Friedlaender, Johnny (Fr. b.1912). Color aquatint

Friedlaender, Johnny Gotthard (German/French, 1912-1992), Untitled Abstract, circa 1970's, color aquatint etching, published by "La Hune Paris" with blind stamp lower left, pencil signed and numbered

UNTITLED, color aquatint etching, signed and numbered 31/95 in pencil, sheet 30 x 22 ¼”, frame 33 ½ x 26” with glass.

UNTITLED, color aquatint etching, signed and numbered 44/95 in pencil, plate 22 ¾ x 16 ¼”, full margins, frame 31 x 23 ½” with glass.

ACORD VERT, color aquatint etching, signed in pencil, numbered 30/95, sheet 30 x 22 ¼", matted.

UNTITLED, color aquatint etching, signed in pencil and inscribed EA (artist’s proof), sheet 30 x 22”, framed with glass.

PASSACHILLE, color aquatint etching, signed in pencil, numbered 73/95, sheet 30 x 22 ¼".

UNTITLED, color aquatint etching, signed and inscribed EA (artist’s proof) in pencil, sight 29 x 22”, frame 34 x 26 ½” with glass.

Johnny Friedlaender (German, 1912-1992) Paysage le soir. Color aquatint, 1964, pencil signed lower right and inscribed 'E.A.' (the edition was 95), unframed. Ref: Hanssel 56 22.75" x 15.75"

UNTITLED, color aquatint etching, signed and numbered XXV/XXX (25/30) in pencil, Editions Empreinte blind stamp lower left, plate 7 ¾ x 5 ¾”, sheet 19 ¾ x 13”.

Johnny Friedlaender (Polish, 1912-1992) Composition. Color etching and aquatint. Pencil numbered 13/99 LL, pencil signed LR Sheet: 29.5" x 22" Frame: 30" x 22.25"

Johnny Friedlaender (German, 1912-1992) Eloge. Color etching and aquatint, pencil signed lower right and numbered 39/95. Published by L'Oeuvre Gravee, with their blindstamp lower left. Printed to the

This energetic multiple plate color etching/aquatint is a wonderful example of 1960's/70's European abstraction. The signature is highly stylized, and has been identified as Johnny Friedlaender (Frenc

Johnny Friedlaender (German 1912-1992)- Composition- etching and aquatint in color, edition of 95. 29 7/8 x 22 1/8''

Friedlaender, Johnny (German, 1912-1992), Untitled Abstract Print, c.1970s, etching and aquatint on paper, signed and numbered 4/4 (likely an artist's proof) in pencil along the bottom, impression 20.

Etching and aquatint in colors embossed on hand woven paper, "Accord Vert, 1972." Signed in pencil lower right and numbered 38/95 lower left. Sheet size - 30 x 22 1/4, Frame - 33 x 25.

Etching and aquatint in colors embossed on hand woven paper, untitled. Abstract composition. Signed in pencil and numbered 69/100 lower margin. Sheet size - 19 3/4 x 13, frame - 27 1/4 x 18 1/2.

Friedlaender, Johnny (German/French, 1912-1992), Untitled Abstraction, undated, etching and aquatint printed in colors, signed and numbered 50/100 in pencil to lower margin, impression 11.5 x 7.75 inc

Friedlaender, Johnny (German/French 1912-1992), Untitled Abstraction, etching and aquatint printed in colors, 9 x 7 inches, pencil signed and numbered 13/90, framed in a welded corner aluminum frame m

Friedlaender, Johnny (German/French, 1912-1992), Untitled Abstraction, undated, etching and aquatint printed in colors, signed and numbered 43/95 in pencil to lower margin, impression 17 x 14 inches,

Original abstract aquatint etching in colors, signed, titled and dated in pencil by the artist Johnny Friedlaender on verso: date: 1976..IDES..EA. Arches paper. Dimensions: 30 in. x 22 1/2 in. Conditi

LES PAVO. Johnny Friedlaender limited edition aquatint etching, pencil signed and limited edition numbered. FRIEDLAENDER., Edition #45/95. Aquatint etching in colors on wove paper. Professionally fram

Johnny Friedlaender, print, Johnny Friedlaender (German, 1912-1992), "Couple IX" (?), 1967(?), aquatint and etching in colors, signed lower right and numbered (34/80) lower left, 23"h x 30.75"w (image

Friedlaender, Johnny (German/French, 1912-1992), Untitled Abstract, 1960's, aquatint, etching and engraving printed in colors, 7.5 x 5.25 inches, pencil signed and numbered 59/100, framed 21 x 17.5 in

This is an early Friedlaender work titled, "Oiseaux III", done in aquatint, etching, and colored inks. It was executed in 1951 and was an early foray for Friedlaender into color and non-objective abst