George III Style Blind Fret Mahogany Candle Stand

George III Style Blind Fret Mahogany Candle Stand (ATIN638)(MS) Dimensions: 26 3/4" H x 12 3/4" Sq. From a Fairfield CT collection

George III-Style Mahogany Cabinet-on-Stand, 20th century, in the Chinese Chippendale taste, the molded and dentillated cornice above a blind fret-carved frieze, over two astragal-glazed doors, each wi

Hexagonal top with carved gallery.

A Pair of George III-Style Mahogany Candle Stands, mid to late 19th century53-3/4 inches high (136.5 cm)

With scalloped top, the underside branded Schott Furniture, Hanover, PA. 21-3/4"h x 18"dia.

George III Style Mahogany Tilt-Top Candlestand, English Taste, 20th C., dish top and tilt-top, stamped "The Company Master Craft" Repair to one rail 26-3/4"h x 19-1/2"d

A George III style blind fret carved mahogany tall case clock, second half 19th century, the white painted arched dial having Arabic numerals with rolling moon phase, the twin train eight day movement

A George III Style Carved Mahogany Candlestand-Form Floor Lamp 20th Century Height including finial 61 x diameter 18 inches. Property from the Historic Sword Gate House, Charleston, South Carolina

George III Style Mahogany and Oak Candlestand Dimensions: 28 1/4" H x 17" D. Property from the Estate of Carter Bales (1938 - 2019), Centre Island, NY (CABA17)(MS)

George III style gilt metal mounted mahogany candle stand / table, the top with banded edge above the fluted stand terminating on a trip base. 29” H x 15.5" diameter

With leather-inset top. Together with a George III Style piecrust tilt-top mahogany candlestand, marked Made in England underside. Wear, cleat loose and needs repairs, chips and losses. 24-3/4"h x 24"

George III Style Mahogany Loveseat, blind-fret carved, upholstered in gold silk damask 37" H x 67" W x 25" D Property from the Estate of Mariam S. Poser

A George III style mahogany wingback armchair and blind fret carved mahogany ottoman by Hickory Chair, Hickory, North Carolina, modern, the wingback armchair fully upholstered in a faux chintz fabric,

George III style inlaid mahogany kettle stand, 20th c., with ebonized banded inlay, leather inset candle stand, on casters, 29"h x 14"w x 10.5"d

the square backs with re-entrant corners with pierced and carved lattice backs above drop-in seat pads flanked by conforming fretwork enclosed arms, raised on blind fret carved square legs joined by s

George III-Style Mahogany Vitrine early 20th century, in the Chinese Chippendale taste, the stepped pediment with blind-fret carving, above a molded like-carved frieze, over astragal-glazed doors, the

A GEORGE III STYLE MAHOGANY SETTEE The rectangular padded back, arms and seat on square blind-fret-carved legs joined by fret-carved stretcher (C9) (PSOR9003) [TC] Dimensions: 64" W Provenance: From

George III-Style Mahogany Kettle Stand, 19th century, the square top with a full shaped gallery, above a frieze fitted with a single candle slide, raised on slightly splayed square legs joined by an X

20th C. with candle slide. 24-1/2"h x 14"w x 14"d Provenance: Property from a Private Princeton, NJ Collection

George III-Style Mahogany Bench, in the Chinese Chippendale style, the padded seat raised on blind-fret-carved square legs, h. 20", w. 36-1/2", d. 19-1/4".

A George III style carved mahogany library armchair, by Baker Furniture, "Historic Charleston Reproductions", late 20th century, the seat of slight serpentine form, having blind fret carved and chamfe

The square top with scalloped gallery over a candle slide, raised on tapering square legs joined by an X-form stretcher. Height 29 x width 17 x depth 14 1/2 inches. Provenance: Property from the Estat

GEORGE III STYLE FRET-CARVED MAHOGANY GAMES TABLE The hinged rectangular top opening to a leather-inset playing surface, with a blind fret-carved frieze and similarly carved squared straight legs. Hei

George III Mahogany Jardiniere Stand fourth quarter 18th century, in the Chinese Chippendale taste, of square form, three sides with elaborately pierced panels within a blind fret-carved band, all fou