a subject matter that features a seated barn owl with a wide eyed expression. Signed in pencil lower right with the words Artist Proof lower left. Presented in a dark

Ellen Ravenscroft (1876-1949) Elephants in Provincetown, 1930 Color white-line woodblock print Signed lower right There is another white-line print by the artist, "Elephants Parading in Provincetown,"

Ferol Sibley Warthen (1890-1986) Sailboat and Gull, block from 1953, printed in 1971, ed. #39 Color white-line woodblock print Signed lower right Warthen learned the white-line method from Blanche Laz

Angele Myrer (1896-1970) Provincetown, 1955 Color white-line woodblock print Signed lower right Myrer was included in the landmark exhibition, "Provincetown Printers: A Woodcut Tradition," curated by

Angele Myrer (1896-1970) Star and Candle, c. 1950-58 Color white-line woodblock print Signed and titled on back of a folded card, now affixed to rear of the mat Myrer was included in the landmark exhi

Lloyd Foltz (1897-1990) ''White Christmas''- woodblock, 1948, signed, dated and titled in pencil, slightly light struck otherwise good condition. 6 3/4 x 10 1/4''

Framed limited edition Stephen White The Strollers woodblock print on mulberry paper. Signed in lower left corner. Edition 32/200. Dated 1977. Subject depicts two female figures wearing hats and black

MEXICO (B), 1963, color woodblock print, signed in white, titled and dated and numbered 3/6 in pencil, image 18 x 23 ½”, sheet 21 ¼ x 26 ¾”.

WHITE CAT, color woodblock print, signed in block lower left, sight 12 ¾ x 17 ½”, frame 23 ½ x 27” with glass.

Anthony Quinn (American/Mexican, 1915-2001), "Dream Girl," white paper casting, signed in pencil lower right, edition 7/95, sight: 28"h x 22"w, overall (with original koa wood frame): 36"h x 30"w, not

JOKO-JI KAMINO-YAMA, 1960, color woodblock print, signed in white, titled and dated and numbered 127/200 in pencil, image 20 ½ x 15 ¼”, full margins, frame 27 ¾ x 22” with g

TOSYODAI-JI NARA, 1959, color woodblock print, signed in white, titled and dated and numbered 75/80 in pencil, sheet 24 ½ x 18 ¼”, sealed in Plexiglas frame 29 ¼ x 23 ½&#8221

UNTITLED, color woodblock print, signed in white pencil lower left, sight 12 ½ x 18”, frame 21 ½ x 27” with glass.

Umetaro Azechi (Japanese, 1902-1999) "Shiroi Boshi Wo Motsu Otoko / Man with a White Star" woodblock print, pencil signed to lower right, edition 4/185 and dated 1972 to lower left, in a white mat. Im

STILL LIFE WITH FLOWERS & FRUIT, 1967, color woodblock print, signed in white pencil, numbered 7/100, image 22 x 16”, purchased at Red Lantern Shop, Kyoto, full margins, framed with glass, mild disc

Junichiro Sekino (Japanese 1914-1988)- ''White Rain''- woodblock in color, signed, titled and numbered 37/128 in pencil. 18 x 25 1/2''

North Carolina artist Stephen White Limited edition woodblock print, signed and titled at upper left, dated 1977, numbered 50/150, framed. Framed Size : 32 x 45 inches. No Condition issues were noted.

STILL LIFE, 1965, color woodblock print, signed in white pencil, dated and numbered 46/100 in pencil, image 22 ½ x 11”, full margins, frame 31 x 17” with non-glare glass.

FALL IN, 1966, color woodblock print, signed in white ink, from the numbered edition 70, image 16 x 22”, sheet 17 ½ x 24”, pale discoloration in margins, otherwise in good condition.