JEFF AELING "Oustdie Clayton, NM" (Oil on Board)

Jeff Aeling (Missouri/ Iowa, b. 1958) Outside Clayton, New Mexico, 1991 Oil on board 9" x 12" Signed, dated, and titled to the reverse. Presented in a frame that measures 15"

JOHN CLAYTONMassachusetts, b. 1961Cottages. Signed lower right "John Clayton".Oil on board, 15.25" x 19.75". Framed 17.75" x 22". Dimensions: Oil on board, 15.25" x

Padilla, Miquel M. (20th Century Native American), St. Francis church , Ranchos de Taos, NM, 1992, oil on board, 24 x 30 inches, signed, dated, and copyrighted lower right, framed 26 x 32 inches, Prov

"Mrs. Hörsey, Flower Garden, Sante Fe, N.M.", 1940. Oil on canvas board. Signed and dated lower left. Titled and signed to the reverse. Custom gold wash rustic wood frame with gilt trim. Canvas board

C. Clayton, Signed Painting of Figures on a Beach bringing in the day's catch. Signed C. Clayton lower right. Oil on board. Sight size: 23.5 x 17.5 inches.

Oil on board, lake scene, initialed lower right, and identified as Nettie Muffly on reverse, size 14 1/2" x 22" framed size is 21 1/2" x 29 1/2"

CHARLOTTE CLAYTON (AMERICAN 20TH CENTURY), OIL ON CANVAS BOARD, COUNTRY SIDE #2, SIGNED AND TITLED. 16 X 20"; FRAMED 19 X 23"

Signed verso in pencil Jeff Brown. Size: 5 1/4"h x 9"w

J CHRIS MOREL (AMERICAN/MD/TX/NM, b. 1958) - "La Cuvea Adobe"; Oil on board; Signed "Morel", verso "La Cuvea Adobe 2008, J. Chris Morel"; Set in gold gilt wood frame; Measures: Visible Art 25.5"H x 26

Artist Clayton O Martindale Sighed Original Oil On Canvas Board Muscovy Duck Painting.This original piece is in excellent condition with vibrant colors measures 24" x 20"

Framed oil on canvas board by Jeff Otis (American b.1954). The landscape painting depicts a rugged cliff in New Mexico. Measures 6.5" x 13.5". Framed measurement 10.75" x 17.75". Signed lower right.

Albert Lorey Groll (AZ / NM 1866-1952). A fine western landscape painting. The work is oil/board and is signed. Measures: H 6 1/4" x W 8 1/4" Sight: 3 1/5" x 5 1/2"

Albert Lorey Groll (AZ / NM 1866-1952). A fine western seascape / beach landscape painting. The work is oil/board and is signed. It is presented in a fine gilt edge ebonized frame. Measures: H 6 1/4"

Oil on board. Original cover painting to the Science Fiction role playing game "Gamma World - The Delta Fragment", 1987. "Dinosaur and Alien Robot" Signed bottom right "Easley". 18" x 18" without fram

"Winters Place - Pecos Canyon NM", "Cow Creek Pecos NM" verso, cabin in front of mountains, 16" x 24" signed lower right, -254101-W1

Oil on board. A view from the walk to Herring Cove, Provincetown

Albert Lorey Groll (New Mexico, Arizona, 1866 - 1952) "Autumn" Tonalist painting. Oil on Board. Signed lower right. Housed in a American frame by Albert Milch (label verso). Sight Size: 18 x 24 in. Ov

Bleak December, 1916, oil on board, 6 x 7 1/2, signed lower right: Olin H. Travis, NOTE on verso: “Bleak Dec” near Jeff City, MO, Dec 1916, Greenwood Park. This was the Honeymoon camp of O

ARTIST: Persis Clayton Weirs (Maine, 1942 - 2016) NAME: Falcons in Nest YEAR: 1985 MEDIUM: oil on board CONDITION: Very good. No visible inpaint under UV light. SIGHT SIZE: 20 x 24 inches / 50 x 60 cm

Persis Clayton Weir (American, 1942-2016) Sleepy Head, 2013 oil on board Signed, titled and dated (lower right) 11 x 13 inches. Property from the Collection of Robert and Mary Montgomery, Palm Beach,

Nicole Thibodeau, "View from Coronado Heights" 2017 oil on board, signed lower right, good condition, size: 10 x 20 inches. Nicole Thibodeau grew up in Taos, NM; the daughter of Rich Thibodeau, a pain

Jack Gage Stark oil on board "House in Pierros Bravos" (Silver City, N.M.) with a 1947 Carroll Carstairs Gallery 11 East 57th St. NY exhibition brochure, hand written note on brochure signed by the ar

Jeff Otis (American/New Mexico, b. 1954) , "Dusk", oil on board, signed lower left, handwritten artist label with signature and title en verso, 8 in. x 12 in., framed Condition: Overall good condition

Oil on board. “Primarily Hidden” vividly captures the hurdles artists confront in their creative odyssey, skillfully constructing a misleading reality where their tools teeter on the edge, sym