MARY HUNTOON (1896-1970)b WPA ETCHINGS

Mary Huntoon (1896-1970) Kansas Landscape 1937 The ten copies of the sand ground etching, published in an edition of 100 prints, are signed by the artist in pencil below the images lower right and lis

Mary Huntoon (1896-1970) Approach, a.k.a. Bridge Approach - Topeka 1937 Ten of the unsigned etching, published in an edition of 100 prints, are listed as the Spencer Museum's catalog number 99. Images

Mary Huntoon (1896-1970) Kansas City, Kansas - Grain Elevators Circa 1937 The scarcely seen image from an edition of only 100 prints is signed by Mary Huntoon lower right and titled lower left. Museum

Mary Huntoon (1896-1970) K.C.K. Grain Elevator Circa 1937 The scarcely seen image from an edition of only 100 prints is signed by Mary Huntoon lower right and titled lower left. Museum records accesse

Mary Huntoon (Kansas, 1896-1970) 1937 1) Kansas Landscape (1937) sand ground etching, edition of 100, signed in pencil by the artist lower right, titled lower left, Federal Art Project print, Huntoon

Mary Huntoon (Kansas, 1896-1970) 1937 1) Bridge Approach (1937) drypoint etching, edition of 100, signed within the plate, Federal Art Project print, Huntoon number E40. 2) Topeka High (1937) drypoint

Mary Huntoon (Kansas, 1896-1970) Tower 1937 The aquatint etching from an edition of 100 prints, Huntoon #E41, is signed by the artist in pencil below the image lower right and titled lower left. Mary

Mary Huntoon (1896 - 1970) At Home in the Basement Apartment Circa 1940. Tiled in pencil lower left and signed by the artist lower right. Plate size 7 x 9, the frame is 12.75 X 15.75 inches. We happil

Mary Huntoon (1896-1970) The Edge of the Village, Corsica 1927 The drypoint etching numbered 7 from an edition of 30 prints is signed by the artist in pencil below the image lower right and titled low

Mary Huntoon (Kansas, 1896-1970) Girl with Sand Painting 1937 The etching from an edition of 100 prints, Huntoon number A8, is signed by the artist in pencil below the image lower right and titled low

Mary Huntoon (Kansas, 1896-1970) Kansas Landscape 1937 The sand ground etching signed by the artist in pencil below the image lower right and titled lower left is from an edition of 100 prints. This i

Mary Huntoon (1896-1970) They Dreamed of Many Mansions 1947 Titled 'They Dreamed of Many Mansions' and edition 6/25 lower left, signed lower right and and dated 1947. A hand-written gallery tag and ar

Mary Huntoon dry point etching titled 'From a Window Taxco Roofs' lower left, noted Tual Proof ET-32 lower center, signed lower right, noted 'Philadelphia M. of Art 3 prints' in the margin, plate meas

Edouard Henri Leon (instructor of Mary Bonner) (France, 1873-1968), sailboat etching, 1896, with signature chop, paper with deckled edge, not framed plate: 12 x 7.5 in., sheet: 15.25 x 11.75 in. Edo

Edgar Imler (American 1896-1973)- ''Circus''- etching and aquatint, c. 1935, signed and titled in pencil, stamped 'Federal Art Project, NYC, WPA'. 11 7/8 x 8 7/8''

James Edmund Allen (1894-1964) Montana & Chicago, etching of industrial workers, signed lower right in pencil, sight 9 1/2 x 13 1/4", matted and framed, no glass 16 1/2 x 20".

Alfonso T. Toran (1896 - 1965) WPA era o/b two women & young man picking apples, he's holding a dog by bowl of water, signed and dated (1937), in fine condition. From fine Hudson Valley estate, and we

(1) "Margot wearing a bonnet" #1 Breeskin #179; (1) "Sarah Smiling" Breeskin #195; both lightly colored; professionally matted and framed; 9 1/2" x 6 1/2", VG

Mary Spain (American 1934-1983) "Girl Riding," etching on paper, signed in pencil lower right, titled lower left, numbered 4/5, matted and framed. 11.75 x 13 in. image size, 19.5 x 20.5 in. as

Edvard Munch (Norwegian, 1863-1944), "Kvinne som tar linnetet pa" (Woman Putting on her Nightgown), 1896, drypoint etching, pencil signed lower right, image: 11"h x 7.25"w, sheet (unframed): 16.5"h x

Scène de Cirque, avec Cheval ailé, vue par un Machiniste, pl. 35, from Series 156 (B. 1890; Ba. 1896), 1970 Etching on wove paper, with the artist's stamped signature, numbered in pencil 45/50 (ther

EDGAR DEGAS Au Louvre, la peinture, Mary Cassatt. Etching, aquatint and drypoint, circa 1879-80. 305x125 mm; 12x5 inches, wide margins. Twenty-first state (of 21), after cancellation. Edition of appro

Aiden Lassell Ripley (1896-1969" Etching "Phesant Hunting" verso Ambercombie & Fitch plate. Frame 16.5 x 21.25, mat opening 9.5 x 14.25 inches. Limited edition

(American, 1844-1926), titled "Gardner Held by his Mother," signed in pencil l.r. Mary Cassatt. Sight size: 9-1/2"h x 6-1/4"w