Ferol Sibley Warthen, Sailboat and Gull, Color white-line woodblock print

Ferol Sibley Warthen (1890-1986) Sailboat and Gull, block from 1953, printed in 1971, ed. #39 Color white-line woodblock print Signed lower right Warthen learned the white-line method from Blanche Laz

overall 10" x 11.5" , image size 7" x 7"signed "sailboat and Gulf #65 1978 Ferol Sibley Warthen, Provincetown, Mass" in pencil, lower marginVerso reads: "Sailboat and Gulf Provincetown Block IX cut 19

FEROL KATHERINE SIBLEY WARTHEN (NY/DC/MD/SD, 1890-1986) - "Sailboat Grounded", color woodcut blockprint, ballpoint ink signed, dated '54 and titled in lower margin, initialed in print, signed and titl

Ellen Ravenscroft (1876-1949) Elephants in Provincetown, 1930 Color white-line woodblock print Signed lower right There is another white-line print by the artist, "Elephants Parading in Provincetown,"

Angele Myrer (1896-1970) Provincetown, 1955 Color white-line woodblock print Signed lower right Myrer was included in the landmark exhibition, "Provincetown Printers: A Woodcut Tradition," curated by

Angele Myrer (1896-1970) Star and Candle, c. 1950-58 Color white-line woodblock print Signed and titled on back of a folded card, now affixed to rear of the mat Myrer was included in the landmark exhi

overall 4.5" x 6" , image size 3" x 3.5"signed "Violets 18 , Ferol S Warthen" in pencil lower marginverso reads "Violet block cut Aug 68, Print #18 July 5 - '71 Woodblock watercolor, one block method

Ferol Sibley Warthen, Bowl of Cherries, Provincetown, MA, 1953, color wood cut, watercolor print, block #13, print #7, visible artwork: 6-1/2" X 4-1/2", paper size 9" x 6". frame: 13-1/2" X

RUTH D. HOGANMassachusetts/New Mexico, b. 1943"Kites & More Kites!". Signed in pencil lower right "Ruth Hogan". Titled lower left. Numbered 4/25.White-line color woodblock, 11.75&q

RUTH D. HOGANMassachusetts/New Mexico, b. 1943“Kites & More Kites!”. Numbered 3/25. Signed lower right. Titled lower left.White-line color wood block, 11.5” x 13”. Framed 19&#8

This is a solid rookie card. The partner to the Mantle. This card has vivid, pack fresh color and clean white borders. No print lines at all. Centering is 25/75 L/R and 65/35 T/B. Corners have even we

MEXICO (B), 1963, color woodblock print, signed in white, titled and dated and numbered 3/6 in pencil, image 18 x 23 ½”, sheet 21 ¼ x 26 ¾”.

Bridget Riley (English, b. 1931). "Elapse". Silkscreen, 1982. Paper: 47" x 31 1/2". Frame: 50 3/8" x 34 1/4". Rainbow color silkscreen print with wavy lines against a white ground. Signed.

Bridget Riley (New York/United Kingdom, born 1931) color silkscreen print titled "Elapse" depicting wavy lines in pastel shades of pink, green, and blue against a white background. Titled, in pencil,

Antique Kawase Hasui Color Woodblock Print Zojo Temple, Shiba from "Twenty Views of Tokyo" 1925 10"×14.25"

BETTY WOODMAN (b. 1930) "A Roman Interior," 1995 Color woodblock with chine collé, framed Pencil signed, dated, titled, and numbered 21/30 Sight: 36 1/2" x 27"

"Road of Morning". Framed, matted, titled lower left in pencil, signed in pencil lower right. No. 100 of 100 center lower margin. 12 x 10 1/2.

PEDRO DE LEMOS (1882 - 1954) "The Cliff Dweller," Monterey Coast, CA, ca. 1915-20; Color woodblock print on tissue paper; Matted and framed; Pencil signed and titled; Image: 11 3/4" x 9"

GUSTAVE BAUMANN (1881 - 1971);Color woodblock print, "Windswept Eucalyptus," Santa Fe, NM, 1936; Matted and framed; Pencil signed, titled, and numbered II/29/125 with chop mark; Image: 9 1/2" x 11 1/4

GUSTAVE BAUMANN (1881 - 1971);Color woodblock print, "Taos Placita," Santa Fe, NM, 1947; Matted and framed; Pencil signed, titled, dated, and numbered I/125/47 with chop mark; Image: 9 1/2" x 11";

(American, 1867-1950), titled "Windblown Trees" signed l.r., verso bears collection label. Sight size: 6-1/2"h x 9-1/2"w Provenance: Christie's, Manson & Woods, New York.

WILLIAM S. RICE (1873 - 1963) "The Thaw," California, ca. 1920 Color woodblock print on Japanese paper Pencil signed and titled Image: 9" x 11 3/4"

each triptych; Provenance: The Estate of Barbara Beretich, Artist and Collector of Art, Claremont, CA; the largest: 15 x 28 1/2 inches sight; 25 x 38 3/4 inches frame

GUSTAVE BAUMANN (1881 - 1971) Color woodblock print, "Mountain Gold," New Mexico, 1925 Matted and framed Pencil signed, titled, and numbered 23/100 with chop mark Image: 9 1/2" x 11"