Shark Toof (20th/ 21st Century) Californian (three)

UNTITLED, 2011, three spray-painted variants of the same color screenprinted image, each tag signed in pencil lower center, each from the numbered edition 30 and date stamped on the verso, sheets 26 x

TIGER, 2011, extensive spray painting and tagging over color screenprint, signed in pencil lower center, numbered 29/30 in pencil on verso, unidentified blind stamp lower right, sheet 26 x 20”.

TIGER, 2011, extensive spray painting and tagging over color screenprint, signed in pencil lower center, from the numbered edition 30 on verso, unidentified blind stamp lower right, sheet 26 x 20&rdqu

TIGER, 2011, extensive spray painting and tagging over color screenprint, signed in pencil lower center, from the numbered edition 30, numbered in pencil on verso, unidentified blind stamp lower right

VARIOUS, four oil paintings on canvas, each signed, one titled on back, three 16 x 27” and one 16 x 26”, one with some craquelure; otherwise all in good studio condition. (4)

CAMPBELL SOUP FLAG, ceramic sculpture from broken vintage McCoy Company soup bowls, 27 ½ x 37 ½” including frame. A similar flag with an estimate of $400/600 from Tommy Hilfiger’s collection sol

Jo Ramirez MILAGRO (Downtown L. A.), 1998, acrylic painting on wood, signed and dated lower right, 40 x 21 ”, in good studio condition; Together with Alice Childrey MERRITT LAKE, OAKLAND, acrylic pa

STANFORD HILLS #81-1994, charcoal drawing on paper, initialed and dated in pencil lower left, 20 x 30”, framed. Provenance: Tatistcheff Gallery Inc. Los Angeles

STILL LIFE, color giclee with extensive acrylic painting, signed and numbered 41/295 lower left, with wavy wooden frame, overall 32 ½ x 26 ½ x 4 ½”.

SURFS UP; BEACH HOUSE, two color giclees with some acrylic painting, signed and numbered 26/295 & 3/295, both with wavy wooden frame, overall 12 x 14 x 2 ¾” & 14 x 12 x 2 ¾”. (2)

CROW, charcoal drawing on paper, signed lower right, sheet 36 x 22”, framed, in apparently good studio condition.

GRAFFITI, 2007, spray painting on canvas, signed on verso, 30 x 48”. Provenance: Scion Installations, Culver City.

UNTITLED, 1991, oil painting on copper over panel, signed and dated on verso, 24 x 24”, in good studio condition.

GIRL ON RAILING OF STAIRS, 1989, oil painting on canvas, initialed and dated lower left, 102 x 96”, in good studio condition.

FOLIO CONCRETIONS, 1992, four works, each encaustic and ceramic on layered stitched fabric with hand-made stitched linen portfolio case, signed, titled and dated on inside case cover, each component 7

HANDS, 2005, graphite and lacquer on wood panel, signed and dated on verso, 48 x 48”, in good studio condition.

TRUE TREASURE, 2002, color giclee with extensive acrylic painting, signed and numbered 156/295 lower left, printed by Talon Graphics, with artist's wavy wooden frame with copyright branding, overall 3

NORTH SHORE CALLING, 2003, color giclee with extensive acrylic painting, signed and numbered 13/245 lower left, printed by Talon Graphics, with artist's wavy wooden frame with copyright branding, over

BOWLING SIGN, watercolor on paper, signed lower left, sight 28 x 12 ”, framed with glass, in apparently good studio condition. Provenance: Orlando Gallery, Tarzana.

BREAK, 2009, oil painting on Mylar, signed and dated lower right, image 4 ¾ x 7 ½”, sheet 11 x 14”, framed, in good studio condition. Provenance: Lora Schlesinger Gallery, Santa Monica.

CROWS, two charcoal drawings on paper, one on a map of North America, both signed lower left, sheets 14 x 11” & 14 ½ x 10 ¼”, the map with a small pre-existing tape stain upper right corner, bot

CAFÉ BREAK, watercolor on paper, signed lower right, titled on verso, image 17 ¾ x 25”, sheet 22 x 28 ½”.

After Isamu Noguchi 20th/21st Century Three Tables wood, glass

each stoneware; each unsigned; comprising a tile (6 in. square) and two spheres (each 3 3/4 in. diameter); Note: each of the spheres filled with a rattling material