Manner of Giovanni Battista Salvi, cal

Manner of Giovanni Battista Salvi called Sassoferrato (1609-1685) Italian. The Praying Madonna, Oil on Canvas laid down, in an Ornate Outer Carved Frame, 13.5" x 11.25".

Three Old Master-style portraits, including: oil on canvas of young Madonna in prayer, after Giovanni Battista Salvi; oil on canvas of a young woman, in the manner of the Italian Renaissance; together

(Sassoferrato, 1609 - Roma, 1685) Madonna col Bambino Olio su tela, cm 48X39 Allievo del Domenichino e raffinato interprete della tradizione rinascimentale, in modo particolare di Raffaello, il Sassof

Giovanni Battista Salvi (1609-1685), known as Sassoferrato, MadonnaSassoferrato (1609-1685) created countless versions of the painting of Mary, one of the favorite objects of piety of the seventeenth

Studio of Giovanni Battista Salvi, called il Sassoferrato (Sassoferrato 1609-1685 Rome) The Madonna in prayer oil on canvas, unlined 48 x 37.5cm (18 7/8 x 14 3/4in). This lot is subject to the followi

(Sassoferrato, 1609 - Roma, 1685) Madonna orante Olio su tela, cm 49X39 Tra le numerose repliche e copie della Vergine orante dipinte dal Sassoferrato questa si segnala per la buona qualità. L'imma

Oil on canvas. La Madre dei Dolori [Our Lady of Sorrow]," Woman with folded hands. Some wear to pain on upper right, cracks across bottom. In antique gilt painted wood frame. 28" X 22" (39" X 33"). Af

VIRGIN MARY. Oil on canvas. Framed. Glorious painting.Size: 36 inches (h) x 31 inches (w) FRAMED .24" x 16" inches only CANVAS Giovanni Battista Salvi da Sassoferrato (August 25, 1609 – August 8,

Attributed to: Giovanni Battista Salvi aka IL SASSOFERRATO (Italian, 1609-1685) Titled: “The Madonna” Medium: Oil on relined Canvas- 17th Century, Image Size: Height 26-3/8”in.; Width 20” in.

FOLLOWER OF GIOVANNI BATTISTA SALVI DA SASSOFERRATO 25 August 1609 Sassoferrato - 8 August 1685 Rome THE VIRGIN MARY Oil on canvas lay down on wooden panel. 65,5 x 54 cm. Partly damaged, paint loss, r

After Giovanni Battista Salvi, painting, After Giovanni Battista Salvi, il Sassoferrato (Italian, 1609-1685), Madonna at Prayer, oil on canvas, no signature visible, 17.25"h x 13.25"w (sight), 26.25"h

Oil on canvas. Provenance: - Private collection, Madrid. Bibliography and exhibitions: Praying “Virgin. Giovanni Battista Salvi, Il Sassoferrato”, López de Aragón 20 years in Maastri

After Giovanni Battista Salvi, called Sassoferrato (Italian 1609-1685), Italian School, 'The Madonna At Prayer' or 'Madonna In Sorrow', 19th century, oil on canvas, Old Master style painting depicting

Giovanni Battista Sassoferrato (Giovanni Battista Salvi da Sassoferrato) (Italian, 1609-1685). The Madonna. Antique engraving on laid paper after the original painting by a Master Engraver. Year: c. 1

After Pierre Mignard (French 1612-1695) or Sassoferato (Giovanni Battista Salvi, Italian 1609-1685) Holy Family with Allegory of Sin and Salvation, oil on copper, framed. Dimensions: 9.5 x 12.25 in.

An early to mid-20th century pencil on board drawing after a 17th-century painting titled Santa Maria or Madonna in Prayer by Giovanni Battista Salvi da Sassoferrato, 1609 to 1685, an Italian Barocco

Manner of Giovanni Battista CiprianiThe Virgin and Child with the Infant St. John the B

View of an Italian garden with ruined pillars and obelisks pen and ink on paper 18 x 21cm

Large Pair of Neoclassical-Style Hand-Painted Architectural Panels depicting urns in the manner of Giovanni Battista Piranesi (Italian, 1720-1778), presented in matching carved hardwood frames decorat

European, 19th century ink and gray and brown wash illustrations on paper in the manner of Giovanni Battista Natali III; 1) interior with arches and columns, 8 1/2" x 13 1/2" sight size, 13 1/2" x 20"

Giovanni Tiepolo (manner), pair of drawings, Manner of Giovanni Battista Tiepolo, (Italian, 1696-1770), ink and wash on wove paper, one with partial watermark of Mongolfier Vidalon-Les-Annonay, each s

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

Rome, in the Salomoni printing house in the square of S. Ignazio, 1784. In Atlantic folio, 415 x 540 mm., 4 volumes, editorial hardcover by the Piranesian printing house. The first volume of Roman Ant