Robert Phillip "Rochelle at Breakfast"

Oil on canvas, Robert Phillip, (American 1895-1981), "Rochelle at Breakfast," signed lower right. Gallery label on verso, "Grand Central Art Gallery, Inc., NY, NY." [Art: 20" H x 16" W; Frame: 28" H x

ROBERT PHILIPP (AMERICAN, 1895-1981) OIL ON CANVAS PORTRAIT OF WOMAN , SIGNED PHILLIP , UPPER RIGHT & INVERSO , TITLED "ROCHELLE" , WHO IS LIKELY ROBERT PHILLIP 'S WIFE & FELLOW ARTIST ROCHELLE "SHELL

Robert Phillip. Outdoor Cafe scene with a couple seated at a table. Oil on canvas. Signed lower left. Framed. Sight size: 12" x 16". Overall size: 20" x 23".

Robert Phillip (American, 1895-1981). An oil on canvas portrait of a young girl titled "Janice". Signed top right. Titled and attributed on back. Canvas: 13-1/2in x 11-1/2in. Frame: 19-1/2in x 7-1/2in

Oil Painting Portrait. Antique. ROBERT PHILLIP. "Philosopher" Oil on canvas. Signed upper right. -- Dimensions: Image Size: H: 8.75 inches: W: 7.5 inches --- US Shipping charge: $35

Oil on canvas 36 x 24 in, 40 x 28 in (framed)

Two untitled portraits of women, one on board and one on canvas, together with ROBERT PHILLIP (American, 1895-1981) oil on canvas, untitled (portrait of a young girl) (all framed separately) Each sign

Artist: Robert McGinnis Title: Breakfast at Tiffany's Medium: Fine Art Reproduction Giclee on Canvas Image Size: Approximately 20 inches x 10.75 inches Framed: Unframed and Unstretched Robert Edward M

ROBERT MAPPLETHORPE (1946-1989) Phillip Prioleau, 1979 Print in Colors 7 3/4" x 8" Robert Mapplethorpe was an American photographer known for his black-and-white portraits and for documenting New York

ROBERT MAPPLETHORPE (1946-1989) Phillip Prioleau, 1979 Print in Colors 8" x 8" Robert Mapplethorpe was an American photographer known for his black-and-white portraits and for documenting New Yorkâ

Step into a cinematic moment of remarkable talent with this commanding photograph from the politically charged film "Charlie Wilson's War," signed by the stellar triumvirate of Hollywood greats: Tom H

Artist: Robert E. McGinnis Title: Breakfast at Tiffany’s Medium: Fine Art Giclee on Canvas Image Size: Approximately 18.25 inches x 9.25 inches Framed: Unframed on Unstretched Canvas Details: T

France, 1976 printed matter 9 1/2” x 6 1/4” Handbill for the initial 1976 performance of Einstein on the Beach, an opera by Phillip Glass and Robert Wilson. Presented by the Byrd Hoffmann

"Country Road in Spring" Oil on canvas laid to waxed canvas Signed lower left: R. Emmett Owen, titled on a gallery label affixed to the backing board 25" H x 30.25" W

An 18 piece porcelain tea or breakfast set designed by Robert Lee Morris (born 1947), produced circa 1994 for Swid Powell (New York; fl. 1982-2001) in the Camelot pattern. White ground and raised gild

ROBERT E LEE. GEORGE MEADE. & PHILLIP SHERIDAN. TWO ARE UNFRAMED.

Group of Auction Catalogs incl Sotheby's The White House Years of Robert S. McNamara, Christie's Contemporary Art, Phillip's Photography & Contemporary Art

ROBERT PHILIPP (NY, 1895-1981) - "Artist's Wife Rochelle, Painting an Abstract, 1945", oil on canvas, signed lower right, signed and titled verso, name tag on signed custom gilt matched corner panel f

ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) MILK FOR BREAKFAST Signed, oil on canvas(38cm x 30.5cm (15in x 12in))

"Rochelle", (the artist's wife), depicted sitting at a table with a harbor in the background. Signed at the lower left. Dimensions:10" x 11 1/2", the frame 16" x 17". Provenance:From a Bucks County co

Item/Description: Portrait of a woman in red (likely his wife Rochelle 'Shelly' Post). Signed upper right and "Robert Philipp" painted on verso.Robert Philipp (USA 1895 - 1981) was an American painter

Robert Philipp Artist Wife Terrace Portrait Oil, 1966, oil on canvas, 18 x 22 inches, 28.5 x 32.5 x 2.25 inches framed, signed lower right, titled Rochelle on the Terrace, signed or inscribed with art

Signed lower right. Robert F Williams (American, 1881 - 1972). From a New Rochelle, NY estate. - Dimensions: 25' high x 30" wide.

USA, 1954 printed matter 11” x 8 1/2” each The Mirror Vol. 100, No. 2 edited by Hollis Frampton, including contributions from Frank Stella, Robert Johnston, Peter Kuntz et al. and Phillip