Mortimer Borne aquatint

Mortimer Borne (1902-1987) ''Bathers, Coney Island''- aquatint in colors, 1945, singed in pencil. 9 x 11 3/4''

Mortimer Borne original pencil signed aquatint. Signed in pencil 'Mortimer Borne' lower right. Titled and dated "The Fireboat, 1945" lower left in pencil. Measures 8" x 9.75" (plate size) and 13" x 17

Aquatint 11 3/4 z 7 3/4 in. (image), 20 1/4 x 16 1/4 in. (framed). Mortimer Borne was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The A

MORTIMER BORNE Two drypoints. Rainy Night, 1939. 250x175 mm; 9x7 inches, wide margins. Edition of 25. Signed in pencil, lower right * Restless Night, 1940. 154x190 mm; 6x7½ inches, wide margins.

American (New York), 20th Century. Drypoint etching. signed. Rainy night scene. Some toning. Framed, 20.75"h. 16.25"w.

Mortimer Borne (New York 1902 - 1987) oil on canvas, 5 abstract figures, canvas size 33-3/4 x 27-3/4 inches

Mortimer Borne, Nova Scotia, Color Drypoint , 1947. Mortimer Borne was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students Lea

City - 8" x 5.5"

MORTIMER BORNE (NY 1902-1987), ENGRAVING, FIGURES ON BEACH, SIGNED. 7 1/2 X 9 1/2"; FRAMED AND GLAZED-17 1/2 X 21 1/2"

MORTIMER BORNE (NY 1902-1987), DRYPOINT ETCHING, MIDDLE EASTERN MARKET, BIO-VERSO. 6 1/2 X 4 1/2"; FRAMED AND GLAZED-21 1/2 X 17 1/2"

Mortimer Borne New York / Poland (1902 - 1987) harbor scene etching Pencil signed lower right and in the plate. Biography from Butler's Fine Art: Mortimer Borne was born in Rypin, Poland in 1902 and e

AUDUBON, John James (1785-1851). Hooping Crane, Plate 226. Whooping Crane, Grus americana Variant 1. First Edition Engravings with Original Hand Color. London: Robert Havell, 1827-1838. Watermarked: J

Audubon, John James (1785-1851). Snowy Owl, Plate 121. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. Dimensions Comparable: Arader, 2015 - $198,250. James Audubon’s

AUDUBON, John James (1785 - 1851). Hooping Crane, Plate 226. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/4" x 38" sheet. Comparables: Arader Galleries, 2018 - $

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

AUDUBON, John James (1785 - 1851). Fish Hawk or Osprey, Plate 81. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Arader

AUDUBON, John James (1785 - 1851). Carolina Parrot, Plate 26. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 24 1/2" sheet. Comparables: Arader Galleries, 201

AUDUBON, John James (1785 - 1851). Wood Ibis, Plate 216. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25" x 37 1/4" sheet. Comparables: Arader, 2015 - $136,640; Guern

KIDD, Joseph Bartholemew (1808-1889), after John James Audubon (1785 - 1851). The Baltimore Oriole. Oil on canvas. Ca. 1831-1833. 26" x 20 1/2" canvas, 30 1/2" x 25" framed. Provenance: Mrs. John Jame

Audubon, John James (1785-1851). Ivory-Billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 3/4” X 37 1/2” sheet, 37” X 49 1/2” framed

AUDUBON, John James (1785 - 1851). Ivory-billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 25" sheet, 45 1/4" x 32" framed. Comparab

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Audubon, John James (1785-1851). Great Cinereous Owl, Plate 351. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38” x 25 1/4” sheet, 46” x 34” framed. Comparabl

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ