Thomas Moran "Communipaw" Etching

Thomas Moran etching signed in pencil "Communipaw" and initialed monogram in plate. Circa 1884. [Sight: 3 3/4" x 5 1/2" W; Frame: 15" H x 12" W]. Matte burn, otherwise in overall good condition. Not e

Thomas Moran (American, 1837-1926) "Communipaw" Etching, NJ c.1884, unsigned; used condition, wear/worn, not examined outside of frame, frame size measures 10 3/4" wide x 8 3/4" high

THOMAS MORAN COMMUNIPAW NJ 1884 10" X 11.5" HARBOR SCENE SIGNED ETCHING

Moran, Thomas (American, 1837-1926) Etching. “Communipaw NJ c.1884.” Etching and drypoint print. Signed bottom center T. Moran. In good condition, light spot in margin bottom. Plate measures 3 7/8

Including "The Oranges" from "A Bit of Old Jersey," etching on japon; signed, dated in the plate; signed in pen, 1867. And etching of a river with boats, signed in pencil lower left. Both in mounts. D

Thomas Moran (American 1837-1926)- ''Pass at Glencoe'' (Klackner 29)- etching, 1882, signed in pencil. 9 1/4 x 11 5/8''

framed size 21 3/4" x 17 3/4"

Thomas Moran (American 1837-1926)- ''Sunrise - Pond, Easthampton L. I.'' (Klackner 39)- etching, 1883, very good condition. 4 1/2 x 7 1/8''

Thomas Moran (American 1837 - 1926) etching. Plate signed 'Moran 1883' lower right and reverse titled 'Tower of Cortez' lower left. Measures 11.5 in. x 9.875 in. image size and 17.875 in. x 13.625 in.

Medium: original etching. This work is also called "In the Newark Meadows".. Catalogue reference: Klackner 15. Executed in 1879, this original Thomas Moran etching was printed on heavy wove paper for

Thomas Moran, signed etching on parchment, 1887, Thomas Moran (American, 1837-1926), after Alfred Fisher Bunner (1841-1897), The Harbor of Vera Cruz, Mexico, pencil signed "T Moran" lower right, copyr

Moran, Thomas (American 1837-1927), A Wreck Montauk, 1888, (Morand/Friese #56; Klackner #69), etching and mezzotint, 5.5 x 7.75 inches, signed in the plate lower right, a rich pull from the plate of t

Medium: original etching. Catalogue reference: Klackner 18. This impression on laid paper was printed in 1880 for The American Art Review. The plate measures 4 1/2 x 7 1/8 inches; the sheet size is 9

Thomas Moran (American, 1837-1926), etching on paper "The Half Dome-View from Moran Point", signed in plate "T. Moran 1887", 11-5/8" x 8-1/4" pl, 19" x 14" sheet, very good condition

Thomas Moran (American, 1837-1926). "Morning: Hook Pond and Old Bridge" - 1883 (alternatively titled "The Pond, Easthampton, L.I."), etching on very thin tan paper, plate monogram lower left, pencil s

Medium: etching. Catalogue reference: Klackner 63. Executed in 1888; this charming landscape was etched by Thomas Moran after George Inness. This is a nice impression printed on laid paper circa 1900.

Thomas Moran (1837-1926 American) ''Passaic Meadows'' Etching 6''x8.5'' Sight. Plate signed l.r. image. Original framing 12''x16.5''. Visible mat line. Not examined outside of framing.

Thomas Moran, American (1837-1926) 19th C Etching "Cummunipaw, N.J.". Signed in pencil lower right. Toning from age or in good condition. Impression measures 3" x 5", frame measures 9-1/2" x 11-1/4".

Venice canal gates etching by Thomas Moran, dated 1888Signed in pencil by the artist Thomas Moran (Source: thomas-moran.org) Thomas Moran was born in 1837 in Bolton, Lancashire to two handloom weavers

THOMAS MORANPennsylvania/California, 1837-1926Boats, 1890. Published by Radtke Lauckner & Co., New York. After Henry Chase. Signed in pencil lower left. Gilcrease 74.Etching, 14.25” x 23.5&#8221

Two etchings, to include: "Morning" by Thomas Moran, 9 1/2" x 7 1/2" within mat; "Solitude" by Mary Nimmo Moran, 8" x 10" with frame.

THOMAS MORAN The Much Resounding Sea. Etching, roulette and drypoint with sandpaper ground on Japan paper, 1886. 370x827 mm; 14¾x32 inches, wide margins. Second state (of 2), with the shark remar

(American, 1837-1926). After the Original by Harry Chase (American, 1853-1889). Signed "T. Moran" lr, monogrammed in plate ll, remarque ll, 14 1/4 x 23 1/2 in., framed

THOMAS MORAN (AFTER) The Gates of Venice. Etching, drypoint and roulette on imitation Japan paper, 1888. 455x800 mm; 18x31½ inches, full margins. Signed by Moran in pencil, lower left. Published