Susan Stinsmuehlen-Amend (b. 1948) California

COMMON VESSEL/ LIFE CYCLE, kiln fired paint and decals on glass, a signature not found, 15” tall, 4” diameter. From the Ellie Gorman Estate.

WHISPER OF HEAVEN, acrylic painting on canvas, signed lower right, signed and titled on verso, 60 x 70”, frame 92 ¼ x 92 ¼ x 4”.

UNTITLED, 1978, gouache and color pastel on paper, signed and dated and inscribed lower right, sight 23 ½ x 17 ½”, Plexiglas box frame 35 ½ x 25 ¼”. From the Co

JEWEL, 1978, encaustic painting on panel, signed and dated and titled and inscribed on verso, 17 ½ x 14 ¼”. From the Collection of Laura Lee Stearns, Los Angeles.

UNTITLED DRESS, 1975, mixed media with glass fragments, cloth dress, and epoxy mounted to Plexiglas, a signature not found, 21 x 19 ½”. Caution: Sharp edges.

TABLESCAPE / WAITING, HOW THE CAT SEEKS AT DUSK (P-164), 1982, oil painting on canvas, signed and dated lower right, signed and dated and inscribed on verso, 66 x 46”. Exhibited at Tortue Galler

ENCHANTED LOVE, color giclee on canvas with remarque, signed lower right, numbered 11/195, with artist’s copyright stamp on verso, 24 x 36”, frame 36 ¾ x 39 x 4”. Provenance:

MY ENCHANTED SONG, color giclee on Masonite with remarque, signed lower right, numbered 142/195, with artist’s copyright stamp on verso, 10 x 8”, frame 18 x 16”, with artist’

Oil on canvas 30 x 24 in. (canvas), 33 x 27 in. (framed). Lynn L. Gertenbach is a California impressionist landscape painter of places near her home by Malibu State Park, near Los Angeles. Gertenbach

MATISSE & MAN RAY ENVELOPES, 1992, two color lithographs, each signed and dated and inscribed CTP (color trial proof) III & 9/45, Man Ray published by LACMA Graphic Arts Council, with blind stamp lowe

Oil on canvas 30 x 24 in. (canvas), 33 x 27 in. (framed). Lynn L. Gertenbach is a California impressionist landscape painter of places near her home by Malibu State Park, near Los Angeles. Gertenbach

SUSPENSION, LOSING ONE’S GROVES, 1981/82, oil painting on paper, signed and dated lower right, 22 x 28”, finger-jointed frame 24 ¾ x 32 ¾” with Plexiglas.

BULLS HEAD, 1998, polychrome patina bronze, signed and dated and numbered 4/50 underneath, overall 18 x 7 ½ x 7” including marble base. Provenance: From the CODA Collection, CODA Gallery, P

WOMAN WITH PEACOCK FEATHERS, oil painting on canvas, signed lower right, 40 x 30”, frame 43 x 33”.

WEE WANKLER, 1978, sewn paper and fabric, possibly signed on verso, 16 x 20”, Plexiglas frame 22 ¼ x 30 ¼ x 1 ¾”. Provenance: Joyce Hunsaker & Associates.

MIGRATING ICHIBAN, 1981, color monotype, Tobey Michel Angeles Press blind stamp lower right. plate 9 x 7”, sheet 13 ¾ x 12 ½”, frame 16 ½ x 14 ½” with Ple

Sam Racina (American, b. 1948), "California Landscape," 1976, oil on canvas, initialed lower right, signed and dated verso, artist label with title affixed stretcher bar verso, canvas: 18"h x 36"w, ov

UNTITLED (Red Sky at Sunset with Lightning), oil painting on canvas, signed lower left, 24 x 36”, inventory #99899, framed, in good studio condition. Provenance: acquired directed from artist by pre

RED SUNSET COAST, oil painting on Masonite, signed lower left, 24 x 36”, inventory #99898, some perimeter wear and small chips from previous framing, otherwise in good studio condition. Provenance:

MAKE A WISH WITH YOUR HEART, oil painting on canvas, signed lower right, titled on verso, 16 x 20”, in good studio condition. Provenance: acquired directed from artist by present owner.

ROBBERS, 1982, color screenprint, signed and numbered 200/275 in pencil, published by Martin Lawrence Limited Editions, with their and printer’s blind stamps lower left, image 24 ¼ x 24

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered 136/295 in pencil, published by Martin Lawrence Editions with blind stamp lower left, image 19 ¾ x 29 &frac34

THE WRIGHT BROTHERS, 1980, color screenprint, signed and numbered 22/300 in pencil, published by Martin Lawrence Limited Editions, image 26 ¾ x 36”, full margins, frame 39 ¾ x 48 &

MISS PARIS, color screenprint, signed and numbered 275/300 in pencil, image 27 ½ x 22”, sheet 35 x 29”, in Plexiglas frame 41 x 35”