James Tissot (1836-1902) French (three)

James Tissot (French, 1836-1902) Le Hamac. Etching and drypoint, 1880, edition of about 100, Ref: Wentworth 46, signed 10.25" x 7 x .25"

James Tissot (French, 1836-1902) Le Hamac (The Hammock), 1880 etching and drypoint stamped with artist's monogram 11 x 7 1/4 inches. Estimate $1,000-2,000

James Tissot (French, 1836-1902) Le Banc de jardin (The Garden Bench), 1883 mezzotint 16 1/4 x 22 inches. Estimate $600-800 Frame 27 x 32 3/4 inches.

James Tissot (French, 1836-1902) Renee Mauperin Challenged to a Duel. Etching dated to 1882, one of 100 pencil signed impressions (total edition of 550). Ref: Wentworth 66 I/II. Provenance: Merrill Ch

James Jacques Tissot (French, 1836-1902) Le Matin Etching Mezzotint on cream chine-collé 1886 Framed Dimensions 35" x 26" A Very Good Conditions Out of New York City Estste

James Jacques Joseph Tissot (French, 1836-1902) , "Le Banc de Jardin", 1883, mezzotint, pencil-signed and inscribed "bon à tiré" lower margin, signed in plate, pencil-inscribed printing instructions

James Jacques Joseph Tissot (French, 1836-1902) Le Hamac (Tissot 41, Béraldi 37, Wentworth 46), 1880 Etching and drypoint on cream wove paper ed. of approximately 100 11.5 x 7.75 (in) 19 x 14.5 x

James-Jacques-Joseph Tissot (French, 1836-1902), appears to be unsigned. Sight size: 21-1/2"h x 17-1/2"w

JAMES JACQUES JOSEPH TISSOT (FRENCH, 1836-1902) ETCHING AND DRYPOINT ON WOVE PAPER, 1878, H 12" W 7" (PLATE) LE CROQUET Edition of approximately 100. Catalogue Raisonne: Wentworth, 37. Signed and date

James Jacques-Joseph Tissot (French, 1836-1902) La Plus Jolie Femme de Paris   etching and drypoint 15 x 9 3/4 inches.

James-Jacques-Joseph Tissot (French, 1836-1902), appears to be unsigned. Sight size: 21-1/2"h x 17-1/2"w. Provenance: Property sold for the benefit of the Newark Museum Acquisition Endowment.

James Jacques Joseph TissotFrench, 1836-1902Berthe, 1883Etching and drypoint, signed and dated in the plateA young woman in hat and dress, posed with hand against her cheek; set behind glass and frame

TISSOT, James, (French, 1836-1902): Arab Riders in a Caravan on Camels, Lithograph, sight size 9'' x 12 1/4'', pencil signed lower right, framed, 13'' x 16 1/2''.

James Jacques Joseph Tissot (French, 1836-1902) The Departure etching unsigned Plate: 12 x 14 1/2 inches. Estimate $50-70

A Modern French School oil painting on canvas depicting a ship genre scene after the original oil painting on canvas,The Last Evening, 1873 by James Tissot, French, 1836 to 1902. Signed by the artist,

James Jacques TISSOT (1836-1902): "The Widower" / "Le Veuf" (original French title). Etching and drypoint on laid paper, 1877. Reference: Wentworth 28. Edition of c. 100. Signed in pencil and bearing

James Jacques TISSOT (1836-1902): "The Green Room of the Theatre Francais (Memory of the Siege of Paris)" / "Le Foyer de la Comédie-Français pendant le siege de Paris" (original French title). E

James Tissot (1836-1902)LA SOEUR AINEE; LE CAMPEMENT (WENTWORTH 41; 53)Two etchings and drypoints, 1871 and 1881, respectively, on laid paper, with full margins, unframed.Larger plate 11 1/2 x 6 1/8 i

James Tissot (1836-1902)The Prodigal Son, 1882 Set of 4 unbound etchings on wove paper, including "The Departure", "In Foreign Climes", "The Return", and "The Fatted Calf". Would be of the best effect

PRODIGAL SON, 1881, three etchings from the series of five, two signed and dated in the plate, frontispiece with artist’s name and date in the design, plates 12 ¼ x 14 ¾”, full m

James Jacques Tissot (1836-1902) Le Matin. Mezzotint on cream chine-colle, 1886, 2nd state, edition of 650, Wentworth 82 19.25" x 10.25"

James Jacques Tissot (1836-1902) 1881 Etching with plate signature & red seal stamp. Measures 15.5" x 9" and 23.5" x 17.5" framed.

James Jacques Joseph Tissot (1836-1902) Querelle d'amoureaux (Wentworth 18), 1876 Etching and drypoint, on wove paper, with the artist's red inkstamp (Lugt 1545), from the edition of 50, with margins.

James Jacques Joseph Tissot (1836-1902) Le Portique de la Galerie nationale à Londres (Wentworth 40), 1878 Etching and drypoint on laid paper, signed in pencil, with the artist's red inkstamp (Lu