Gilt Wood and Composition Frame

late 19th/early 20th century, acanthus leaf decoration, rabbet 31-1/2 x 25-3/8 in., exterior 43-1/8 x 37-1/8 in., width 6 in., depth 3-1/2 in.

(19th century) curvilinear molding with foliate and acanthus decoration, rabbet 16-11/16 x 21-3/16 in., exterior 21-1/2 x 26 in.; cove molding with acanthus decoration, rabbet 19-3/4 x 13-3/8 in., ext

Pair of Louis XV Style Giltwood and Composition Frames Possibly 19th century With labels on verso from an earlier painting marked '5-272-2581 Coypel Nymph pursued by Pan' and another '122 and 122b A P

Losses to both. Outside: 34"h x 29-3/4"w. Inside: 23-3/4"h x 19"w. Outside: 36-1/2"h x 31-1/2"w, Inside: 26"h x 21"w

(British/America, 1775-1806) George Washington, after Gilbert Stuart (American, 1755-1828), unsigned, oil on canvas, 28-3/4 x 24 in.; original carved gilt wood and composition frame, 35 x 30 in.

(French, 1831-1897)The Boar Chase, signed lower left˜"Ol. De Penne", oil on canvas, 57-1/4 x 50-1/2 in.; gilt wood and composition frame, 81-1/2 x 54-1/2 in.Provenance: Sotheby's New York: Tuesday, O

(French, 1883-1956) Venice, 1923, signed "Marie Laurencin", oil on canvas, 21-5/8 x 18-1/8 in.; painted and gilt wood and composition frame, 28-24-1/4 in.  Literature: Marchesseau, Daniel, and Marie

(French, 1819-1877) Portrait of an Older Man in Blue Jacket, unsigned, oil on canvas, 24 x 19-3/4 in.; gilt wood and composition frame, 33-1/4 x 28-1/2 in.

(American, 1856-1934)A Florida Courtyard, c. 1916, signed lower left "H.R. Butler", oil on hardboard, 16  x 21 in.; modern carved gilt wood and composition frame, 21 x 26 in.

(French, 1811-1889) Marine (A. 434), circa 1868-1872, signed lower left "Jules Dupre", oil on paperboard, 18-3/4 x 15 in.; gilt wood and composition frame. Notes: Literature: Aubrun, Marie-Mad

(American, 1836-1892) Pool on the Ausable, c. 1871, signed lower right "A.H. Wyant", oil on canvas, 17-1/4 x 23-1/4 in.; period carved gilt wood and composition frame, 28 x 34 in. Provenance: George H

(New York, 1803-1889)Mother's Lessons, Amalfi, 1857, signed and dated lower right "Robt. W. Weir/1857", oil on panel, 16 x 12 in.; fine reproduction carved gilt wood and composition frame, 24-1/2 x 20

(American, 1849-1924) Haying, signed lower right "Thos. B. Craig 1881", oil on canvas, 16-1/4 x 28 in.; fine period carved gilt wood and composition frame, 27-3/4 x 39-1/2 in. - Provenance: Private Co

(New York/Florida, 1834-1926)Summer, New Hampshire, signed lower left "Laura Woodward", oil on canvas, 24 x 18 in.; modern gilt wood and composition frame, 34 x 28 in.

(French, 1874-1946) Le Lac, signed lower right "PMontezin", oil on canvas, 21-1/2 x 25-3/4 in.; modern gilt wood and composition frame, 32-3/8 x 37 in. Provenance: Galerie Romanet, Paris (label verso)

(French, 1809-1882) Young Boy Standing in an Algerian Landscape, signed lower right "Lauret/1851/Algers", oil on canvas, 25-7/8 x 21-1/4 in.; fine 19th century gilt wood and composition frame, 33-1/2

(American, 1847-1919) Tenting on the Old Campground, signed lower left "Blakelock", oil on canvas, 10-1/2 x 16-3/4 in.; reproduction carved gilt wood and composition frame, 16-1/2 x 22-3/4 in. Provena

(German/Wisconsin, 1814-1899) Early Autumn, signed lower right "H. Vianden", oil on canvas, 20 x 30 in.; period gilt wood and composition frame, 30 x 40 in.

(19th century) Captain John Smith Captured by American Indians, unsigned, oil on canvas, 25 x 30 in.; gilt wood and composition frame,. Condition: lined with wax and linen, abrasions, crackle;. Notes:

(American, 19th/early 20th century) in the Hudson River School style, unsigned, oil on canvas, 22 x 30 in.; fine period carved gilt wood and composition frame, 30-1/2 x 38-1/2 in. Note: partial label

(19th Century)Dolly Rutledge/Diana of the Hunt, oil on canvas, 29 x 24 in.; oval gilt wood and composition frame, 38 x 33 in. - Note: Family history ascribes the identity of this portrait to Dolly Rut

(French, 1813-1894) Under the Old Oak, signed "Ch. Jacque", oil on canvas, 32-1/2 x 25-1/2 in.; gilt wood and composition frame. Provenance: The Anderson Galleries, New York, sale #2224, lot #

(American, 1810-1874)The Fountain, signed lower left "AJ Miller", inscribed lower right "Roma 1833", oil on board, 9-1/4 x 11-1/2 in.; reproduction carved gilt wood and composition frame, 15 x 17-1/2

(French, 1827-1906) Fillette, Study for La Plantation du Calvaire, signed lower right "J. Breton", oil on canvas, 12-5/8 x 8-5/8 in. (30.48 x 20.32 cm.); gilt wood and composition frame, 18-7/8 x 14-3