LOT OF 2 ETCHINGS. ADRIAEN VAN OSTADE. *RUSTIC FEAST* &

LOT OF 2 ETCHINGS. ADRIAEN VAN OSTADE. *RUSTIC FEAST* & *MOTHER WITH 2 CHILDREN*. LARGEST IS 7 3/4 X 5 INCHES.

LOT (3) OLD MASTER ETCHINGS (FIGURES/PORTRAIT MINIATURES) 17th c. SIGNED A.O. (ADRIAEN VAN OSTADE, DUTCH-HOLLAND, GERMANY, NETHERLANDS 1610-1685) LARGEST 2 5/8" X 2 1/8"

Lot 93 Adriaen van Ostade (after) Dutch (1610-1685) The Singers etching plate: 9 3/4 x 7 1/2 inches frame dimensions: 15 1/2 x 13 x 1 inches, wood frame with glazing Provenance: From a Private New Yo

5 Prints- 1.) and 2.) Adriaen Van Ostade (Dutch 1610-1685)- ''Lighting the Pipes'' and ''Father of the Family giving Broth to His Baby''- 2 etchings; 3.) after Charles Blanc- ''Rembrandt''- heliogravu

CORNELIS DE VISSCHER AFTER ADRIAEN VAN OSTADE (DUTCH, 1618-1709), ENGRAVING, H 17 1/4", W 13 1/2":An etching and engraving after a painting by Van Ostade, (Dutch, 1618 - 1709). Titled 'Interior with a

After Adriaen Van Ostade, 19th Century Les Musiciens Ambulants oil on copper 15 1/4 x 12 1/2 inches. This lot is located in Chicago.

Adriaen Van Ostade Original 1648 1st State Copper Plate Etching. Provenance Perrin Estate and Vose Galleries , Boston, 1960’s. Marked AVO lower left 3 1/2"H. 3"W (etching) Matted and framed. 8"

Adriaen van Ostade. 6 etchings. 1) Farmer and Wife in Loving Embrace at Window. X state. 2) "Empty Jug". V state. 3) "Laughing Smoker". V state. 4) "The Smoker". 5) "Peasant Blowing Horn". 2 examples.

Adriaen van Ostade (Dutch, 1610-1685), etching, The Barn, 1647, 6-1/4" x 7-5/8" sheet, 16-1/2" x 20-1/2" overall, margins trimmed, laid down

Adriaen van Ostade, Netherlands, 1610-1685, The Concert, etching, after. Signed in the print (RIJO2990)(MM) Dimensions: 4 1/2 x 3 1/2 Property From the Estate of Richard I Johnson (1925-2020), Chestnu

Pair of etchings. "Hunchback Fiddler" & "Peasant with Hand in Cloak". From a South Kent, CT estate. Dimensions: 3.5" h x 2.5" w. Frame: 8 3/8" h x 7" w.

"The Knife Grinder", circa 1682, etching on laid paper, in water gilt box frame, floated within mat, glazed, OS: 8" x 7 3/4", plate: 3 3/8" × 2 7/8"; sheet: 3 3/4" × 3 3/8". Minor soiling to u

Adriaen van Ostade (Dutch, 1610–1685). The Breakfast (Le Gourmet en Compagne). Genre etching peasants in cottage. Sight 8" x 10", overall 12 1/2" x 14".

Adriaen van Ostade, (Dutch, 1610-1685) "Backgammon Players", etching on laid paper, 3-1/4" x 2-7/8" image, framed 13-3/8" x 13-3/8", good condition, not inspected out of frame

"Three Grotesque Figures", c.1638 Etching on paper, signed in plate by the artist lower left off center. Dimensions: H 8.25" x W 7.25", sight H 3" x W 2.25" Condition: brown tone to the paper, old hin

The Backgammon Players, circa 1653 Etching on paper under glass, trimmed on the plate mark Signed in the plate lower center: A. Ostade Image: 3.25" H x 2.75" W Provenance: Private Collection, Los Ange

Art lot, 2 etchings, Beth van Hoesen & Enrique Celaya pencil study, sketch for a “boy with a house on his back” the statue was exhibited at the Hermitage Museum during 2012, Beth van Hoesen (Calif

This exquisite fine etching features the timeless work "Peasant Leaning On His Doorway, 1627" by the renowned Dutch artist Adrien Jansz Van Ostade (1610-1685). The piece is stamped by K M BERN, adding

Group of Three Etchings. Left: Adriaen van Ostade "Saying Grace." Middle: Adriaen van Ostade "Organ Grinder." Davidson 8. Left: Rembrandt "Pancake Woman." Max 6" x 5".

Pair of etchings by Adriaen Van Ostade: "Saying Grace," signed/dated in plate 1653, on laid with water-mark, measured from plate-marks 152 x 130 mm, well-inked, good impression. "Hunchbacked Fiddler,"

The Barn 1647. Original etching by Adriaen van Ostade (Dutch, 1610-1685). Etching in black on ivory laid paper. Signed and dated in the plate. Matted (silk matte with gilded wood liner). Not laid down

Adriaen van Ostade (Dutch, 1610-1685) ''The Spectacle Seller'', c. 1646-1652. Etching on laid paper, Hollstein 29/Godefroy, signed in the plate lower right, grape watermark, sixth and final state of s

Adriaen van Ostade (Dutch, 1610-1685) ''The Fiddler and the Hurdy-Gurdy Boy'', c. 1654-1656. Etching on laid paper, Hollstein/ Godefroy 45, initialed AVO on barrel top, sixth and final state of six, v

Jan Sadeler I (Flemish 1550-1600) and After Maarten de Vos (Flemish, 1532–1603) Meridies (South Wind) from the series The Four Winds, ca. 1580 Engraving. Signed in the plate, lower center: Joan Sadl