Scott Covert (b.1954) Untitled, from White Columns Portfolio

NO RESERVE Scott Covert (b.1954)Untitled, from White Columns PortfolioScreenprint, 2019, signed and dated in pencil verso, numbered from the edition of 100 verso, published by White Columns, New York,

32.5 x 25.5 in (framed)

Youngerman, Jack (American 1926-2020), Untitled 1 from The White Portfolio, 1972, blind embossing intaglio, 28.5 x 21 inches, pencil signed and numbered 49/150, framed measuring 38 x 29 inches, Proven

UNTITLED, white marble and black granite column & base sculpture, overall 62" tall, unobtrusive minor chips at marble base, otherwise in good condition. Note: very heavy.

Michael Hafftka (American, b.1954) Untitled Drawing, 1984, ink on white fabric, signed and dated. Unframed. Size: 19.5'' x 11.5'', 50 x 29 cm (irregular). Provenance: Collection of Joshua P. Smith.

Carter (American, b. 1970), "Untitled," 2004, ink and watercolor on paper, unsigned, overall (with frame): 20"h x 17.5"w. Provenance: Purchased from White Columns, Inc., New York, NY.

Greg ParkerAmerican, b. 1952Untitled, 2005Graphite and oil on gessoed panelSigned and dated to verso. Geometric composition in soft grey, sepia and bisected by a column of white. Gallery wrap, unframe

Virgil Finlay - A Portfolio of IllustrationsPhiladelphia, PA: Nova Press, 1954. 9" x 12" Limited edition bound in stapled tan pictorial wrappers. This portfolio contains 15 black & white plates. It is

Watanabe, Mikio (Japanese, b.1954), Deux: A Portfolio containing seven black and white mezzotints, 1989, published by Multiple Impressions, NYC, each one titled, signed, dated and numbered 32/50 in pe

UNTITLED, portfolio of eight color and black & white lithographs, each signed in pencil and numbered 74/120, each with blind stamps lower left, images average 9 ¾ x 9 ½”, sheets 16 ¾ x 12 ¾”,

Robert Longo Untitled from 'Man in the cities' 1980 from Vintage portfolio catalogue printed in Japan 1986 Offset Lithograph paper size: 12 x 8 inches Matted: 20 x 16 inches Condition Grade: Extra Fin

Helen Frankenthaler Untitled (from the What Red Lines Can Do portfolio) 1970screenprint in four colors on White Arches handmade coldpress 38.5 h × 26 w in (98 × 66 cm) Signed, dated and numb

Vija Celmins (American/Latvian, b. 1938) Galaxy (from Untitled Portfolio), 1975 lithograph signed, dated, and numbered 59/75 in pencil 12 1/2 x 16 1/2 inches. Printed by Cirrus Press, Los Angeles Publ

Jackson Pollock (American, 1912-1956) A Pair of Prints from Untitled Portfolio, 1951 (printed in 1964 by Lee Krasner and the Pollock Estate) screenprints each bearing estate blindstamp and numbered 28

(Angie). Edition 5 of 5 (+2). Barbara Gladstone Gallery, New York label affixed verso. Richard Prince (American, b. 1949). From the estate of Vera G. List, renowned art collector and philanthropist. D

SAM SCOTT (b. 1940) Untitled (Triptych), 1984 oil on canvas signed and dated lower right: Scott -84 Dimensions: Each canvas: 48 x 60 inches Provenance: The Artist Private Collection, Pennsylvania

Lot 9 Vasa Velizar Mihich American (b. 1933) Untitled (Column) (1970) acrylic on wood base signature etched to bottom of acrylic height (acrylic): 99 1/2 inches base: 4 1/2 x 15 x 15 3/4 inches Additi

Untitled (White, Black, Red), 2000 Micro glass spheres in paint on paper Signed on verso Provenance: Peter Blake Gallery Image: 7 3/8 x 18 3/4 inches Framed: 16 ½ x 27 ½ inches

Untitled; white sheep with garden flowers. Signed lower right. Yeager is active / lives in California, New Mexico / Mexico. 66" x 66" x 2".

Beverly Buchanan (American/Georgia/Michigan, 1940-2015). "White Columns" - 1987, painted wood and foam core, signed, titled, dated to underside. Provenance: From the Private Collection of Ruth West, A

Julius Bien. Untitled. White-headed eagle with allegories of the American Civil War. Circa 1861. A very rare and desirable chromolithograph about which very little is known. The mystery begins with th

Anthony Quinn (Anthony Rodolfo Quinn Oaxaca), Mexican-American, 1915-2001, California, Massachusetts, Africa, Mexico. Expressive figurative sculpture, portraiture, painting. "Untitled (White Tilted He

New York, circa 1830, with marble top over a stencil decorated frieze, on bold white column supports with deeply carved and gilt capitals, the back with white marble pilasters centering a mirror plate

Irene Rice Pereira Untitled (Red, White & Black Gates) c. 1954oil on canvas 44 h × 36 w in (112 × 91 cm) The authenticity of this work has been confirmed by the artist's nephew, Djelloul Mar