Frachtdampfer (ex Wassner)

Version A (ohne Decksladung, mit braunem Deck), R 0, sehr gut bis neuwertig (Wiking Schiffe)

Version A, R 0, sehr gut bis neuwertig (Wiking Flugzeuge und Schiffe)

Version C, R 0, neuwertig (Wiking Schiffe und Flugzeuge)

Version B (mit grauem Deck), R 1, sehr gut bis neuwertig (Wiking Schiffe und Flugzeuge)

Version E, R 0, fast neuwertig (Wiking Schiffe)

Ancient Greece, Athens, Early Attic, ca. 6th century BCE. A very large and incredibly fine black-figure neck amphora of an exceptionally elegant, classic form - both sides expertly painted with mesmer

Pre-Columbian, southeastern Mexico, Chontal, ca. 800 to 300 BCE. Huge greenstone standing "blind" figure showing very strong Olmec chacteristics, but clearly Chontal from the Guerrero region. He stand

Chinese jade and hard stone fruiting and flowering tree issuing from a rectangular gilt-metal jardiniere with canted corners, raised on four bracket feet, decorated with scrolling foliage, the front a

Extremely rare American Brilliant cut glass trumpet vase. Turquoise cut to clear in the Venetian pattern by T. G. Hawkes Co. This is a true rarity. Photos show one on display in the Corning Musuem of

This lot includes:Gallery COA & free domestic shipping (*insurance and international shipping for an additional charge)Artist: Frederick HartTitle: Ex Nihilo, Fragment No. 7Medium: BronzeSize: 44"h x

GIA Natural 1.74ct. DiamondCollector requirements.Round Cut Excellent in all requirements.Please refer to GIA copy for the diamonds specifications.G-colorVs-2 ClarityExcellent polishExcellent Symmetry

This lot includes:Gallery COA & free domestic shipping (*insurance and international shipping for an additional charge)Artist: Frederick Hart Title: Ex Nihilo, Fragment No. 8Medium: BronzeSize: 49"h x

India, Pala Dynasty, ca. 11th-12th century. Fine depiction of Parvati with attendants. Ex: Sotheby's New York City: "Indian & Southeast Asian Art," September 1999, Lot 121 (therein described as Lalita

Leo Poblano, Attributed (Zuni, 1905-1959) Mosaic Inlay Bear Dancer, ex CG Wallace Collection inlaid jet, shell, turquoise, and coral; with stamped silver mount; not marked height 7-1/2 inches x width

American Brilliant cut glass ewer by J. Hoare. This extremely rare piece is green over cranberry. It is cut with a cane and swirling pillar design. The top and handle are sterling by Gorham with a dat

George III King of England George III Stamp Act, Superb Example. Ex Forbes "Anno quinto Georgii III. Regis. Cap. XII. An Act for granting and applying certain Stamp Duties, and other Duties,

Chinese celadon leaf brush washer, ex Marchant, Qing Dynasty, small orange insect seated upon a pale celadon glazed leaf, underglaze blue Qianlong seal mark to underside, with "Marchant, London" stick

Vintage Mamluk Rug, Turkey, 4'8'' x 5'8'' (142 x 173 cm). Ex: Delaware Art Museum. Weight: 12 lbs. Material: wool pile, wool warp, wool weft. Natural dyes. Woven Legends production in eastern Turkey.

Teothihuacan offertory vessel, ex Parke-Bernet, Possibly 100 BCE-200 CE, Mexico, carved stone, in the form of a seated old man supporting a circular vessel on his shoulders, 15"h Provenance: A Private

DESCRIPTION: Ex Sotheby's Louis Majorelle Art Nouveau vanity desk, features a wood foundation with upper shaped mirror back, two curved shelves above pull-out drawers at each side. Includes original m

Vintage Mamluk Rug, Turkey, 9'0'' x 11'8'' (274 x 356 cm). Ex: Delaware Art Museum. Weight: 70 lbs. Material: wool pile, wool warp, wool weft. Natural dyes. Woven Legends production in eastern Turkey.

Han Dynasty bronze with geometric stylized design of animals, a raised dragon and central knob for attachment, surrounded by a border with calligraphy. 7” dia. In a fitted yellow silk case.

Greek colonies, Southern Italy, Apulia, ca. 325 BCE. Each side of this gorgeous krater has a female head in profile to the left - a "lady of fashion" as this common motif is sometimes called. There is

North Africa, central Sahara region, ca. 6000 BCE. This is an engraved piece of rock art that has been produced using flints to show the outline of a genderless shaman figure. The style of this piece