Thomas Worsey (British, 1829-1875) A mossy woodland

Thomas Worsey (British, 1829-1875) A mossy woodland floor with primroses signed and dated 'Tho Worsey 1864' (lower left) oil on canvas 16 1/8 x 13in (41 x 33.1cm)

Thomas Worsey (British, 1829-1875) a framed oil on canvas depicting a still life with flowers. Signed lower left, "Tho Worsey" and dated, 1873. [Frame, approx.: 36" H x 31" W]. Provenance: From the Es

THOMAS HILL (BRITISH-AMERICAN, 1829-1908 YOSEMITE LANDSCAPE, oil on canvas, of impressive size, an atmospheric view of Half Dome at twilight from the Merced River, signed lower right on boulder. House

*** START PRICE IS THE RESERVE *** BAINES, Thomas (1820-1875). British Camp in the Amatolas. Oil on card. 6 5/8" x 10 1/8" sheet, 12" x 16" framed

Thomas Charles Leeson Rowbotham (British, 1823-1875) "An Italian Lake", 1859 watercolor heightened with white on paper signed and dated lower left, inscribed with artist name on mat lower right, title

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

Original "Coming Ashore" by Thomas Luny (British, 1759-1837) Signed and dated 'Luny 1829' (lower left) oil on panel. 8 3/4" x 11 3/4". Previously sold at Christies 2001. Information on back of paintin

HENRY THOMAS DAWSON (BRITISH 1860-1896) OIL ON CANVAS, JUNE 1875, H 15.5", W 23.5", COASTAL SCENE Wonderfully detailed oil on canvas coastal scene at low tide. Monogrammed and dated in the lower right

John Adam Houston (1812-1884).The Death of the Earl of Warwick. Antique engraving on wove paper after the original by master engraver Thomas Brown (British, 1663-1704, baptised in 1663).Year: 1875. Si

ATTR. THOMAS ROWLANDSON (BRITISH, 1756-1827) WATERCOLOR ON WOVE PAPER, H 13.75", W 18", UNTITLED An untitled watercolor on wove paper attributed to Thomas Rowlandson. Depicting a woodland path with a

CHARLES THOMAS BALE (BRITISH, ACT. 1866-1895) STILL-LIFE PAINTING, oil on canvas, depicting grapes and apples on a mossy bed in an outdoor setting, signed "C. T. Bale" lower right. Housed in a period

Robert Alexander Hillingford. (English, 1828 - 1904). The Princess Elizabeth in the Tower. Antique Steel Engraving on wove paper after the original by master engraver Thomas Sherratt (British; Male; 1

Henry Thomas Schafer, British (bef. 1854 - 1915) Oil on Canvas "The Connoisseur" Signed "Henry Tho Schafer" and Dated 1875 Lower Right. Tag marked "H.T. Schafer, S.B.A" attached to frame. Stamp mark e

James Cole (British, 1865-1885), dated 1875, Oil on panel, of a well dressed woman in a courtyard looking to her left at a bird on the ground. Image: 15.5 x 11.5 in.; Frame: 27 x 22 in. NOTE: Evidence

THOMAS COLLINS (Late 19th Century) British. Still life of flowers on a mossy bank, a pair of oil on canvas paintings. Each signed and dated 1893, each 7" x 9", (2).

Thomas B. Craig (American 1849-1924)- Fall Woodland Scene- oil on canvas, 1875, signed T. B. Craig 75 lower right. 50 x 36''

A group of two pair of British sterling silver sugar tongs including 1829-30 London tongs, and fine 1901-02 Sheffield Edwardian style scissor form tongs by Thomas Bradbury and Sons 5.5", 4.5" 2.6 troy

John Yates, Birmingham 1805-1829 ladle and Thomas and Townsend London 1801-1811 plate. Plate: 7-3/4" diameter. Ladle: 12" long. LR IMPORTANT: Before bidding, please read the terms and conditions. When

Vincent De Vos (1829 - 1875), "Dogs and Monkey in Costumes", featuring three dogs and a monkey in costume dresses, oil on canvas, signed "De Ves 62" lower left, 22" x 32 1/2".Provenance: Estate of Don

Portrait of young girl in white dress. Oil on canvas, unsigned in ornate gesso frame. Image size: 77 x 64 cm. (30 1/2 x 25 in.) Frame size: 105 x 91 cm. (41 x 36 1/2 in.)

Edwin Long (British, 1829-1891) Study for Ruth Gathering Wheat oil on canvas monogrammed EL (lower left) 52 x 42 inches. The authenticity of this lot has kindly been confirmed by Mark Bills, Director

James Hayllar, RBA (British, 1829-1920) A wandering minstrel in a quiet square signed with monogram and dated '18HJ58' (lower right), titled, signed, and inscribed with artist's address (on a label at

Edward Henry Windred (British 1875-1953) Oil on Canvas "Portrait of the Champion Racing Pigeon Rufus", circa 1920-1930, with legend at base with Fancier's name, pigeon's name and performances reregist

James Hayllar, RBA (British, 1829-1920) The welcoming party signed 'J. Hayllar' (lower left) oil on canvas 50.8 x 74cm (76.5 x 29 1/8in).