Peter Clark (City of Plymouth School of Art 1937-1939)

Peter Clark (City of Plymouth School of Art 1937-1939) Roberta with Fred Astaire, original poster design, gouache and poster paint on card, signed - 76 x 51 cm

Peter Clark (City of Plymouth School of Art 1937-1939) Eat More Honey, original poster design, gouache and poster paint on card, signed P Clark - 76 x 51 cm

Peter Clark (City of Plymouth School of Art 1937-1939) Egypt Cunard, original poster design, gouache and poster paint on card, signed - 76 x 51 cm

Peter Clark (City of Plymouth School of Art 1937-1939) America Cunard, original poster design, gouache and poster paint on card, signed - 76 x 51 cm

Peter Max (Peter Max Finkelstein) (German American, born 1937). Signed and framed pop art poster. Titled "Tower City Center" produced 1995 for the Cleveland 1996 Bicentennial. Signed and dated to lowe

Willard Clark was a Santa Fe artist. He grew up in Argentina and studied art during the summers in New York City at Grand Central Station Art School and the Hawthorne Art Academy. Willard Clark develo

UMBRELLA MAN, 2017, hand-painted acrylic sculpture, hand-signed in pigment by the artist lower right, a unique work, with registration stamp and copyright on right side, approximately 150 additional p

TWO HEARTS, Version III #247, 2017, acrylic sculpture hand-painted in Peter Max Studio, hand-signed in pigment lower right by the artist, a unique work, overall with base 11 x 12 ½ x 4 ½

FLAG WITH HEART Series (see Hanson pages 118-119), 1990, extensive acrylic painting over color screenprint, signed upper left, full sheet floated 40 x 54”, frame 49 x 63” with Plexiglas. C

BOUQUET ON BLACK, 2010, acrylic painting on canvas, signed upper right, 24 x 20”, artist’s copyright stamp and date on verso, artist’s inventory number #321037, framed, in good studio condition.

STATUE OF LIBERTY, 2014, acrylic painting on canvas, signed upper right, with artist’s stamp and date on verso, inventory number M338613 on verso, 16 x 8”, framed, in good studio condition.

FLOWER STILL LIFE, 1982, acrylic painting on canvas, signed and dated upper right, inscribed and dated and copyright in marker on verso, 24 x 18”, frame 30 ½ x 24 ½”. Provenance: acquired direct

SEATED FIGURE, 1986, acrylic painting on paper, signed and dated upper right, 40 x 54”, framed, a few finger prints and smudges near the perimeter, a small nick upper center sheet edge, otherwise in

STANDING FIGURE, 1974, acrylic painting on canvas, signed and dated upper left, 29 ½ x 22 ½”, frame 32 ¾ x 24 ¾”. Provenance: acquired directly from the artist by Renee Wayne Golden, attorney

STATUE OF LIBERTY, 2017, version 1, #283, acrylic painting on canvas, signed upper right, artist’s stamp and studio number 393593 on verso, 12 x 9”, frame 24 ½ x 21 ½ x 3&rd

BILL CLINTON #132, 1993, acrylic painting over screenprint on canvas, 16 x 14”, signed and dated upper right, signed and dated and dedicated on the verso, copyright and studio #14086 on verso, in go

SNOW WHITE SUITE, 1994, set of four color screenprints, each signed in colored pencil, numbered 391/500, images 16 x 14”, full margin, printed by Soma Fine Art Press, all with artist’s and printer

WALK ON THE MOON, 2009, extensive acrylic painting over color print, signed lower left, 36 x 24”, with the artist’s stamps and inventory #309082 on the verso.

BLUSHING BEAUTY, 2009, extensive acrylic painting over color print, signed lower right, with Max Studio stamp and registration number on verso, sight 35 x 22 ¾”, frame 48 x 36”.

PROFILE #2 from Roseville Suite, 1992, acrylic painting on paper, signed upper right, 40 x 30â€, framed, studio number 11982.

LIBERTY HEAD, VIRGINIA FILM FESTIVAL #82, acrylic painting over color print, signed lower left, 33 x 27â€, framed.

SUPERBOWL XXVIII 1994, acrylic painting and collage on paper stock, original artwork for the official Superbowl XXVIII poster, signed and dated 94’, sight 34 ¼ x 26 ½”, framed. Superbowl XXVIII

ANDY WITH MUSTACHE (Warhol), 1988, color lithograph, signed in pencil, numbered 49/300, sight 39 ½ x 31 ½”, artist’s blind stamp lower left, framed with glass, mild cockling, otherwise in appare

BLUSHING BEAUTY, acrylic painting over color print, signed upper left, sight 27 x 21”, frame 40 x 34 ¼” with Plexiglas.