Nandor Lajos Varga Etchings [Country Views]

Three Nandor Lajos Varga (Hungary 1895 - 1978) etchings. All signed 'Varga nil-' in pencil lower right. One numbered '25/2' in pencil lower left. All in VG/EX condition, two with tape residue upper co

Nandor Lajos Varga (Hungary 1895 - 1978) etching. Signed 'Varga nil' lower right. Artist initials in plate upper right. In VG/EX condition, with small pieces of tape residue on verso. Measures 5.875-i

Nandor Lajos Varga (Hungary 1895 - 1978) etching. Signed 'Varga nil' lower right. In VG/EX condition, with small pieces of tape residue on verso. Measures 9.75-in. x 7.375-in. image size, 13.5-in. x 1

Nandor Lajos Vargas Signed Etching - Vargas (1895-1978) Framed & Matted

Johannes Kip (Dutch, 1653-1722), "4 views of English country estates from Britannia illusrata", etchings, signed on plate on lower right "Barrington the seat of Edmond Bray Esq" (13.13"x16.5"), "Lupia

(5) Birdseye Views of 17th c. English Country Estates, handcolored copper etchings by Jan Kip after the original paintings by Leonard Knyrff (1650-1721) for "Britannia Illustrata", also known as "View

Includes "A Struggle For the Start" , "The First Ten Minuets__Shaking off The Cocktails", "Systems of a Scurry in a Pewy Country", and " The Death", Sight View 8-3/4" x 22", Overall View 17-1/2"

View of Notre Dame Cathedral from the river. Titled lower left, signed in pencil lower right. Measures 16" x 13.5" including frame, 11.5" x 9" image only. Issued: 20th c. Country of Origin: France

Christopher Patrick Hussey Murphy (Georgia, 1869-1939) "Low Country Landscape"- 1920-1930 Watercolor and Pencil on illustration board Label on verso for Telfair Academy of Arts and Sciences Inc. Chris

After Rembrandt, framed etching of a landscape with buildings and a windmill. Possibly British Museum sanctioned print of "View of Amsterdam from the Northwest" (Kadjik). [Art: 3 1/2" x 5"; Frame: 12"

La Danse a la Champagne by Pierre-Auguste Renoir (1841-1919) The Dance in the Country, Etching on Woven Paper, 8 5/8 x 5 1/4, Edition: Soft ground Etching Created in ca.1890, Signature Stamp by the Ar

GIOVANNI BATTISTA PIRANESI (Italian, 1720 - 1778). Set of three Large Engravings, Three large unframed artworks; details as follows: (1) Etching titled "View of the Flavian Amphitheater, called the Co

Britain.- Westall (William) and J. Gendall, Views of Country Seats of the Royal Family, Nobility and Gentry of England, 2 vol., 146 hand-coloured aquatint plates, endpapers foxed, contemporary half ca

(The Country Dance) Etching signed in plate by Renoir. Pierre-Auguste Renoir original soft ground etching on vellum, circa 1890, signed in plate on the bottom right. Ref: Delteil #2

Elizabeth Keith (United Kingdom 1887-1956) Korean Country Scholar, Etching on Paper, Features Korean gentleman in traditional Confucian apparel, signed in pencil –lower right. 15.5 X 11.5.

Daniell (Thomas) Five plates, from "Views in Calcutta", from a set of 12, etchings and aquatint with hand-colouring, images each approx. 405 x 525 mm (16 x 20 3/4 in), laid onto paper mounts [?] as is

Jukes (Francis) and Thomas Anburey. Three views from 'Hindoostan Scenery consisting of Twelve Select Views in India', etchings and aquatint, with full hand-colouring, on Whatman wove paper, each plate

Wayne Thiebaud Country City 1988etching and aquatint in colors on Somerset Satin paper21.75 h x 37.75 w in (55 x 96 cm) Sheet measures: 30.75 h x 41 h inches Signed, dated and numbered to lowe

Country Landscape with a View of a Church, watercolor and gouache, 11 x 15 in (27.9 x 38.1 cm), framed 21 x 25 in (53.3 x 63.5 cm), signed lower left, Jerry Gilden's Gallery, Pikesville, MD label vers

Giovanni Battista Piranesi (Italian, 1720-1778) Roman Views (five works) etching Sight: 21 x 16 inches. Estimate $1,000-2,000 Provenance: R.S. Johnson Fine Art, Chicago, Illinois

Set of nine antique French country chairs, having architectural view on back splats and rush seats, one chair not having architectural view. Provenance: from the Santa Barbara, California and Madison,

ERIK DESMAZIERES "VIEWS OF AMSTERDAM" ETCHING #44/90. THREE FRAMES. PROVENANCE: GERHARD WURZER GALLERY. Height: 34 in. by Width: 31 in.

ANTONIO DA CANAL, IL CANALETTO An Imaginary View of Padua. Etching, circa 1740. 301x425 mm; 12x16¾ inches, wide margins. Second state (of 3). The letter A countermark (?) to an unidentified water

Salt (Henry) A View at Lucknow, etching and aquatint, by D. Havell, with vibrant hand-colouring, on thick Whatman wove paper with watermark date '1806', platemark 480 x 675 mm (18 7/8 x 26 1/2 in), sh