James Ward, London (1769-1859) Pencil Sketch (The Descent of The Swan)

This sketch measures 11" x 7 1/2".

James Ward attributed (English 1769 - 1859) original pencil wash sketch of deer in meadow. Unsigned. Toning, 7"x 10.25". From the estate of Robert Goodwin, Colgate University Professor, longtime colle

Charles Turner (1774-1857) after James Ward (1769-1859) RALPH JOHN LAMBTON ESQR., HIS HORSE "UNDERTAKER" AND HOUNDS Hand-colored engraving, 1821; Together with J. Harris after John Frederick Herring S

Manner of James Ward (1769-1859), 19th century, Oil on canvas, A portrait of a horse and a dog in a landscape with a church tower beyond. Approx. 19 3/4" x 29 3/4"

James Ward (England, 1769 - 1859) Interior scene. Oil on canvas. Signed lower right. Sight Size: 15 x 13 in.

James Ward (British, 1769-1859) "Mare and Foal" oil on cradled wood panel Frame with artist plaque. 18-3/4" x 21-3/4", framed 25-3/4" x 30" Provenance: Bruce McCashin Collection.

James Ward (British, 1769-1859) "Scenes from the Country Life" collection of three oils on panel the two smaller examples signed lower left, the larger monogrammed lower left. All framed alike. smalle

DOYLE, Arthur Conan (1859–1930). A Study in Scarlet. London: Ward, Lock & Bowden, 1895. 8vo. Illustrations by James Greig. Original publisher’s pictorial wrappers printed in red and black

JAMES MCNEILL WHISTLER (AMERICAN, LOWELL, MASS.1834–03 LONDON) ETCHING AND DRYPOINT, 1883 H 5.25" W 3.188" SWAN AND IRIS (Sketch After Cecil Lawson's Swan and Iris). Printed in black on waterma

James Stark (1794-1859) Charcoal Burning, Allerton Park, Yorkshire titled in pencil lower right watercolour 24 x 30cm Exhibited: Alpine Gallery, London, Early English Watercolours, No. 68 48 x 52cm fr

Mabel Wellington Jack (American, 1899 - 1975) "Swan Dive" WPA Lithograph & Original Pencil Sketch. Pencil signed and titled in lower margin. "Federal Art Project NYC WPA" stamped in lower portion. Her

Two Pencil Drawings by George Chinnery, UK, India (1774-1852), A) Pencil sketch of a fishing boat at dock, date mid right 1839, "The Fine Art Society Ltd" London label on reverse title (?hard to read)

Lucian Freud (1922-2011) Girl Sitting (Hartley 33) Etching, 1987, on Somerset wove paper, signed and numbered 35/50 in pencil (there were also ten artist's proofs), published by James Kirkman, London,

DANIELL, Samuel (1775-1811) and William Daniell (1769-1837) Sketches Representing the Native Tribes, Animals and Scenery of Southern Africa. London: Richard and Arthur Taylor [for] William Daniell and

London: Caesar Ward and Richard Chandler, 1738. Small 4to, contemporary calf, early ownership signature to front free-endpaper and a few notes to title-page in an early hand, some very slight dust-soi

Description: Alphonse Mucha (1860-1939) Young Girls Sketch 1896 pencil and chalk 30” x 22” provenance Eric Estorick, Grosvenor Gallery, London, Privte Collection, mark schachner. This Piece was Pa

Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of Caroline Upton, bust-length, in profile to the left pencil and black chalk on paper 21.8 x 17.9cm (8 9/16 x 7 1/16in). Footnotes:

(Massachusetts/England, 1834-1903) San Biago, 1879/80, state IX/IX (K. 197), from [Twenty-six Etchings], Messrs. Dowdswell and Dowdswell, Publisher, London, 1886, signed in pencil on tab with butterfl

Henry Lamb (British, 1883-1960) Sketch for Family Group oil and pencil on board 23.5 x 24.5cm (9 1/4 x 9 5/8in). Footnotes: Provenance With The Leicester Galleries, London, where acqu

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

5 x 7.5 Frame 15.25 x 17.75 Picasso gave to daughter in NY and she put in an auction where Dr J purchased it. ** Offered with reserve. **

Pencil sketch on paper by Amedeo Modigliani (1884-1920). Measures approx. 19 3/4" x 15" OA'; 12" x 9" SS. Modigliani was an Italian painter and sculptor whose portraits and nudes are characterized by

A VICTORIAN SILVER CENTREPIECESTEPHEN SMITH AND WILLIAM NICHOLSON, LONDON 1859 Modelled with a horse and greyhound standing by a tree, on an ebonised base 49.5cm highProvenance:Barnwell Manor, Northam

Andrew Newell Wyeth (American 1917-2009). Pencil sketch of a fox, inscribed "To Linda and Steve With Thanks" and signed. Accompanied by the taxidermy fox study model. Matte opening: 10-1/2 x 5-5/8 in.