Margaret Brundage, Two Portraits, 1957

Margaret Brundage (American, 1900-1976) Two Portraits, 1957 linoleum cuts signed and dated lower right each: 11 1/4" x 8 1/2"

Margaret Burroughs (American, 1917-2010) Two Portraits, 1957 linocuts both signed bottom right 11 1/4" x 8 1/2" each

Margaret Brundage (American/Chicago, 1900-1976), "Portrait of a Man," and "Portrait of a Woman," c. 1958, pair of lino-cut prints, signed and dated in pen lower right, unframed, H.- 14 1/4 in., W.- 11

Group of seven Arthur Allen Lewis (New Jersey 1873 - 1957) prints. 1) Two portraits, the largest signed in pencil lower right and measures 13-in. x 9.75-in. sheet size. In G/VG condition with spotting

Two Portraits, comprising a print by Margaret Lowengrund and a mixed media figure drawing signed "Bailey" Sizes from 12-1/4"h x 9-1/4"w to 17-1/4"h x 15-1/4"w overall; 7-3/4"h x 4-3/4"w to 8-1/4"h x 6

F. Tilgner (Belgian, 1871-1957) Two Children and a Kitten oil on canvas signed F. Tilgner (lower left) 23 x 17 inches. Property from the Margaret A. Cooper Trust, Evanston, Illinois, sold to benefit S

Margaret Sarah Carpenter (British 1793-1872) Portrait of Two Children chalk on paper signed Margaret Carpenter (lower left); signed and inscribed (upper right); inscribed (lower center) 13 1/2 x 19 3/

Peter Camfferman (Washington, 1890-1957) 1920s oil painting of the artist's wife and fellow artist Margaret Camfferman, by Peter Camfferman. Peter Camfferman was the original modernist painter in the

Hulda D. Robbins Portrait; Portrait II; Two Bathers; The Engineer (four works) 1953, 1957, 1969screenprint in colors, lithograph in colors sight (smallest): 14 h x 9.625 w in (36 x 24 cm) sight (l

(Stan Laurel, 1957) A pair of typed letters signed by Stan Laurel, with an 8"x10" glossy portrait. The two typed letters were written to a member of a fan club dedicated to the legendary comedian, and

CURRIER & IVES PORTRAIT PRINTS, LOT OF TWO, hand-colored lithographs on paper, one "MAGGIE", the other "MARGARET". Each housed under glass in a modern frame. Third quarter 19th century. 19 1/2" x 13 3

NO RESERVE John (Augustus) Fifty-Two Drawings, with an introduction by Lord David Cecil, lithograph tipped to half-title, portrait frontispiece and 50 plates, 1957 § Furst (Herbert) The Decorativ

Margaret Reventlow, American, born London, 1915 - 2014, two terracotta busts, one of lovers, one portrait of a woman, each signed and dated 1962. (OWL3001/2){TC} Property Title: From the Estate of C

Louise Altson (American, 20th Century) Three Works. Children's portraits, each an oil on canvas, two signed and dated 1957, unframed Each: 24" x 20"

comprising 34 tintypes, most with North Carolina recovery history, including Solomon Welch and his wife Margaret Peggy Leonard of Chatham Co., NC, and an image of two butchers in long white aprons, on

Likely painted by Frances Alexander, with accompanying documentation. Portrait of the wife of John Henry Alexander in period frame with two pairs of eye glasses, bible dating from Mrs. Alexander&#8217

Ohio, b. 1957. Oil on board, initialed. Modernist image and portrait of a man (dated 1996), both surrounded by gilt frame trim. 2.25"h. 1.75"w. Framed, 14.5"h. 11.5"w.

Kurt Kemp (American 1957- )- 1). Two figures in a Landscape, artist's proof. 16 x 18 1/4'' 2). ''Self Portrait''- numbered 2/20 in pencil. 16 1/2 x 13 3/8'' 3). ''Above the Wailing Wall''- 17 7/8 x 23

Eddy Mumma (American, 1908-1986) Two Portraits (double-sided) acrylic on canvasboard signed recto and verso 21 5/8" x 18"

oil on metal; unsigned; each 8 x 6 1/2 inches; 11 1/2 x 10 1/2 inches frame

American School 19th century Two Portraits of American Packet Ships The first, depicting a full-rigged ship, oil on board; the second, depicting the paddle steamer "Vincentown" (?), oil on canvas, bot

American School 18th / 19th century Two Portraits: A Quaker Lady and Gentleman Oil on canvas, framed. (29 1/2 in. x 25 in. (sight)) Provenance Property from the Ron Wohlrab collection of Salem, N

circa 1839 oil on canvas signed and dated lower middle 30 1/4 x 25 inches

American or English, 2nd quarter 19th Century, gouache on paper. Unsigned but by the same hand. Full length portraits of sisters, each dressed in blue and holding flowers. Some toning. Matching frames