Ordini cavallereschi - Clark, Hugh

Rare Special Edition of AN INTRODUCTION TO HERALDRY by Hugh Clark, published by George Bell and Sons in 1882 for the Bohn's Reference Library | Special Edition for Bohn's Library - Published: London:

Unusual. Solid Brass.

Carl Akeley, Hugh H. Breckinridge (1870-1937),Alson Clark (1876 - 1949), Frederick MacMonnies (1863 –1937), Neysa McMein (1888-1949), Gari Melchers (1860-1932), Attillio Piccirilli (1866 - 1945), Wi

MAN POLING A RAFT IN AUTUMN, oil painting on canvas, 8 x 12 ¼”, frame 14 x 18 x 4”. From the personal collection of Mr. Hugh Duffield.

STILL LIFE BY AN OPEN WINDOW, oil painting on panel, signed lower center, 44 x 34”, frame 51 x 41 x 2”. From the UCLA Medical Center Art Program, funds to benefit their ongoing endeavors.

Hugh B McChesney, Church Landscape, Oil on Board. Approximately 25.75W x 24.875H x .75D in. Sight Approximately 23.5625D x 22.75H in.

Thunderheart & Yea Production, 1967, 1975 & 1967, Gut & Bob Whitmire & Jack Hatfield, Festival Growing Things: Quicksilver Messenger Service (7/1), Miller Blues Band, Sandy Bull, Hugh Masekela, Congre

Vernon Fisher, Hugh M. Davies, Madeleine Grynsztejn, La Jolla Museum of Contemporary Art, 1989, ISBN 0934418314, catalogue; Vernon Fisher @ Krannert Art Museum, November 4 – January 8, 1995, Kranner

Jene Highstein (two of the same), Hugh M. Davies and Lynda Forsha, La Jolla Museum of Contemporary Art, ISBN 0934418268, softbound.

Mauro Staccioli, 1984, two of the same, Hugh Davies, Guiseppe Panza, Helaine Posner, University of Massachusetts, softbound. (2)

EN OBSERVATION, 1992-1993, gouache, watercolor and ink and collage on paper artist mounted to canvas, signed lower left, dated lower right, signed and dated and titled on verso, 53 ½ x 29 &frac

CHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

MUJER SENTADO, 1961, oil painting on canvas, 39 ¼ x 51", signed and dated lower right, framed. From the Collection of Herb Solow, the executive in charge of production for Star Trek the original tele

Porcelain chinoiserie and gilt decorated cache pot 6” tall; A pair of later 19th century Chinese export famille rose plates 8 ½” diameter; Two antique Chinese footed plates with stamps and/or sea

THE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

STUDIES OF THE MALE BACK, triptych, 1987, three color lithographs, each signed in pencil and inscribed H. C. (Hors Commerce), aside from the numbered edition 99, images 23 5/8 x 17 5/8”, sheets 31 3

MUJER, 1986, oil painting on stretched burlap, signed and dated lower right, 23 7/8 x 15 7/8", framed. Original lost provenance: Lopez Quiroga Galeria, Mexico. From the Dr. Burton Fink collection.

SOURCE, 1965, sumi-ink and gold leaf on paper wrapped card artist mounted to wood panel, stamped lower right, signed and dated on panel verso, 16 x 12 ½”, frame 16 ¾ x 13 ¼&

PANTECHNICON (Movers), oil painting on backside of Masonite with wood support on verso, signed lower right, 64 ½ x 48 x ½”, frame 74 x 58 x 2”. Provenance: Atkinson Art Galle

ETRUSCAN (SPECIAL), special order coffee table 60” long, 30” wide, 17” tall, LaVerne Gallery label underneath, in good condition.

PIO PER MARI E MONTI (Pious by Sea & Mountains) 62’/28, c.1985, color embroidery, signed and inscribed 62’/68, on the verso, 6 ½ x 6 ¾”, in good studio condition. Provenance: Artist’s signed

BRIGHT OWL (AR.285), 1955, painted and glazed ceramic rectangular dish, with the Madura and Edition Picasso stamps underneath, from the edition of 450, size 32 cm x 39 cm or 15 ¼ x 12 ¾�

OCCUPY (Ox), 2012, oil painting on linen, signed and dated lower right, 73 x 100”, frame 74 ½ x 101 ½”, available crate 81 x 108 x 7 ½”. Provenance: Corey Helfor

LE DANSEUR (Bloch 1849; MOMA 107), 1965, one-block linoleum cut on Arches Script watermark paper, printed in black and brown, signed and numbered 53/200 in pencil, image 25 x 21 7/8”, sheet 29 5