Prints, John Philipp

(lot of 4) John Philipp (German,1872-1938), Portrait of the Conductor Arthur Nikisch, etching, pencil signed lower right, "August Rodin, d'apres la Nature," 1909, etching, titled, dated, and signed in

John Cage (American 1912-1992) ""Smoke Weather Stone Weather "" 1991 37 unique color prints: spit bite and sugarlift aquatints with softground etching on smoked paper pencil signed and dated lower rig

Eight Prints John Winters (American, 1904-1983) The Cat and seven others Circa 1940, each signed and variously numbered, some titled. One lithograph on Japan; seven woodcuts on various papers. image (

Massachusetts Hall, Unitarian Church, Harvard College, 1859. Photograph is attributed unequivocally to Whipple, but is unsigned as is typical of Whipple's Harvard salt prints. Look online for 'Salt Pr

Massachusetts/Florida, b. 1929. Limited edition off set lithographs, signed and numbered. "Cincinnati, Sternwheel Packet 'Hudson'...", 205/950. 30.5"h. 39"w., "New York, Maiden Lane...", 715/1500. 33.

Titled "View Upriver From Under Railroad Bridge St." and "View of Lake Erie and Buffalo." RDA# 90660 and 90662 Bin# 132 Sight size: 12-1/2"h x 18"w

Two (2) regionalist lithographs depicting rural scenes. 1st item: John Stockton de Martelly (Missouri, Michigan, 1903-1979) lithograph titled "Ride-a-Cock-Horse" depicting a woman playing with her chi

Signed prints. Poniac by John Salt. Beattle by Robert Beetle. Wear consistent with age, minor fading. 28.5" x 19.5"

(lot of 3) John Arbuckle (American, b. 1953), "Seven Peaches," "Magnolia," and "Bowl of Cherries," 1990s, lithographs in colors, pencil signed, dated, and titled lower margins, printer proof and limit

the first: John Taylor Arms (American, 1887-1953), Notre Dame de Laòn, etching, 1929, pencil signed and marked as third state lower margin; the second: John Martin (British, 1789-1854), The Approac

English, 1815-1907. titled "Full Pride," and "Breaking Cover." 21"h x 34"w By descent from the Estate of Robert Weeks DeForest and Emily Johnston DeForest.

(lot of 5) John August Groth (American, 1908-1988), Bull Fighting Series, etchings with aquatint, each pencil signed lower right, largest overall (each unframed): 17"h x 23"w

(lot of 5) Louis Robin (French, 1845-?), Streetcars in Paris, and View of a Cathedral in Paris, etchings, each pencil signed lower right, Don Swann (American, 1889-1954), "St. Anne's Church, Annapolis

(2) English Fox Hunting Prints: John Harris (British, 1791-1873), after J F Herring, color engraving, “Breaking Cover”, from “Herring’s Fox-Hunting Scenes”, published R. Dodson: London, Octo

2 prints, John Suchy, Covarrubias, "New York Newsstand", artist proof, signed John Suchy, 1988, 16.75" by 16" & "The Inauguration of Franklin D. Roosevelt, by Covarrubias, 20.75" by 23.75"

PAIR OF PRINTS, JOHN FURCHES LIGHTHOUSE. Image: 4.5''H x 4''W and Trotter Race. Image: 6''H x 10''W.

John Sloan (American, 1871-1951), "Indian Detour," etching, pencil signed lower right, titled lower center, edition of 100, image: 6"h x 7.25"w, overall (with mat): 13"h x 13.5"w

John Baldessari (American, b. 1931), Person with Conscience (Green) Animals Quiescent, 1991, photogravure and aquatint in colors, on irregularly shaped Somerset (as issued) paper, pencil signed and da

John Melville Kelly (American, 1879-1963), “Bread Fruit- Hawaii,” etching, pencil signed lower right, titled lower left, image: 11"h x 10"w, sheet: 14"h x 11.5"w

John Melville Kelly (American, 1879-1962), "Bread Fruit, Hawaii," etching with aquatint, pencil signed lower right, titled lower left, image: 10.75"h x 9.75"w, overall (with frame): 21"h x 18"w.

John Andreas Savio (Norwegian, 1902-1938), "Ro," woodcut, pencil signed lower right, titled lower left, image: 8"h x 10"w, sheet: 8.75"h x 11"w, mat: 10.5"h x 12.75"w

John French Sloan (American, 1871-1951), "14th Street, The Wigwam," 1928, etching, pencil signed lower right, edition 100/100, overall (with frame): 22"h x 18.5"w

John Marin (American, 1870-1953), "Ponte Paradiso, Venice," 1907, etching, pencil signed lower right, plate signed and dated lower left, titled lower right, edition 2/30, image: 7"h x 5"w, sight: 7.5"

John Martin (British, 1789-1854), "Satan in Council," circa 1824, mezzotint and engraving, image: 18.5"h x 27.5"w, overall (with frame): 25.5"h x 32.5w. Reference: Campbell-Wees, 87