Kuuruks - The Shaman by Luke Frazier

Luke Frazier (1970- ), The Great Herd at the Western Gate of Ye, oil on board, 30 x 48, signed lower right verso: signed, titled, Provenance: The Artist

Frazier, Luke, oil on board, 18 x 24

Luke Frazier (1970- ), Father's Return, 2022, oil on board, 20 x 15, signed lower right: L. Frazier © verso: signed, titled, Provenance: The Artist

Luke FrazierAmerican, b. 1970A Long Day's Ride, 2010Oil on boardSigned lower right. Campground in the snow with two horses outside a tent, a campfire cooks the meal. Gilt frame. Label to verso for Nat

Luke Frazier (1970- ), The Allure of Alpine, oil on board, 24 x 18, signature: signed lower right: L Frazier verso: titled, signed Provenance: From a Private Collection

''In No Hurry'', a moose watering Oil on board Signed lower right: L. Frazier, signed again, titled and dated verso: 2-97 9'' H x 12'' W Notes: Framed size: 12.75'' H x 15.75'' W x 1.75'' D.

Luke Frazier (American, b. 1970) Let Sleeping Bears Lie, 2007 oil on board signed L. Frazier (lower right); signed, titled and dated (verso) 17 x 23 inches The Laumeister Collection from The Benningto

Luke Frazier (b. 1970) Snow Pixie signed "l. frazier" lower right watercolor, 13 by 15 in., Works on Paper

Luke Frazier (1970- ), Hookin' A Trailor, oil on canvas, 30 x 24, signed upper left: L. Frazier verso: signed, titled, dated, Provenance: From a Private Collection

Luke Frazier (b. 1970), Oil on board, "At the head of Beaver Creek". Signed lower right. Moose at creek’s edge in a winter mountain landscape. Signed, titled and dated verso. Gilt frame. (Approx. 18

Luke Frazier (American, b. 1970) Plains Buffalo, 2000 oil on board signed Frazier (upper left) 9 x 12 inches Property from the Estate of Norma and David McIntyre, Los Angeles, California

Luke Frazier (1970- ), Through The Chute, oil on board, 16 x 20, signed lower right: L. Frazier verso: signed, titled, dated, Provenance: Private Collection, Paige, TX

Luke Frazier (american, b. 1970) Morning Shimmer, 2001, oil on board, signed Luke Frazier (lower right) 20 x 24 inches Estimate $1,000-2,000 Property from the Collection of M. Anthony Greene, Jackson,

ARTIST: AFTER Luke Frazier (Utah, born 1970) TITLE: Deer MEDIUM: oil on board CONDITION: Minor paint losses. No visible inpaint under UV light. Wear to frame. ART SIZE: 24 x 20 inches / 60 x 50 cm FRA

Attributed to Luke Frazier, no coa, private collection, medium: oil measurements: Biography: Luke Frazier’s art is a by-product of his life. His paintings are an extension of the experiences he

18th/19th century, oil on board, depicted standing holding the staff with a globus cruciger set on the table beside, framed in an 18th century or earlier carved, giltwood ‘Auricular’ frame, a type

The sharp shouldered form rising to a tall, strait neck and above a rounded body tapering to the foot and recessed base, incised in low relief with a band of stylized clouds below the rim, the shoulde

Early 20th-century shield (known as a kliau or klebit), Mualang-Dayak people, West Kalimantan, Borneo Island, Indonesia. Honey-colored wood with black and red-brown pigments outlining the features of

Photograph, 2008, limited edition (17/30), from the series “The Wild Horses of Sable Island”, Nova Scotia, signed on verso, face mounted on plexiglass with aluminum backing Property of a New Y

An exquisite crest mask with a female figure standing atop a platform and flanked by two arcs or horns and coming from either the Anang or Ibibio people of southeastern Nigeria. Rendered with stylized

Despite obvious damage and losses, this early Corpus Christi has lost none of its sculptural power. Sensitive - even if slightly archaic - modeling of the elongated form is typical for the region and

Large double-woven "Delhi" coverlet in blue wool and white cotton; center seam and rolled hems. Asahel Amora Phelps (1795-1854, active 1835-1854) and his son, John Benjamin Phelps II (active 1854-60),

19th century, painted with beautiful women standing and dancing in different poses in various elaborate dress beneath a floral ruyi collar draped with knotted tassels, the base with a double blue circ

From the series of small works that the painter John Walker (b. 1939) has produced over the past decade is this single example from 2005, titled "No. 22." Expressive in their nature, the body of work