FRANCESCO PIRANESI (AFTER LOUIS-JEAN DESPREZ) Fuoco artificiale detto la Girandola.

This dramatic view, etched by Francesco Piranesi (1758/59-1810), the son of the famous Italian artist and architect Giovanni B. Piranesi, shows a fireworks display above the Castel Sant'Angelo, Rome.

After Johan Tobias Sergel (Swedish, 1740-1814) Portrait Relief of Louis Jean Desprez a plaster medallion depicting Desprez in profile, painted in imitation marble and faux-giltwood frame; signed Serge

Hermes Paris - Les Joies de la Montagne, Silk Scarf. Designed by: Jean-Louis Clerc. 90x90cm. Minor stains.

olio su tela, cm 190x170, All'origine del nostro esemplare si rintraccia un prototipo del Mazzucchelli conservato presso le raccolte dell'Ospedale Maggiore di Milano (cm 151 x 191). La tela, già ac

(Brescia, 1646 - 1712/1713) Scontro tra cavalieri Olio su tela, cm 48X40 La tela in esame presenta una eccellente conservazione e raffigura lo scontro tra cavallerie europee e le caratteristiche di st

Late 19th century, Jean-Louis Gregoire (France 1840-1890) monumental bronze sculpture modeled as two French soldiers on the battlefield, one clutching his fallen comrade, titled "La Defense Du Drapeau

HARTMANN, LOUIS; and JEAN-BAPTISTE MILLARD. Le Texas, ou notice historique sur le Champ d'Asile, comprenant tout ce qui s'est passe depuis la formation jusqu'a la dissolution de cette Colonie.... Pari

A set of four Louis XV painted and parcel gilt fauteuils a la Reine by Jean-Etienne Saint-Georges (1723-1790) Each with C- and S-scroll carved and channelled frames, the cartouche shaped back surmount

(French, 1861- 1925) A Pair after Jean Baptiste Greuze (1725-1805): La cruche cassée and La Laitière Hollandaise, one signed lower right "L. Théo Dubé.." and inscribed, oil on canvas, 25-1/2 x 32

After the design of Jean-Henri Riesener (1734-1806) for the commode for La Chambre de Louis XVI a Versailles.Ormolu bronze mounts by Jean Rabiant with fruitwood marquetry and parquetry mahogany. Bedfr

Guy REY MILLET (1929) pour Jean PROUVÉ (1901-1984)Banc en pin - 197243 x 29.5 x 29.5 cm. 1972 Provenance: - Refuge du col de la Vanoise, Savoie, France. Référence: - Bernard Marrey & Louis Fruitet,

(Montabone, 1568 - Moncalvo, 1625) La Vergine con il Bambino e angeli musicanti che appaiono a un santo Penna, gessetto nero e bistro su carta, cm 20,8X13,2 Allievo di Giovanni Francesco Biancaro, Gug

Louis Valtat (French, 1869-1952)La tireuse de cartes, 1922oil on boardstamped with the artists monogram lower right12 1/2 x 12 1/2in (32 x 32cm) Provenance:The Collection of Peter

circa 1925 oil on board signed and dated lower right 35 x 27 1/2 inches

(French, 1815-1891) Les Deux Van de Velde, the brothers Van de Velde, Willem (1633-1707) and his brother Adriaen (1636-1672), signed lower left conjoined "EMeissonier 1856", oil on panel, 10-5-8 x 8-3

After JEAN LOUIS ERNEST MEISSONIER (French, 1815-1891)General Duroc at the Battle of Ca

oil on canvas; signed 'Cosson' lower right; Provenance: The Estate of Sandra Moss; Condition: several small spots of touchup (the largest 1/2 x 1/8") confined to four areas along lower edge; 24 x 29 i

Attributed to Jean Louis Ernest Meissonier (1815-1891): Le Peintre Van de Velde Oil on canvas, signed with initial 'M' lower right, with the Vente Meissonier wax seal on the stretcher, lined. 9 1/2 x

ALFIERI (FRANCESCO FERDINANDO) La scherma, 2 parts in 1, FIRST EDITION, half-title, engraved pictorial title, engraved portrait of the author, 35 engraved illustrations depicting fencing positions (n

Personal gift to Jean-Louis Bezemer from Ferrari. This sign was mounted in the Ferrari factory for many years and was handed over to Jean Louis Bezemer for his merits during a visit in the 1970s. With

(Parma, 1686 - Firenze, 1753) Scene di battaglia Olio su carta applicata su tela, cm 31X40 (2) Formatosi con Francesco Monti detto il Brescianino delle Battaglie (Brescia 1646 - Parma 1712) e Ilario S

PIERRE JEAN LOUIS GERMAIN SOULAGES (French, 1919-2022), "Eauforte," 1957, relief etching on wove Rives paper, (approximate dimensions - sheet: 25 3/4 x 19 3/4 inches); edition lower left: epreuve d'ar

(Roma, 1635 - documentato fino al 1675) Natura morta con carte da gioco, scrigno e alzata con dolci Olio su tela, cm 120X169 Antonio Tibaldi fu allievo di Francesco Noletti detto Il Maltese (1611-1654

Jean-Louis-Marcel Cosson (French, 1878-1956), "At the Bar", oil on canvas, signed lower right "Cosson", 21-1/2" x 18". Framed. Provenance: The Flatt Collection.