Roman Haubenstock, Etching/Aquatint Impressions

Roman Romati-Haubenstock (Polish, 1919-1994). A group of 20 different etching and aquatints by the renowned artist and composer. Each is signed in graphite to margin, and each is noted as 53/200. Each

20th century AD. A mixed group of composition impressions from medieval seals with heraldic and other motifs, some with legends; offered with a Roman intaglio impression and an Egyptian(?) seal; offer

Ancient Roman Lead Seal impression Of Minerva c.3rd century AD. 22 mm. Lead seal impression of Bust of Minerva in crested helmet. Provenance: Ex Eldert Bontekoe, Pegasi. Ann Harbor Michigan, USA.

Rich colors and texture displayed in this bold and fascinating artists impression of Roman architectural elements and foliage laced in gold leaf throughout. Originally displayed in a well established

Including a clear glass cylindrical seal mounted with its impression. Together with a pre Roman green glass seal.Provenance: Green glass seal Astarte Gallery, London, 1985.

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

(Spanish 1746-1828) Plate no. 38 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 73, third edition. Overall: 16-3

(Spanish 1746-1828) Plate no. 41 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 76, second or third edition. Ove

(Spanish 1746-1828) Plate no. 55 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 90, third edition. Overall: 16-3

Table clock, 1st half 19th century, wood elaborately hand carved in sacral impression, gilded dial with shell motif, roman numerals and blued hands, french. Round movement with 1/2 hour disc strike on

20th Century, Each Later Steel Engraving Impressions After 18th C. Plates On Paper, Sight 28 X 20 Inches, Matted And Gilt Frame 38.5 X 30 X 2 Inches, One Frame With Losses To Edge. See Photos For Furt

Roman Empire, Tunisia, N. Africa, ca. 4th to 5th century CE. A wonderful find, this gypsum mold was used to create terracotta oil lamps. Note the lovely negative impressions of a decorative abstract m

A lot of 2 neoclassical glass impressions. The dialogue of Coriolanus - Male portrait. 19th century 27 x 35 x 4 mm12 x 14 x 4 mm The dialogue of Coriolanus. Roman history episode composed of: twelve m

Joan Miro (Spain/France: 1893-1983) color etching and aquatint on wove paper titled "Fusees" (Rockets). Hand signed in pencil to lower right. Pencil Roman numeral edition to lower left. Edition: 1/15.

A full colorful marble bust of a young roman. This large and impressive bust is certain to make an impression as one views the fine detail and enormity of the sculpture. Wear is consistent with age. M

1st century BC-1st century AD. A square ceramic floor tile (tegula) with rectangular impression to the upper face 'LEXFR' for Legio X Fretensis (Tenth legion of the Strait"). See Hillel, G., The Camp

Ancient Roman Blown Glass Jar, (C. 300 AD). Blue - green blown glass with stylized broad rim and slight base impression. Good condition with ground burial wear and surface iridescence, measures: 5.4"

Circa 2nd-3rd century A.D. With crescent moon among three starbursts; supplied with a museum-quality impression. 0.96 grams, 14 mm (1/2 in.). From the collection of a Swiss gentleman formed in Europe

Later impression on wove paper. Dimensions: (Frame) H 27.5" x W 35.75", (Sight) H 16.5" x W 24.5" Condition: Toning to paper. Marks. Frame with rubbing.

A HUGE LOT OF ANCIENT INDUS VALLEY, ROMAN, GREEK, KUSHAN & HUNNIC TRIBES POTTERY BULLAE & TERRACOTTA 4TH BC to 5TH CENTURY, with the seal impression of of different types, animals, humans image, flora

Circa 2nd-3rd century A.D. With intaglio image of winged Victory and a perching eagle; supplied with a museum-quality impression. 0.38 grams, 11 mm (3/8 in.). From the collection of a Swiss gentleman

A lot of 2 Roman terracotta counterfeiter/forger’s moulds, Late Constantinian Era, c. 340 - 360 AD, each with an impression from a Centenionalis of Constantius II (AD 337 - 361) who was the son of C

Circa 2nd century A.D. Carnelian with intaglio vase with vegetation cascading to each side; supplied with a museum-quality impression. 0.64 grams, 10 mm (3/8 in.). From the collection of a Swiss gentl

A lot of 4 Roman terracotta counterfeiter/forger's moulds, Late Constantinian era, c. AD 340 - 360, one with an impression from the obverse of a Centenionalis of Constantius II (AD 337 - 361), son of