Holzer, Jenny Selections from Turisms. 1992.

Holzer, Jenny Selections from Turisms. 1992. Cyberlight LED sign. 9,5 x 10,5 cm. - With certification of authenticity. - Proper functioning not proofed. - One of 100 examples. Selections from Turisms.

Jenny Holzer (Born 1950) Selections from Truisms, 1992 Cyberlight LED sign, with letter of authenticity from the Artist Edition 100 3.75 x 4.25 x 1 inches

Holzer, Jenny Top Secret 24. 2012. Schablonen-Reservage-Technik auf schwarzem kräftigem handgeschöpftem Büttenkarton. 90 x 68,5 cm (90 x 68,5 cm). Verso signiert. - Oberfläche teil

Holzer, Jenny Zeitgenössische Kunst Top Secret 24. 2012. Schablonen-Reservage-Technik auf handgeschöpftem schwarzem Bütten. 90,5 x 70 cm. Verso signiert in Graphit. - Leicht atelierspur

Truisms, 2015 Eight screenprints on wood. Each stamped on verso. Each 8.8x 13.8 cm. Provenance: Private Collection Europe

Jenny Holzer In a Dream 2020screenprint with leafed palladium, leafed caplain and enamel ink 18 h × 22.5 w in (46 × 57 cm) Signed and numbered to verso 'Jenny Holzer 25/35'. This w

Jenny Holzer (b. 1950) Inflammatory Essays (28 works), 1979-82 Offset lithographs on colored paper 17 x 17 inches (43.2 x 43.2 cm) (sheet, each) One work signed in ink verso HID03101062020 © 2020

Jenny Holzer Lot of 20 (born 1950) Inflammatory Essays (Set of 20), 1979-1982 Suite of 20 lithographs Unsigned as issued Provenance: Documenta 7 Exhibition, Kassel, Germany by present/original owner i

Jenny Holzer Inflammatory Essays (set of ten) c. 1982offset print on paper20 h × 20 w in (51 × 51 cm) Signed to lower edge of one sheet 'Jenny Holzer'. Literature:

Jenny Holzer Pair of Chargers 2002glazed ceramic plate with unglazed lettering 10.5 dia in (27 cm) Numbered to verso of each with stamped signature 'Jenny Holzer 109/175'. These works are numb

Jenny Holzer Inflammatory Essays (ten works) 1982offset lithograph 9.875 h x 9.875 w in (25 x 25 cm) Literature: Jenny Holzer, Waldman, ppg. 62-69 T

Jenny Holzer*, (*1950) Waterboarding. 6 sheets from the Waterboarding series. Copies of the Griffelkunst Edition Hamburg 2012. Stencil reserve technique on handmade sheets, couched in 2 layers. Each a

Jenny Holzer (American, b. 1950) Inflammatory Essays, set of 10, 1979-1982 offset lithograph on colored paper one sheet signed verso 17" x 17" Provenance: Young-Hoffman Gallery, Chicago, Illinois

Jenny Holzer Ephemera bound printed paper, VHS tape, screenprint on wood, offset lithograph, printed pencils Complete Lot Details Laments (Artist's book and VHS tape)

Twelve sheets loose in plastic sleeve. 10" x 10" each.

Jenny Holzer (American, b. 1950) Inflammatory Essays Fifteen Prints 1979-82. The set of 15 offset lithographs on multicolored wove paper. sheets (each): 10 x 10 in. (25.4 x 25.4cm) [Waldman, pp. 62-69

Jenny Holzer Truism Lithograph Stamped and dated 1978 on bottom right 20 1/2" x 24 1/2" including frame

Jenny Holzer Truisms. 12 pc JENNY HOLZER Wood Cards with Artist's Quotes. Reverse with address lines and postage square. Not Signed. Dimensions: H: 4 inches: W: 6 inches ---

Jenny Holzer, (2) ceramic plates, Jenny Holzer (American, b.1950), "Money Creates Taste" and "All Things are Delicately Interconnected", 2002, glazed pottery with unglazed stenciled lettering, produce

Jenny Holzer, (2) ceramic plates, Jenny Holzer (American, b.1950), "Money Creates Taste" and "All Things are Delicately Interconnected", 2002, glazed pottery with unglazed stenciled lettering, produce

Jenny Holzer Use What is Dominant 2003hand-blown glass bowl with etched text 4 h × 9.75 dia in (10 × 25 cm) Incised signature and number to underside 'Simon Pearce Jenny Holzer 68/

glass paperweight multiple, 2004, engraved Money Creates Taste, from the edition of 90, 76 x 76 mm (3 x 3 in) This work is accompanied with a certificate of authenticity signed by the artist.

Jenny Holzer Truisms. 12 pc JENNY HOLZER Wood Cards with Artist's Quotes. Reverse with address lines and postage square. Not Signed. Dimensions: H: 4 inches: W: 6 inches ---

Jenny Holzer (American, b. 1950). Group of 14 offset lithographs on paper from "Inflammatory Essays," 1979-82. Published in various colors. Generally shortened in title to the first line, this group i