Peter Milton Etching 'Parade, Second State', 1966 (67)

Peter Winslow Milton (b. 1930) Parade, Second State, 1966/67. Pencil signed, titled and numbered 31/35. Lift-ground etching and aquatint plate 18 x 24 inches, paper BKF Rives.

Milton, Peter (American b.1930). Trees and Snow II. 1961. Second State. Signed, titled, editioned, and dated in pencil. Edition 39 of 75. Plate: 15" x 9". Framed. 23" x 17". Condition: Sight fine. Und

Peter Milton (American b 1930) etching, "Trees and Snow II", etching on paper, pencil signed P. Milton 61, second state 20/75, 8-3/4" x 14-7/8" plate, sheet size 16" x 21", very good condition

Peter Milton (American b 1930) etching, "Second Sequence" etching and aquatint on paper, pencil signed P. Milton 69/71, final state 2/11, 9-3/4" x 14-3/4" plate, sheet size 13" x 18", very good condit

Peter Milton, (1930-Current), “Untitled”, 1964, lift-ground etching and aquatint, signed and dated lower right, marked lower left; State Proof #1, Image Size: 5” x 6 ¾”, P

Peter Winslow Milton (b. 1930) Pennsylvania/New Hampshire; Second Opinion, 1974. Pencil signed, titled and numbered 55/140. Resist-ground etching and engraving over altered transfer of Pastorale (No.

Title: Bonfire. John Sloan (1871-1951) Medium: Etching, 1920. Edition 100. Signed and titled in pencil, inscribed "100 proofs" and "Peters Bros. imp." Second state of two. "The boys had tin cans wi

ÉDOUARD MANET Au Prado II. Aquatint and etching printed in black on cream laid Japan paper, 1863-67. 222x155 mm; 8¾x6 inches, full margins. Second state (of 2). The Porcaboeuf edition of app

Peter Milton (American 1930- ) ''Interior I: Family Reunion'' (Milton 107)- etching, 1984, signed, titled, dated and numbered 56/175 in pencil, very good condition. 19 3/4 x 35 1/4''

Rembrandt van Rijn (Netherlands, 1606–1669) . Christ Healing the Sick, Etching. B74; Second State, trimmed to plate; Tear on top edge and folds on sheet reparied on verso. 11 3/8" x 15 3/4".

Piranesi (Giovanni Battista, 1720-1788) Veduta del Pantheon d'Agrippa, from: Vedute di Roma, etching and engraving, second state (of five) with price erased, an excellent impression, platemark 470 x 6

δ Salvador Dali (1904-1989)La Dentellière (Field 58-1)Etching, 1958, the second state (of two), signed in pencil, countersigned, dated 1978 and inscribed For Doctor Schibel in brown ink, num

United States,1966-1967 1966-67 Topps Hockey #35 Bobby Orr rookie trading card, BVG 3.5 VERY GOOD+. BVG case 5 1/8" x 3 1/4"

Pierre-Auguste Renoir (1841-1919) Étude pour une baigneuse (Study for a bather) (Delteil 16, Stella 16), 1906 Drypoint and etching on wove paper, the second state (of two), with the artist's ink

Peter Winslow Milton (b. 1930); Jolly Corner, suite of 21 etchings on Rives Heavyweight Buff paper with wide margins and Robert E. Townsend printers blindstamp, each signed and numbered from an editio

van Rijn, Rembrandt Harmensz (1606-1669). "Three Oriental Figures" (Jacob and Laban?) 1641. Etching with drypoint. New Hollstein's second (final) state. Harris 118. Plate: 5 3/4" x 4 1/2" Visible Imag

Giorgio Morandi (1890-1964) Natura morta con il panneggio a sinistra (Vitali 31; Cordaro p.35) Etching, 1927, on wove paper, the second, final state, signed, dated and numbered 32/40 in pencil, with w

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Nudo #1, #2 and #3, 1984; Three etchings; Signed, titled and noted Studio proof second state; 9" x 8" (plate, each); 17 1/2" x 13 1/2" (sheet, each); Printer: Pelavin Printmaker, New York; Publisher:

Milton, Peter (American, b.1930). "Daylilies." 1975. Photosensitive-ground etching and engraving and direct photographic transfer. Edition 49 of 160. McNulty 96. Plate: 20" x 32" Framed: 31" x 42 1/4"

MILTON AVERY Dawn. Color woodcut printed in yellow and black on Japan paper, 1952. 181x229 mm; 7x9 inches, small margins. Second state (of 2), printed in colors. Edition of 100. Signed and dated in pe

Repos du Dimanche Dans le Bois (A Peaceful Sunday in the Woods). Signed, titled, and inscribed from the second state in pencil in the margin. Etching with drypoint. Circa 1891. Delteil/Cailac 99 (iii/

JOHN TAYLOR ARMS Venetian Filigree. Etching, 1931. 274x278 mm; 10¾x11 inches, full margins. Second state (of 2). Edition of 139. Signed, dated and dedicated in pencil, lower margin. A brilliant,

(British, b. 1937). Plate 7 from "The Blue Guitar" series, 1966/67, printed on Inveresk paper by Jennifer Melby, New York, published by Petersburg Press, London, signed in pencil lr, numbered 73/200 l