Gray Malin (b. 1986) California

LAMA BALLOONS, color digital print, signed and inscribed #4 in ink, image 11 ½ x 17 ¼”, frame 18 x 23” with Plexiglas.

WATERFALL, 1997, 3-D acrylic painted wood construction, signed and dated lower right, overall 65” tall, 17” deep, various widths with four free elements, 46” wide as pictured. Proven

REFLECTIONS 2, 1989, 3-D acrylic painting on canvas construction, signed and dated and titled on verso, 60 x 60 x 4”. Provenance: Acquired directly from artist by current owner; Todd Grayâ€��

Lot 141 Gary Malin American (b. 1986) Aerial Beach (from À la Plage) c-print 31 7/8 x 47 3/4 inches Provenance: From a private New York collection

Gray Malin, American (Born 1986). Aerial beach photograph from Malin's collection 'A La Plage' mounted in white frame, signed lower right, letter on verso from GM. Measures 15.5"H x 21"W framed; 11.5"

Keith Christie (b.1935 California) ''The Cutter'' 1986 Western Bronze Sculpture 14.5''x22''. Depicts a cowboy on horseback retrieving a stray cow. It sits on walnut swivel base with title plates on ea

Alice Springs, Portraits Folio. First edition, first impression by Twelvetrees Press, 1986. Pasadena California Large format hardcover (14 x 10 in.) limited to 3000 copies, 54 full-page b/w plates fro

GRAY WHALES AND DOLPHINS, 2004 & 1992 (2), three cast bronze sculptures with patina, each signed and dated and numbered, from editions 250 & 500, each mounted to wood base, overall sizes 6 ¼&rd

William Weege (American, b. 1935) Expert on Smog, 1986 acrylic on handmade paper on canvas 78 x 46 inches. Provenance: Richard Gray Gallery, Chicago Property from the Estate of Thomas J. Klutznick, Ch

Jeanette Pascin Sloan (b. 1946) Untitled, Lithograph, Signed and dated 1986 lower right; numbered 44/85 lower left. Framed dimensions: h: 53 3/4 x w: 35 5/8 in. H: 43 W: 25 in. The Collection of Stanl

Michi Itami (American, b.1938) "Aki No Yugen," (Mystery Fall) 1986, etching on Japanese blue mingei paper hinged to gray Rives BFK support sheet, signed in pencil and dated lower right, titled

Frank C. Frate (American, b. 1951) Watchers, 1985, Pastel on paper, Framed dimensions: H: 45 1/8 x W: 56 in. H: 40 W: 50 3/4 in. Exhibition: May Show 1986. The Cleveland Foundation

Two Framed Print Club of Cleveland Prints, Hugh Kepets (b. 1946) Met Gates II, aquatint, publication No. 64 for 1986. Artist Unknown, signed illegibly, edition 37/50. Largest dimensions: H: 11 /2 x W:

Lot of 3 assorted 1986 Corgi Toys Ltd. die-cast Bedford Type OB Coach Buses, includes: C949/1 Norfolk's, C949/2 Royal Blue and C949/4 Gray Cars, original box for gray cars. CONDITION: All are in very

JUGGLER, 1986, acrylic painting on canvas, signed and dated along right side, 98 x 65”.

UNTITLED, 1986, acrylic painting on pigmented cement on foamcore, signed and dated, 30 ¾ x 48 ¾ x 2 ¾” including Plexiglass box frame. From the collection of Bruce and Shary

SELF-PORTRAIT, 1986, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 36 x 24”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certifi

UNTITLED, 1986 monotype on paper, initialed and dated lower right, 23 x 30 ½”, frame 32 ½ x 40 ½” with glass. Provenance: Tortue Gallery Santa Monica.

Nagel Eleven Commemorative posters (NC #5-NC #15), 1985-1988, each a color screenprint, sheets average 36 x 24”; Together with Mukai BEAUTY WITH GREEN EYES, 1986, color screenprint, signed and i

UNTITLED, 1986, oil painting on canvas, signed and dated and inscribed RB 51 on verso, 12 x 9”.

LEPIDOPTERY, 1986, mixed media wood construction, signed and dated lower right, overall 29 ½ x 38 ¼ x 2 ¾”, 24 lbs.

Joseph Gray, California, circa 1930's, 5 boxes of painted lead figures in O/B, workmen laying track & people on train platforms, 4 3/4 in. x 2 3/4 in.

Fine, Ruth E. and Robert F. Looney, ''The Prints of Benton Murdoch Spruance: A Catalogue Raisonne'', University of Pennsylvania Press, Philadelphia, 1986, 340pp, 4to, hardbound with gray cloth and gil

SACRED DANCE #S-16, 1986, watercolor, color pastel and ink on paper, signed and dated lower right, 7 x 10”, frame 16 ½ x 19 ½”. Provenance: Ruth Bachofner Gallery, Los Angeles.