Jean Antoine Watteau (after), charcoal drawing

Jean Antoine Watteau (after), charcoal drawing, After Jean Antoine Watteau (French, 1684-1721), Two Studies of a Seated Woman, red and black charcoal on brown paper, signed "A. Watteau" lower right, m

ATTRIBUTED TO JEAN ANTOINE "WATTEAU" DRAWING. PROVENANCE: THE GLADE GALLERY, NEW ORLEANS, LA., WITH ORIGINAL BILL OF SALE. Height: 14 & 10 1/2 in. by Width: 11 & 8 in.

After Jean Antoine Watteau, red sanguine drawing of three resting soldiers. Mat opening: 7-1/2in tall x 11-1/2in wide. Frame: 18-1/2in tall x 23in wide. | Philadelphia Metro area delivery, NYC curbsid

Red chalk drawing of peasant family in fields. Attributed to the 18th century French artisit, Jean-Antoine Watteau by Paris dealer noted on back of drawing. Purchased at Christies in 1992. Work size 6

France,1690-1743 Depicts a young woman with her back turned towards the viewer while a masculine figure stands to her left. Lancret was an avid follower of fellow artist Jean-Antoine Watteau, and upon

Jean-Antoine Watteau, French, 1684 to 1721. Studies of Resting Soldiers, sanguine drawing ca. 1713–14, antique lithograph after the original drawing which now is kept in the collection of Ecole

Antoine Watteau. (Jean-Antoine Watteau) (French, 1684-1721). Studies of Heads. Antique heliogravure on thick wove paper after the original drawing by a Master Engraver. 1872. Excellent. Image 6 1/4 x

18thc French red crayon double sided drawing of a lady and cupids Measures 4.5 inches by 6 inches in a frame 9.5 inches by 11 inches Possibly the work of Jean-Antoine Watteau, but that could not be co

Sketch, after Jean Antoine Houdon's bust (late 17th century) of the elderly philosopher Voltaire. Charcoal and chalk stick on paper. Signed and dated lower left. Signature illegible. 16 x 12"; 23 1/4

The Adventuress, Oil On Shaped Canvas, Likely Incorporated Into Boiserie. Unsigned, Canvas 48 x 39.5 Inches, Frame 56 x 50 x 1.5 Inches. See Photos For Condition Commensurate With Age.

Follower of Jean-Antoine WatteauFrance, The Netherlands, (1684-1721)L’Accordee de Villageoil on canvasan early copy from the original in the collection of Sir John Soane’s Museum of London, gilt-f

STYLE OF JEAN-ANTOINE WATTEAU19th CenturyGarden scene with a gentleman picking grapes for a young lady. Unsigned.Oil on canvas, 31" x 25". Framed 42.5" x 37".

Pierrot And A Garden Party, 19th Century, Unsigned, Canvas 55 X 30 Inches, Antique Gold Painted Frame 60 X 35.5 X 2.5 Inches See Photos And Make Request For Further Condition Information.

after JEAN ANTOINE WATTEAU (French 1684-1721) A PAINTING, "Sudnatarro di Flanto" oil on canvas. 14" x 18"

Jean Antoine Watteau (1684 – 1721). Etching. Aftermath of a Bacchanal. Paris, mid 18th Century. . 21" x 16 1/4".

Print Title: The Happy Meeting Artist: Jean Antoine Watteau Medium: Engraving Size: 23 x 16.5 inches Framed Jean-Antoine Watteau (1664-1721), better known as Antoine Watteau, was a French painter whos

Monumental late 19th century German flower encrusted armorial vase with lid and base stand. Signed with blue crossed lines with T marks for Carl Thieme. Vignettes after Jean-Antoine Watteau. Bears 200

A PAIR OF SÈVRES STYLE BRONZE DORÉ MOUNTED BLUE PORCELAIN COVERED POTPOURRI URNS, LATE 19TH CENTURY, PROBABLY FRENCH, WITH SCENES AFTER JEAN ANTOINE WATTEAU (1684-1721), the pineapple and acanthus l

School of Jean-Antoine Watteau (French, 1684-1721) "Fete Champetre" oil on cradled wood panel unsigned. In a contemporary frame. 15-3/8" x 11-7/8", framed 19-1/4" x 15-3/4"

Oil on canvas,loving couple at the source in the style of Jean-Antoine Watteau (1684-1721). French painter H: 90 cm, L: 75 cm (H: 35,4 inch, L: 29,5 inch) including frame

After Jean-Antoine Watteau(18th century)L'Alte (Soldiers at rest)oil on cradled panel13 1/2 x 17in (34 x 43cm)

Monumental late 19th century German flower encrusted armorial vase with cover and stand. Signed with blue crossed lines with T marks for Carl Thieme. Vignettes after Jean-Antoine Watteau. Bears 2009 C

Antique Portrait Study of Young Girl & Boy, appears to be a study after Jean-Antoine Watteau, no apparent signatures to piece, subject a group of portrait studies, done in graphite pencils, frame meas

Jean-Antoine Watteau-style scene, of quatrefoil shape with open work handles, blue lamb mark to underside and with impressed "MEISSEN / 28" stamp mark h. 10 w. 11 in. Provenance: A Greenwich, CT estat