GEORGES ROUAULT (after)Pierrot. Color aquatint on cream wove paper, circa 1950. 540x390 mm; 21¼

GEORGES ROUAULT (after)Pierrot. Color aquatint on cream wove paper, circa 1950. 540x390 mm; 21¼x15¾ inches, full margins. Signed, inscribed "gravé par Lacourière" and numbered 52/1

Georges Rouault (French, 1871 - 1958). Soft-ground etching and color aquatint on cream wove paper. Depicts a portrait of a woman wearing a red shirt. Signed and dated lower right. Housed in gold woode

GEORGE CONSTANT Untitled. Gouache, watercolor and chalk on cream wove paper, circa 1950. 565x760 mm; 22½x30 inches. Signed in ink, lower right recto. Provenance: Private collection, Chicago.

LOUISE NEVELSON Reflections IV. Color etching and aquatint on cream Copperplate wove paper, 1983. 1000x745 mm; 39x29¼ inches, full margins. Signed, dated and numbered 21/50 in pencil, lower margi

After Georges Braque (1882-1963) LES MARGUERITES (MAEGHT 1002) Color etching and aquatint, circa 1950, on wove paper, signed and numbered 258/300 in pencil, published by Maeght, Paris, with full margi

Georges Rouault (French, 1871-1958) "Nu, de Profil", 1936 etching and aquatint in colors on wove Montval paper, from the series Les Fleurs du Mal (series delayed until ca. 1950), from the unmarked edi

LOUISE NEVELSON Circus Wagon. Aquatint and etching with hand coloring in watercolor on cream wove paper, circa 1955. 380x446 mm; 15x17 inches, full margins. Signed, titled and numbered 1/20 in pencil,

EDGAR DEGAS AND GEORGE W. THORNLEY Sur la Plage. Lithograph printed in brown on cream Chine appliqué on a greenish blue wove paper, circa 1888-89. 192x340 mm; 7x13½ inches, small margins. Th

JOHN MARIN Downtown, New York. Pencil on cream wove paper, circa 1920. 305x228 mm; 12¼x9 inches. Signed in pencil, lower right recto.Provenance: Estate of Patrick Roberts, founder of the American

CHARLES BURCHFIELD Sunrise over Snowfield. Watercolor on cream wove paper, circa 1918. 180x252 mm; 7¼x10 inches.Provenance: Private collection, New York; thence by descent to the current owner, p

JOHN MARIN Woolworth Building (Swaying). Pencil on heavy cream wove paper, circa 1913-15. 370x298 mm; 14¾x11¾ inches. Signed in pencil, lower right recto. Strathmore paper blind stamp lower

GEORGE C. AULT Tulips. Pencil on cream wove paper, 1933. 375x250 mm; 15x10 inches. Signed and dated in pencil, lower left recto.Provenance: Conner Rosenkranz, New York, with the label on the frame bac

GEORGE GROSZ Die Liebenden. Watercolor on cream laid paper, circa 1940. 623x485 mm; 24½x19¼ inches. Signed in ink, lower right recto.Provenance: Collection of Ben and Peggy Sackheim, New Yor

GLENN LIGON Notes on the Prelude. Drypoint and aquatint on white wove paper, 2012. 406x304 mm; 16x12 inches, full margins. Signed, dated and numbered 21/35 in pencil, lower margin. Published by Burnet

After Marc Chagall (1887-1985) By Charles Sorlier Le Coq et l'Horloge (Sorlier 49) Etching and aquatint in colours, circa 1950, on Rives BFK wove paper, signed and numbered 64/300 in pencil, published

JOHN MARIN From the Brooklyn Bridge, New York. Watercolor, gouache and pencil on thick, textured wove paper, circa 1930. 290x387 mm; 11½x15½ inches. Signed in watercolor on the building faca

Chillida, Eduardo (Spanish 1924-2002), Euzkadi II, 1975, etching and aquatint on cream Arches wove paper, sheet size 54.5 x 37.5 inches, pencil signed and numbered 34/50, published by Maeght Editeur,

EDWARD HOPPER Fisher Boy. Pen and ink and pencil on wove paper, circa 1900. 205x127 mm; 8¼x5¼ inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's widow, New

JOHN MARIN Summer. Watercolor on cream wove paper, 1913. 394x467 mm; 15½x18 inches. Signed and dated in pencil, lower right recto. Provenance: Susanne Hilberry Gallery, Inc., Birmingham, Michigan

CHARLES WHITE (1918 - 1979) Gideon. Lithograph on cream wove paper, 1951. 565x375 mm; 22¼x14¾ inches, full margins. Edition of 50. Titled and inscribed "Ed. 50" in pencil, lower right. Print

Wassily Kandinsky (1866-1944) KLEINE WELTEN IV (ROETHELL 167) Color lithograph, 1922, on cream wove paper, signed in pencil, from the edition of 200, from the same-titled portfolio, published by Propy

EDWARD HOPPER The Storm. Pencil on wove paper, circa 1895-1900. 130x100 mm; 5¼x4 inches. Signed and titled in pencil, lower recto.Provenance: Estate of the artist, New York; Josephine N. Hopper,

EDWARD HOPPER Galleon in a Storm. Pen and ink and pencil on wove paper, circa 1900-05. 153x125 mm; 6¼x5 inches.Provenance: Estate of the artist, New York; Josephine N. Hopper, the artist's widow,

JOAN MIRO (SPANISH, 1893-1983) COLOR AQUATINT, ETCHING AND CARBORUNDUM ON WOVE PAPER, 1969 H 37.125" W 28.825" (SHEET) LA CAPTIVE Signed in pencil and annotated HC (an hors commerce impression aside f