Inscribed by William S. Hart to Clarence Ellsworth

Heading: Author: Hart, William S. Title: Hoof-Beats Author: Hart, William S. Place: New York Publisher: The Dial Press, Inc. Date: 1933 Descriptio

CLARENCE ELLSWORTH NEELD (AMERICAN 1895-1968), OIL ON PANEL, HOMESTEAD SHARP COUNTY, ARKANSAS, SIGNED AND TITLED (LABEL VERSO), C.1967. 8 X 10"; FRAMED 15 X 17"

William S. Hart - The Law on Horseback and Other Stories. Signed and inscribed front endsheet. The Times-Mirror Press. 1935. 223 pp. Back hinge cracked. Green cloth covers. Measures 8 x 5.5 x 1.25 in.

William S. Hart - The Law on Horseback and Other Stories. Signed and inscribed front endsheet. The Times-Mirror Press. 1935 with dust jacket. 223 pp. Green cloth covers. Measures 8 x 5.5 x 1.25 in. Be

Three (3) softcover books includes: 1) English Coronets by Kay Van Riper inscribed to Bill Hart Jr. 2) Key to Wade-Giles Romanization of Chinese Characters. 3) The Friendly Mountain; A Story of the Ol

HART, William Matthew (British, 1830-1908). Quezal or Pharomacrus mocinno. Original watercolor heighened with gum arabic on paper. Inscribed in pencil upper left by Gould "Plant Barkeria Elegans", and

Heading: Author: Bradbury, Ray Title: Where Robot Mice and Robot Men Run Round in Robot Towns Place Published: London, Toronto, Sydney, New York Publisher:Hart-Davis, MacGibbon; Granada Publishing

London: Weiners, ca. 1912. Full color portrait features the magician on horseback waving a large yellow flag bearing his name. A burst of light radiates from his head. 20 x 30". Light staining through

William Hart(British/American, 1823-1894)Landscapeoil on canvassigned lower right7.5 x 12.5 inches (sight)20 x 25 inches (frame)

Property from a Savannah, GA Estate Description: Rare William Hart (1734-1812) Backstaff or Davis Quadrant, Portsmouth, NH, 1763, the backstaff or Davis quadrant was used to observe the altitude o

United Kingdom, 1823-1894. Oil on artist board, signed lower right. Field and hills. 10"h. 15"w., framed, 20"h. 25.75"w. Ex Patricia Weiner Gallery, (Ohio).

Oil on canvas. Provenance from the Alexandre Gallery. Framed. Signed. Image size, 15L x 11H.

William Hart (1823-1894) Hudson River Valley Landscape. Signed l.r.. Oil on canvas. Framed. Provenance: Property of a Gentleman, Philadelphia, PA. Size: 7 5/8" x 12 1/8" (19 x 31 cm.)

William Hart. Small landscape with figures in a field. Lake with sailboats and mountains in the distance. Monogrammed L.L. Probably the original frame. Plaque on reverse. Sight size: 3-1/2" x 5-3/4".

ARTIST: William Hart (New York, British, Scottish, 1823 - 1894) NAME: River Landscape with Cows MEDIUM: oil on canvas CONDITION: Relined. Missing a few flakes of paint. Minor craquelure. Minor scatter

Upstate New York Mountains, oil on canvas, unsigned, stencil on back of canvas reads "P. Deschaux & Co. Artist's Colourman, New York" (Paul Deschaux was in business 1869-1874). in gold painted deep co

Signed William Hart (Scottish/American, 1823-1894) Oil On Canvas Landscape Painting . Measures approx. 18 1/4" X 24 1/4", Sight measures approx. 12" X 18". Please note the frame is damaged, see pics.

Clarence Ellsworth (American, 1885-1961) The Pioneers-A Chance Meeting, 1935 Oil on canvas 24 x 36 inches (61.0 x 91.4 cm) Signed and dated lower left&col

William Hart(American, 1823-1894)Landscape with Cowsoil on canvassigned and dated "Wm. Hart, 1883" (lower left)10 x 8 inches (sight)22 x 20 inches (frame)

Orientalist Coastal Scene With Fort 7 1/2" x 12 1/4" oil on canvas faintly signed 'W.Hart' lower right

William Hart (1823 - 1894) New York / United Kingdom oil canvas Medium: Oil On canvas Frame Size: 45" x 27.5" Size: 36" x 18 " signed: Condition: good overall condition for its age., no visible damage

Framed oil on canvas painting, River Landscape with Cattle, signed lower right Wm Hart (William Hart, Scottish-American, 1823-1894), Robert Rice Gallery label verso, craquelure, wax lined, sight: appr

"The Pool", cows watering Oil on board Signed lower right: Wm Hart 10" H x 16" W

Chung Ling Soo (William Ellsworth Robinson). Chung Ling Soo. Ah! He’s Here. Glad I Came. Birmingham, James Upton, ca. 1915. Half-sheet color lithograph featuring a delighted theatergoer reading a So