Oil on Canvas signed Sandy Clark, 23 1/4" x 35 1/2", "HMS Resolution in Nootka Sound".

Oil on Canvas signed Sandy Clark, 23 1/4" x 35 1/2", "HMS Resolution in Nootka Sound".

CHARIOT RACE, oil painting on canvas, signed lower left, 23 x 31”, frame 27 ¼ x 35 ½”, Belnord Art Studio New York label on frame verso.

Oil on Canvas signed G. (Geza) Marich, 23 1/4" x 35 1/2", "Lakes Edge".

Oil on Canvas signed Sandy Clark, 17 x 23 1/4", "Battle Scene".

SAILBOAT, oil painting on canvas, signed lower right, signed and inscribed on verso, 23 ¼ x 28 ½”, frame 27 ½ x 32 ½”. Provenance: Cambridge Art Gallery, Brentw

CHOCOLATE COVERED CHERRIES AND PETITE FOURS, 2001, oil painting on canvas, signed and dated lower right, 9 x 18”, frame 14 ¼ x 23 ½”. Provenance: John Pence Gallery San Franc

FISHING VILLAGE, 1962, oil painting on canvas, signed and dated lower right, 23 ¼ x 19”, frame 31 ½ x 27 ½”.

TWO WOMEN AT CAFÉ, oil painting on canvas, signed lower right, Certificates of Authenticity on back, 35 ½ x 47 ¼”, frame 49 ½ x 60 ½ x 2 ¼”.

SEATED WOMAN IN BLUE, 1884, oil painting on canvas, signed and dated and inscribed lower left, old auction chalk marks on stretcher bar, 35 ½ x 30 ¼”, frame 40 x 34 ½”

RHODODENDRON, circa 1903, oil painting on canvas, signed upper left, 31 ¾ x 23 ¾”, frame 40 ¼ x 32 ½”. Provenance: Adamson-Duvannes Galleries, Los Angeles.

QUE MIRA, 1988, oil painting on un-stretched canvas, signed and dated center left, signed and titled on verso, image 31 ¼ x 23 ½”. Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts

OIL PAINTING CANS AND CABBAGES, 1988, acrylic painting on canvas, signed and dated upper left, 29 x 32 ½”, frame 32 ¼ x 35 ½”. Provenance: From the CODA Collection, CODA Gal

A SUMMER VIEW, 1938, oil painting on canvas, signed and dated lower left, 38 ¼ x 28 ¼”, frame 45 ½ x 35 ½”.

A SUMMER VIEW, 1938, oil painting on canvas, signed and dated lower left, 38 ¼ x 28 ¼”, frame 45 ½ x 35 ½”.

GIRL IN WHITE DRESS WITH BUILDING IN BACKGROUND, oil painting on canvas signed lower right, 23 ½ x 18 ¼”, burlwood laminate frame 27 ½ x 22”.

FLORAL STILL LIFE, oil painting on canvas, signed lower right, artist’s label attached to verso, 23 ¼ x 19 ¼”, heavy Plexiglas frame 29 ½ x 25 ½ x 2”, we

CALIFORNIA LANDSCAPE, oil painting on canvas, signed lower right, 25 ¼ x 30 ¼”, frame 30 ½ x 35 ½ x 2 ½”.

TOLBANERA, 1966, oil painting on canvas, signed and dated lower right, 35 ½ x 19 ½”, frame 36 ¼ x 20 ¼”. Provenance: Salon de la Plastica, Mexicana.

EVENING ATMOSPHERE AT ANTELOPE ISLAND, oil painting on canvas, signed lower left, 22 x 23 ¼”, frame 26 x 27 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA

CITY SCENE, oil painting on canvas, signed lower left, 10 ½ x 16 ¼”, frame 17 ½ x 23 x 2 ½” from a Hollywood collection.

THE WAY OF NASTURTIUMS, 1965, oil painting on canvas, signed lower right, 20 ½ x 16 ¼”, frame 27 ½ x 23 ½ x 2 ½”. Provenance: Worth Gallery, Palm Beach.

CAFÉ IN THE RAIN, oil painting on canvas board, signed lower right, 14 x 18”, frame 23 ½ x 28 x 3”.

GEOMETRIC INTERIOR, 1972, oil painting on canvas, signed and dated lower right, partial Vallalat label on verso, 35 ½ x 47 ½” frame 38 ½ x 50 ¼”.

PLAGE DU MORD BERCK, oil painting on canvas, signed lower left, 23 ¾ x 36 ¼”, frame 28 ½ x 41”. Provenance: The Adams Gallery, London.