Filippo della Valle (Firenze 1698-Roma 1768) - Flora in laid paper with watermark

Giovanni Francesco Barbieri, called il Guercino (Cento 1591-1666 Bologna) A small child seated on a stone step with his head inclined and resting his elbow on a ledge red chalk on laid paper, watermar

ALBRECHT DURER (GERMAN, 1471-1528), WOODCUT ON PAPER, H 15 1/2", W 10 7/8", "THE RESURRECTION" Woodcut, on laid paper, watermark A in a Circle with letters HW (Meder 304), a good Meder d impression, a

ALBRECHT DURER (GERMAN, 1471-1528), WOODCUT ON PAPER, H 11 3/4" W 8 1/8" "JOACHIM AND ANGEL FROM THE LIFE OF THE VIRGIN" Woodcut, on laid paper, watermark Triangle with Flower (Meder 127), a good impr

Jan Wierix (Flemish 1549-1615), After Albrecht Durer. Melencolia I 1602. Engraving on laid paper. Watermark: Haewood 649. Provenance: Dr. George Kofas collection, former professor of fine arts; Univer

ALBRECHT DURER (GERMAN, 1471-1528), ETCHING ON LAID PAPER, H 12 3/4" W 8 3/4" "HERCULES AT THE CROSSROADS" Engraving, on laid paper, without watermark, with the scratches across the jawbone and the ri

"Le Chapeau Epingle" (The Hat Pin), 1897, stone lithograph, first state, signed and dated in print, Delteil, Stella 29, printed on Arches laid paper with watermark MBM, from the collection of 100 prin

Pablo Picasso (1881-1973) Le repos du sculpteur IV, pl. 65, from La Suite Vollard, 1933 Etching on laid paper. Vollard watermark 7-1/2 x 10-1/2 inches (19.1 x 26.7 cm) (image) 13-1/4 x 17-1/

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, but a later impression of New Hollstein's final state (of four), on laid paper without watermark, platema

Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, plate

Rembrandt van Rijn (1606-1669)Three Heads of Women, One AsleepEtching, 1637, but a later impression of New Hollstein's third state (of three) on thick cream laid paper without watermark, platemark 142

This circa 1641 Rembrandt etching on Ingres d'Arches is titled "The Card Player" and measures 3 1/2" x 3 1/8" (plate size) on 12 7/8" x 9 3/4" off-white laid paper with watermark and large margins. Si

Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later well inked impression of New Hollstein's fifth state (of five) on thick cream laid paper without watermark, pl

Pen and brown ink drawing, self-portrait, on period 19th century laid paper with Dutch watermark, signed "Vincent" (Vincent van Gogh*, 1853-1890). 13 1/4 x 10 1/4 inches. Very good condition, having a

PABLO PICASSO (Spanish, 1881-1973) Famille de saltimbanques, from La Suite Vollard (B. 163) etching on laid paper with Picasso watermark signed Picasso in pencil, l.r. plate: 7 1/2 x 10 3/8 in., sheet

Albrecht Dürer (1471-1528)The Martyrdom of Saint CatherineWoodcut, circa 1498, a Meder g impression on laid paper with large watermark of a Strasbourg lily, sheet 400 x 287 mm. (15 3/4 x 11 1/4 in),

Old Master ink drawing depicting a scene with figures and buildings. Circa 17th Century. Artist unknown. Style of Rembrandt. Ink drawing on thin, finely laid paper. A clear watermark is visible ... an

Pablo Picasso (1881-1973) LA CÉLESTINE (CRAMER 149) Seven etchings and aquatints, 1971, on Richard de Bas laid paper with La Célestine watermark, with added signature and number 21/50 in pen

Mary Cassatt (1844-1926) Margot Wearing a Large Bonnet, Seated in an Armchair (Breeskin 192), c. 1904 Drypoint on laid paper with A. Porcabeuf watermark, signed in pencil and numbered 14, from the edi

Max Pechstein (1881-1955) Titelblatt zu 'Ein Dorf'; Der Morgen, from Ein Dorf (Krüger H.193, H.194), 1919 Woodcuts on laid J.W. Zanders paper with watermark, each signed in pencil, dated and numb

Pen and brown ink on fine BFK Rives laid paper (full 19th century watermark), peasant women working in a field, signed (Vincent van Gogh*, 1853-1890). 9 1/4 x 12 1/4 inches. Good condition. Unframed f

Pablo Picasso (1881-1973) Portrait de Femme au Col en ruche: Marie-Therese (Bloch 323; Baer 671), 1939 Aquatint, on laid Picasso watermark paper, numbered in pencil 22/40, with the inkstamp of Maya Ru