Signed & Numbered 41 1/2 x 34 1/2 Ocean View

Signed & Numbered 41 1/2 x 34 1/2 Ocean View

BANKS LAKE, color lithograph, signed and titled and numbered 41/130 in pencil, image 25 x 20”, full margins, frame 34 ½ x 29 ½” with glass.

FIRST SUBJECT (I.15; SFE.281), 1981, aquatint with chin colle, signed in pencil and numbered AP 2/8, aside from the numbered edition of 20, image 29 ¾ x 24”, sheet 41 ½ x 35 ¾”, printed and pub

TETE DE GABRIELLE, 2005, lithograph on grey wove paper, signed and dated and numbered 11/200 in pencil, sight 17 ¾ x 15 ¼”, frame 41 x 34 ½” with glass. Provenance: Ga

TETE DE GABRIELLE, 2005, lithograph on grey wove paper, signed and dated and numbered 11/200 in pencil, sight 17 ¾ x 15 ¼”, expensive handmade custom frame 41 x 34 ½”

UNTITLED from the Holy Land Series, etching, signed in pencil, numbered 23/50, plate 25 ¼ x 36 ¾”, sheet 29 ½ x 41 ¾”, framed, some surface dried bug debris in the lower margin, otherwise in a

THE POINTERS (SISTERS), color screenprint, signed and numbered 239/275 in pencil, sight 34 x 29 ½”, frame 41 ¼ x 36 ½” with glass.

UNTITLED, color lithograph, signed and numbered 49/275 in pencil, sheet 21 ¼ x 29 ¾”, frame 32 ½ x 41” with glass.

LA UNCOVERED #7 (Gemini 1733; National Gallery 41.227; Gemini work #RR98-5252), 1998, twelve-color screenprint, signed and numbered 24/58 in pencil, sheet 32 x 23 ½”, frame 41 ¾ x

SHOWGIRL, color screenprint, signed and numbered 124/300 in pencil, image 28 ½ x 31 ¾”, full margins, frame 38 ½ x 41” with glass.

CIRCUS PERFORMERS, color screenprint, signed and numbered 127/300 in pencil, image 29 x 31 ¾”, full margins, frame 39 ½ x 41 ¼” with glass.

METRO MUSEUM CENTRAL PARK, 1979, color etching, signed and dated and titled and numbered 29/56 in pencil, plate 17 ¾ x 35 ½”, sheet 24 x 41 ½”, frame 28 ½ x 46” w

STATUE OF LIBERTY WITH MUSICAL INSTRUMENT OVERLAY, color screenprint, signed in pencil, numbered 34/99, image 34 x 24”, sheet 41 x 29 ½”, framed with glass, some soft handling creases in margins,

SUN; WINDOW, from More Indian Views, 1976, two color lithographs, each signed and dated lower right verso, the first numbered 30/60 on verso, sheets 8 ¾ x 12”, published by Bernard Jacobson London,

ARMORED HORSE, 1969, color woodblock print, signed and dated and numbered 57/65 in pencil, image 33 ¾ x 21 ¾”, full margins, frame 41 x 27 ½” with glass.

THREE WOMEN AT TEA, 1992, color screenprint, signed and numbered 76/350 in pencil, blind stamp lower left, image 36 ½ x 26”, full margins, frame 51 ¾ x 41” with Plexiglas.

Moshe Givati (1934 - 2012) Untitled Signed in pencil and numbered 89/90 Screenprint 39 ½ x 29 inches Framed: 41 ¼ x 30 ¾ inches Provenance: Goldman’s Gallery, Haifa Private Collection, New York (

BERN Series, 1974, color screenprint, signed and dated and numbered 12/50 in pencil, image 36 x 27 ¼”, sheet 40 ¾ x 31 ¼”, Plexiglas frame 41 ¼ x 31 ¾”

mounted to a marble base; signed "A. Moreau" and numbered 37/100 in casting Bronze: 13 1/2 x 12 1/4 x 11 1/4 in. (34.3 x 31.1 x 28.6 cm.), overall: 15 x 16 1/2 x 11 1/2 in. (38.1 x 41.9 x 29.2 cm.)

Mark King Tennis Signed & numbered 34 1/2 x 24 1/2

Constantin Chatov (Russian, 1904-1993) Woman in White Dress and Hat signed C. Chatov (lower right) 41 ½ x 34 ½ inches. Property from the Collection of Noel and Kathryn Dickinson Wadswort

Fanch Ledan Signed & Numbered 33 1/2 x 37 3/4

FINSTER, Howard (American, 1916-2001). I Preach the Bible the Book of Life. 1988. Painted cut-out affixed to wooden base. Signed, dated, and numbered. 12 ¾ x 7 ¾ x 3 ½”.

STACKED MAN ON HIGH WIRE, color screenprint, signed and numbered 122/150, sheet 41 ½ x 29”.