253 TOMMASO CASCELLA Ortona 1890 - Pescara 1968

TOMMASO CASCELLAOrtona 1890 - Pescara 1968Storm, 1960Oil on panel 25 x 35 cmSignature lower rightSign and date the back

David Wu Ject-Key (1890 - 1968), "Gloucester Waterfront", oil on canvas, harbor, signed and titled on back, Geraci Galleries label on back. 24" x 30".

BASILIO CASCELLA (Pescara, 1860 - Rome, 1950) Lady portrait Oil on board, 48 x 50 cm Signed lower right: B. Cascella Excellent conditions, frame with glass

Olio su tela, cm. 50x60. Sul verso: firma, titolo e dedica; timbro Galleria Bonaparte, Milano.

Frattini (Enrico del Frate detto, 1890 -1968) - Signature lower left - Oil painting on panel, Venetian scene titled "Piazza S. Paolo & Pietro" about elegant figures in ancient costume on the promenade

Portofino olio su tela, cm 20 x 30 Firmato in basso a sinistra: Michele Cascella Portofino oil on canvas, cm 20 x 30 signed lower left

MICHELE CASCELLA (Ortona, 1892 - Milan, 1989) Facade of Opera Don Bosco gymnasium, 1928 Mixed media on cardboard, 46,5 x 53 cm Signed and dated lower right: Michele Cascella, 1928 Good conditions, fra

Isaac Friedlander (N.Y. 1890 - 1968), scarce original woodblock, dancing boys. 12 1/2" x 10".

Etching. "Rhapsody in Black," African Americans in a theater. New York 1931, numbered 16/50, signed lower right. 9" X 12" (17.5" X 20.5")

MICHELE CASCELLA (Ortona, 1892 - Milan, 1989) Village alleyway Oil on cardboard, 49,8 x 54 cm Signed lower right: Michele Cascella Good conditions, framed with glass and passepartout

GIOACCHINO CASCELLA (Pescara, 1903 - Rapino, 1982) Fountain in San Pietro square Watercolor on cardboard, 59,7 x 45,7 cm Signed lower left: G. Cascella. On the back label of second Quadriennale d'Arte

Oceania/Polynesia, New Zealand, Maori people, ca. mid 20th century CE. A huge oyster shell pectoral, presented to Duke Kahanamoku (1890-1968) on his trip to New Zealand. The shell has a rich, buttery

David Wu Ject-Key (American/Chinese, 1890-1968), Profile of a Lady, oil on canvas, signed lower right, canvas: 18"h x 14.25"w, overall (with frame): 21.5"h x 17.75"w

David Wu Ject-Key (Chinese/American, 1890-1968), "Country Road", 1963, oil on canvas board, signed and artist stamp lower right, titled, dated and inscribed en verso, 12 in. x 16 in., framed.

Isaac Friedlander (American 1890-1968)- ''Brooklyn Bridge''- etching, 1930, signed, titled and dated in pencil, very slightly light struck, old tape hinge residue along top and bottom of edge of paper

Isaac Friedlander (1890-1968) Ghetto 1942 The wood engraving signed by the artist in pencil below the image lower right, titled lower left, and numbered 17 from an edition of only 26 prints. Image mea

Framed oil on canvas painting, The Hay Harvest, signed lower right J. Cielava (Janis Cielava, United States, Latvia, 1890-1968), impressionistic depiction of figures working in a pastoral field, sight

Isaac Friedlander (1890-1968) ''The Shadows''- drypoint, 1930, signed and titled in pencil, edition of 15. 12 x 7''

Golddigger. Isac Friedlander (1890-1968). 1931. Wood engraving. 5 x 3 1/2 in. Signed. Ed. 20. Signed, titled, and edition 20. Printed on fibrous Japanese paper and a fine impression. Please note that

Furnivals Ltd (English, 1890-1968), circa 1890s. A substantial ironstone punch bowl in the "Portland" pattern having the interior and exterior decorated with classical style scenes depicting Greek fig

Isaac Friedlander (American 1890-1968)- ''New York''- wood engraving, 1932, signed, dated and titled in pencil, small repaired tear right edge that goes slightly into image, minor soiling in margins.

Isaac Friedlander (1890-1968) ''Vonya''- woodcut, signed and titled in pencil. 9 3/4 x 9 1/2''

Isaac Friedlander (1890-1968) 1). ''Momento #2''- woodcut, 1967, signed, titled, dated and numbered 5/30 in pencil. 13 5/8 x 10 7/8''; 2). ''Searching Eve''- woodcut, 1965, signed, titled, dated and n

ALFRED G. SCHMIDT (American c. 1890-1968)Gold Fish - c. 1925Oil on boardSigned upper right10 inches x 14 inchesA Native of Washington DC, Schmidt studied at the Art Students League and the