Pieter Coecke van Aelst (1502-1550)-school

A fine engraving of Pieter Coecke van Aelst circa 1530 of Ottoman Camelia Solimani (Mihrimah) daughter of Soleiman the Magnificient. Dutch origin, backed to heavy paper, trimmed, one wormhole. Measure

trittico, olio su tavola, W. 139 - H. 99 Cm

trittico, olio su tavola, W. 120 - H. 83 Cm

Stirling-Maxwell, Sir William (publisher) - Coecke van Aelst, Pieter The Turks in MDXXXIII A series of drawings made in that year at Constantinople by Peter Coeck of Aelst... with an introduction by S

Stirling-Maxwell, Sir William (publisher) - Coecke van Aelst, Pieter The Turks in MDXXXIII a series of drawings made in that year at Constantinople by Peter Coeck of Aelst … with an introduction

Finely painted Dutch old master style still life floral painting in the manner of Cornelis de Heem or Willen van Aelst. The painting is o/c and is signed with a very appealing monograph. It is also si

Johann Sadeler I (1550–1600), After Maarten de Vos (1532–1603), Flemish School, Heilige Hendrik van Cocket als kluizenaar, depicting the 12thC Danish hermit Hendrik van Cocket kneeling at

Pieter van der Hem - 'Two women tying a boat to the wharf' -, dutch painter, 1885-1961, oil on canvas, Signed, Dimensions: 60x80 cm, Frame dimensions: 111X91 cm. Period: 20th century

Oil on canvas, cm. 40x58. Framed

Speed, John - Keere, Pieter van den A Prospect of the Most Famous Parts of the World London: Printed by M.F. for William Humble, 1646. Oblong 8vo, 20 full-page engraved maps, bound with [England, Wale

Attributed to Pieter van Bloemen, called Standard (Antwerp 1657-1720) Horses and figures outside a stable oil on canvas 49 x 61.5cm (19 5/16 x 24 3/16in).

(or Peeter, Flemish, 1600-1652) The Abduction of Europa, unsigned, oil on panel, 16-1/4 x 23-1/2 in.; 20th century black-painted reverse-profile frame,. Condition: visible underdrawing, light retouch,

(Dutch, 1651-1727) Portraits of the daughters of Dr. Johann Schull in a formal garden: Cornelia (born 1667) and Willemina (born 1689), signed "P.V. Hult Fecit" and one dated "1703", both fully annotat

River Scape, oil on panel, 20 x 28, signed lower left: P. V. D. Booghaards

ELIAS PIETER VAN BOMMEL 1819 - 1890 Dutch harbour Oil on canvas (old doubl.). 40 x 48 cm (F. 57 x 65 cm). Monogrammed 'E.B.' at lower right margin. Verso: inscribed on stretcher, on frame adhesive lab

PIETER VAN DE BERGE (Netherlands, 1659-1737) - "AMSTELAEDAMUM / omnium recentissimè et [-] acuratissime expressum à PETRO van den BERGHE [...](Profile of Amsterdam with the Frigate 'Peter en Pau

Bredael II, Jan Pieter van (Antwerpen 1683–1735 Wien) zugeschrieben Reiterschlacht bei einer Burg. Öl auf Leinwand. 60,5x82 cm. - Doubliert und kraqueliert.

O/C OLD MASTER GAME BIRDS SIGNED VERSO G.V AALST (WILLEM VAN AELST, A.K.A. GUILHELMO 1627-1683 HOLLAND-ITALY), C. 1660, 27" X 22"

British Isles.- Speed (John) England Wales and Scotland... from a farr Larger Voulume done by John Speed, engraved title, table of distances, and 63 uncoloured engraved maps by Pieter Van den Keere in

ARTIST: Elias Pieter Van Bommel (Netherlands, Austria, 1819 - 1890) NAME: Winter Dutch Cityscape YEAR: 1887 MEDIUM: oil on board CONDITION: Very good. Very minor inpainting in the sky area. Wear to fr

oil on board, The painting, which appeared on the antiques market in the Christie's auction in 1986, was generically ascribed to the Antwerp School. For a more precise attribution, the references to J

Pieter Jansz. van Asch (Delft 1603-1678) Wooded landscape with travellers and a falconer on a path signed with initials 'P.V-AS' (lower left) oil on panel 34.7 x 46.4cm (13 11/16 x 18 1/4in). framed:

ANTHONIS VAN DYCK (SCHOOL) 1599 Antwerp - 1641 London CHRONOS CUTS THE WINGS OF CUPID Oil on canvas (old relined) . 60 cm x 47 cm (F. 79 cm x 65 cm). Part. min. old restored. Frame. Provenance: Import

Petrus Van Schendel (school), oil on panel, School of Petrus van Schendel (Belgian, 1806-1870), Night Market, oil on cradled panel, no signature observed, metal artist tag on frame, 19"h x 16"w (panel