Thomas Moran Etching [Cortez, Mexico]

Thomas Moran (American 1837 - 1926) etching. Plate signed 'Moran 1883' lower right and reverse titled 'Tower of Cortez' lower left. Measures 11.5 in. x 9.875 in. image size and 17.875 in. x 13.625 in.

Thomas Moran, signed etching on parchment, 1887, Thomas Moran (American, 1837-1926), after Alfred Fisher Bunner (1841-1897), The Harbor of Vera Cruz, Mexico, pencil signed "T Moran" lower right, copyr

Thomas Moran (American, 1837-1926), "A Tower of Cortes Mexico," 1883, etching, pencil signed lower left, plate signed and dated lower right, titled in plate lower left, image: 11.5"h x 9.25"w overall

MORAN, Thomas (1837-1926). Castle of San Juan D'ulloa, Vera Cruz Mexico. Etching in brown on thin laid paper. Signed under image bottom right. 1884. 19 1/2" x 14 1/2" sheet.

(American, 1837-1926). Etching, 11 3/4 x 26 3/4 in., framed

Including "The Oranges" from "A Bit of Old Jersey," etching on japon; signed, dated in the plate; signed in pen, 1867. And etching of a river with boats, signed in pencil lower left. Both in mounts. D

Thomas Moran (American 1837-1926)- ''Pass at Glencoe'' (Klackner 29)- etching, 1882, signed in pencil. 9 1/4 x 11 5/8''

framed size 21 3/4" x 17 3/4"

Thomas Moran (American 1837-1926)- ''Sunrise - Pond, Easthampton L. I.'' (Klackner 39)- etching, 1883, very good condition. 4 1/2 x 7 1/8''

Medium: original etching. This work is also called "In the Newark Meadows".. Catalogue reference: Klackner 15. Executed in 1879, this original Thomas Moran etching was printed on heavy wove paper for

Thomas Moran etching signed in pencil "Communipaw" and initialed monogram in plate. Circa 1884. [Sight: 3 3/4" x 5 1/2" W; Frame: 15" H x 12" W]. Matte burn, otherwise in overall good condition. Not e

Moran, Thomas (American 1837-1927), A Wreck Montauk, 1888, (Morand/Friese #56; Klackner #69), etching and mezzotint, 5.5 x 7.75 inches, signed in the plate lower right, a rich pull from the plate of t

Medium: original etching. Catalogue reference: Klackner 18. This impression on laid paper was printed in 1880 for The American Art Review. The plate measures 4 1/2 x 7 1/8 inches; the sheet size is 9

Thomas Moran (American, 1837-1926) "Communipaw" Etching, NJ c.1884, unsigned; used condition, wear/worn, not examined outside of frame, frame size measures 10 3/4" wide x 8 3/4" high

Thomas Moran (American, 1837-1926), etching on paper "The Half Dome-View from Moran Point", signed in plate "T. Moran 1887", 11-5/8" x 8-1/4" pl, 19" x 14" sheet, very good condition

Thomas Moran (American, 1837-1926). "Morning: Hook Pond and Old Bridge" - 1883 (alternatively titled "The Pond, Easthampton, L.I."), etching on very thin tan paper, plate monogram lower left, pencil s

Medium: etching. Catalogue reference: Klackner 63. Executed in 1888; this charming landscape was etched by Thomas Moran after George Inness. This is a nice impression printed on laid paper circa 1900.

Thomas Moran (1837-1926 American) ''Passaic Meadows'' Etching 6''x8.5'' Sight. Plate signed l.r. image. Original framing 12''x16.5''. Visible mat line. Not examined outside of framing.

Thomas Moran, American (1837-1926) 19th C Etching "Cummunipaw, N.J.". Signed in pencil lower right. Toning from age or in good condition. Impression measures 3" x 5", frame measures 9-1/2" x 11-1/4".

Venice canal gates etching by Thomas Moran, dated 1888Signed in pencil by the artist Thomas Moran (Source: thomas-moran.org) Thomas Moran was born in 1837 in Bolton, Lancashire to two handloom weavers

THOMAS MORANPennsylvania/California, 1837-1926Boats, 1890. Published by Radtke Lauckner & Co., New York. After Henry Chase. Signed in pencil lower left. Gilcrease 74.Etching, 14.25” x 23.5&#8221

Moran, Thomas (American, 1837-1926) Etching. “Communipaw NJ c.1884.” Etching and drypoint print. Signed bottom center T. Moran. In good condition, light spot in margin bottom. Plate measures 3 7/8

Two etchings, to include: "Morning" by Thomas Moran, 9 1/2" x 7 1/2" within mat; "Solitude" by Mary Nimmo Moran, 8" x 10" with frame.

THOMAS MORAN The Much Resounding Sea. Etching, roulette and drypoint with sandpaper ground on Japan paper, 1886. 370x827 mm; 14¾x32 inches, wide margins. Second state (of 2), with the shark remar