Giovanni Battista Piranesi 19th Century Etching

The Prisons "The Pier with Chains" Plate XVI Frame 29"x24" Etching 21 1/2"x16"

The Prisons "The Saw Horse" Plate XII Frame 29"x24" Etching 21 1/2"x16"

Giovanni Battista Piranesi (Italian, 1720-1778). 19th century etching on paper, Veduta dell' Anfiteatro Flavio Detto Il Colosseo, done from oiginal plate. Signed in the plate lower right. Titled and i

After Giovanni Battista Piranesi (Italian, 1720-1778), 19th century etching of the Roman ruins around the Piazza di Monte Cavallo, 17 1/2" x 23 1/2" sight, 20 3/4" x 26 1/2" framed.

19th C. ETCHING BY PIRANESI ROMAN CURULE CHAIR Etching depicting a Roman Curule chair, "Sedia curule di marmo in prospettiva" from artist Giovanni Battista Piranesi's "Vasi Candelabri Cippi Sarcofagi"

Giovanni Battista Piranesi (Italian, 1720-1778) etching. The 18th or 19th century Piranesi etching, Veduta di Piazza Navona Sopra le rovine del Circo Agonale is from the “Vedute di Roma”, which is

Piranesi, Giovanni Battista (Italian 1720 - 1778). View of the So-Called Temple of Concord with the Temple of Saturn, on the right the Arch of Septimius Severus. 19th c. Etching. Later printing. Signe

Giovanni Battista Piranesi (Italian, 1720-1778). "Veduta della Facciata di dietro della Basilica di S. Maria Maggiore" etching, ca. mid 18th to early 19th century. A beautiful etching of the view of t

Pair of late 18th or early 19th century Italian architectural etchings after Giovanni Battista Piranesi (Italian, 1720-1778), the first titled 'Una della due Fornici di Stertinio nel Foro Boario,' the

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) AN ETCHING, "Veduta della Basilica di S. Lorenzo fuor delle mura, Piranesi F.," LATE 18TH/EARLY 19TH CENTURY, on laid paper, decent impression, complete

After Giovanni Battista Piransei (1720 - 1778) Roman Ruins. 19th Century etching, signed in plate "Cavalier Piranesi F" Sight: 19.5" x 28.5" Frame: 29" x 38"

Two Architectural Etchings on heavy paper with Regia Calcographia Roma Stamp lower right. Late 19th Century. Plate size 16.25" x 21.5" sheet size: 35" x 25" edge handling, toning, foxing, stains.

"Veduta del Tempio di Antonino e Faustina in Campo Vaccino", 15" x 21 1/4" (image) and Rovine d'una Galleria di Statue nella Villa Adriana a Tivoli, 17 1/4" x 22 1/4" (image) both late 19th century

Two Architectural Etchings on heavy paper with Regia Calcographia Roma Stamp lower right. Late 19th Century. sheet size: 35" x 25" edge handling, toning, foxing, stains.

A Group of Two Italian Engravings after giovanni battista piranesi, 19th century Larger 19 3/4 x 24 inches. Estimate $400-600

A Pair of Italian Engravings After Giovanni Battista Piranesi, 19th Century Each: 15 3/4 x 23 inches. Property from the Estate of Marge Ewers, Nashville, Tennessee

Depiction of Trajens Column Roman architecture etching by Giovani Piranisi 18th century approx 25" x 32"

Giovanni Battista Piranesi (Italian, 1720-1778) 18th century etching on laid paper. The Piranesi print is titled: Giovanni Battista Piranesi (Italian, 1720-1778) 18th century etching on laid paper. Th

Giovanni Battista Piranesi (Italian, 1720-1778). 18th century etching Reliquiae Pontis Triumphalis seu Vaticani framed. Approximately 17 x 22

Circa 1700's original etching Plate XXXVI upper left. Altra Veduto Deli Avanzi Del Pronao del Tempic Dell Concordia. Titled - , Italy. Frame 25 x 18.5 inches

18th century etching/engraving. "Veduta della Piazza del Popolo." Good impression. Dimensions: (Frame) H 23" x W 28.5", (Sight) H 16.25" x W 21.75" Condition: Center fold slightly visible. Matted just

"Spaccato dell'interno della Basilica di San Paolo fuori dalle mura", appears to be a 19th century edition. Dimensions:Sight is 17" x 24", the frame 26 1/2" x 33 1/2".

18th century etching and engraving. "Veduta della Dogana di Terra a Piazza de Pietra." Dimensions: (Frame) H 24" x W 30.5", (Sight) H 17.25" x W 23.75" Condition: Matted to plate marks. Paper age tone

Plate size: 17.5" x 23", an intaglio impression, though it is not lifetime, and appears posthumous, most likely a plate from the late 19th century. Collection of Paul Paletti, Louisville, KY