Guy Dill (b. 1946) California

UNTITLED, color lithograph, signed and numbered 53/250 in pencil, image 16 ½ x 16 ¼”, full margins, frame 27 x 27” with Plexiglas.

UNTITLED, color lithograph, signed in pencil, numbered 109/250, image 16 ½ x 16”, full margins, framed with glass, in apparently good condition.

Guy Dill (American, b. 1946), "Notes from Campus Gates", 1992, lithograph, pencil signed, published by Lawrence Edition, 35"h x 48"w (sight) Provenance: Property from a major corporate collection, NY

Guy Dill (American, b. 1946) Drawing #2, 1979 watercolor and pencil on paper 25 5/8 x 40 inches. Provenance: Joyce Hunsaker and Associates, Los Angeles

Guy Dill, lithograph, 1992, Guy Dill (American, b. 1946), "Notes from Campus Gates", lithograph, pencil signed, published by Lawrence Edition, 35"h x 48"w (sight) Provenance: Property from a major cor

STEEL ROOM, 1989, steel sculpture, 8 x 8 x 8”, signed and dated. Provenance: Acquired directly from the artist by the previous owner Charles Pollyea.

SILVER ROOM, 1989, chrome-plated steel sculpture, 8 x 8 x 8”. Provenance: Acquired directly from the artist by the previous owner Charles Pollyea.

NIGHT REPAIR, 1983, color lithograph, signed and dated and numbered 20/25 in pencil, sheet 32 x 27”, frame 37 ¾ x 32 ½ x 2”.

IRISES, 1990, two, each white pastel on black paper, each signed and dated lower right, sights 17 x 20 ¾” & 19 ½ x 15 ½”, frames 28 x 31” & 30 ½ x 26&rdqu

THE REAL THINK, 1981, oil, acrylic, gesso and rubber painting on wood construction with sheet metal, signed and dated on verso, 62 x 42”. Provenance: Acquired directly from the artist. Exhibited: Wa

REMAIN UNMOVING, 2001-2002, wood, hydrocal, joint compound, acrylic, joss paper and wax sculpture, signed and dated and titled underneath, 12 x 8 x 7 ¾”, weight 24 lbs. Provenance: Diana

UNTITLED, 2001, color offset lithograph, signed and numbered 13/13 in pencil, image 17 x 17”, full margins, frame 27 ¼ x 27 ¼” lacking glass.

FRENCH CAFÉ, watercolor on paper, signed lower right, sight 29 ½ x 39 ½”, frame 40 x 50” with glass.

Wonderful gelatin silver print is called "Thunderstorm-Canada" by Robert Werling. Signed in the lower left in pencil. Frame measures 20" x 24", image measures 14.9" x 19". Great piece.

UNTITLED, 1985, pigment, glass and cement on wood, signed and dated on verso, 48 x 84 x 2 ½”, heavy weight.

UNTITLED, 1980, cement and polymer and glass on wood in welded metal frame 25 x 13 x 2”, 22 lbs. Provenance: James Corcoran Gallery.

UNTITLED, 1984, pigment, glass and cement on wood table top or wall sculpture, signed and dated on verso, 12 x 24 ½ x 7 ½”, weight 18 lbs. From the Stuart Lampert & Stephen Tomar Colle

UNTITLED, triptych, three cast bronzes, each 16 x 12”, overall 16 x 36”, each approximately 20 lbs., overall approximately 60 lbs.

LIGHT TRAP, 2007, manipulated brushed metal, signed, titled and dated on verso, 96 x 48 x ½”, wall cleats included, heavy weight.

UNTITLED, glass, pigment and cement on wood, triptych, overall 24 x 36”.

UNTITLED, 1994, pigment and cement with glass on wood, signed and dated on verso, 23 x 56 x 4 ½”.

Jean-Guy Schnobb, "Lumières de fin du jour" (end of day lights), oil on canvas, signed and dated 2005 lower right, titled and signed on the stretcher verso, 36" x 48".

UNTITLED, 1986, acrylic painting on pigmented cement on foamcore, signed and dated, 30 ¾ x 48 ¾ x 2 ¾” including Plexiglass box frame. From the collection of Bruce and Shary

HUMPBACK WHALES, 1989, cast bronze sculpture with patina, signed and dated, 39/350, overall 13 ½ x 12 x 7”, with 7 ½” diameter lazy susan wood base, 13 lbs.