Max Coyer (Max R. Coyer, CT 1954-1988) Oilstick and

Max Coyer American, 1954-1988 The Glass Table, 1986 Signed Max Coyer, dated 1986 and inscribed as titled on the reverse Oil on canvas 42 x 34 inches (106.7 x 86.4 cm) C

Max Coyer (American, 1954–1988). Oil on canvas, "Visitor", 1988, signed lower center, signed, titled and dated on verso, with Hal Katzen Gallery and Harm Bouckaert Gallery labels on verso, 48"

Blown glass. Signed 'Chihuly' and dated '1988'. Max Ht. 7" Max W 19".

Artist: Peter Max Title: R.S. Kneeling Sage II Medium: Acrylic on Canvas Framing: Framed and Matted Size: 40" x 30" Inscription: Signed "Max" in upper right Peter Max studio reference number: 8290 Con

Peter Max, Germany (Born 1937). Peter Max is known for his unique brand of rainbow-hued pop art, paintings and prints. 'Spring 1988' is acrylic on canvas mounted in an ornate gilt carved wood frame. I

Gimblett, Max (New Zealand/ American born 1935), The Monk, 1987-1988, mixed media with gold paint on shaped canvas, 13 x 13 x 2 inches, signed, titled, and dated on the stretcher bar reverse

Gimblett, Max (New Zealand/ American born 1935), The Being of Light, 1988, mixed media and gold leaf on shaped canvas, 13 x 13 x 2 inches, signed, titled, and dated on the stretcher bar reverse

Gimblett, Max (New Zealand/ American born 1935), Our Star, 1988, mixed media and gold leaf on shaped canvas, 13 x 13 x 2 inches, signed, titled, and dated on the stretcher bar reverse

Oil on canvas painting of figures in a garden, by Max Hermann (German, 1879-1954), in a tooled and gilt wood frame, signed verso "HARER" (Frederick Harer (American, 1879-1949). [Art: 12 1/4" H x 16" W

MAX INGRAND Produzione Fontana Arte, Italia 1954 ca. Lampada a sospensione “Dahlia” modello “1563” a sedici luci, struttura in ottone zapponato e ottone nichelato. Diffusori in

* Max Cole (American, b. 1937) Ganges II, 1988 acrylic on canvas signed Max Cole, titled and dated (verso) 33 x 49 inches Estimate $6,000-8,000 Provenance: Haines Gallery, San Francisco

Two Roman Bronze Figure of a Male and Female. L - Brownish patina, some loss, metal fatigue. R - Greenish patina, very good. Max. Ht. 13 1/2".

Suspension modèle 1508 en laiton et verre 73 x 84 cm Référence : Franco Deboni, Fontana Arte, Umberto Allemnadi & C, 2012, sous le numéro 313 * Vendu sur désignation (disponible à l’étude apr

Max INGRAND (1908-1969) Suite de 4 appliques dites Micro Verre, laiton nickelé H. : 21 cm. Fontana Arte, circa 1961 Set of 4 Micro wall lights, model 2093 Glass, nickel-plated brass H. : 8.26 in.

Suite de 4 appliques Verre, laitonH. : 23 cm.Fontana Arte, circa 1960 Set of 4 wall lights Frosted glass, brass H. : 9.05 in.

Suite de 2 lampes ou appliques Laiton, verre10 x 21 x 20 cm.Fontana Arte, circa 1960 Set of 2 table lamps or wall lights Brass, glass3.93 x 8.26 x 7.87 in. Référence :- Franco Deboni, Fontan

Max INGRAND (1908-1969) Lampadaire dit 2003 Laiton, verre, verre poli 186 x 30 x 30 cm. Fontana Arte, circa 1950 Floor lamp model 2003 Brass, glass, colored glass. 73.23 x 11.81 x 11.81 in. Réf&#

"Angel with Heart Detail Ver. V #47". Signed u/r and dated 2007. Acrylic on Canvas. Measuring 30" by 15". Framed. (Cond: good) (4000/6000) Provenance: Park West Gallery

Max Ingrand chandelier, model 1441 Fontana Arte Italy, c. 1954 crystal, brass 33.25 dia x 15 h inches Literature: Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Deboni, fig. 313

Jimmy Ernst watercolor, Dark Carnival, 1954 Sight to mat: 23 inches x 16.75 inches. Total dimensions: 29.25 inches x 23.25 inches. (From the Smithsonian): The son of Surrealist Max Ernst, Jimmy Ernst

Struttura in ottone e diffusori in cristallo molato e parzialmente satinato. Prod. Fontana Arte, Italia, 1960 ca. Bibliografia R. Aloi, L arredamento moderno, p. 69, Hoepli, 1964; F. Deboni, Fontana A

MAX INGRAND (BRESSUIRE 1908 - PARIGI 1969) Three suspension lamps model "1954". Produced by Fontana Arte, Milan, 1950s. White and black lacquered stamped metal, frosted lattimo glass on the outer surf

Untitled (#VII), 1988; Watercolor and gouache on paper (framed); 57" x 44 1/2" (sheet); Provenance: The Sharpe Gallery, New York (label on verso); Property from the Collection of an Important American

Without Borders II. Signed u/r. Mixed Media on Paper. 35 by 23 in., overall in an ebonized frame 51.5 by 39 in.