Felix Buhot (1847-1898), "L'Hiver a Paris," 1879, Etching with aquatint, drypoint, and roulette on

Felix Buhot(1847-1898)"L'Hiver a Paris," 1879Etching with aquatint, drypoint, and roulette on cream wove paperAn impression of the ninth (final) stateSigned with the artist's red owl ink sta

Félix Hilaire Buhot (French, 1847-1898) L'Hiver à Paris, 1879 etching, drypoint, aquatint, sulphurtint, softground, and roulette 9 1/2 x 13 1/2 inches. Estimate $200-400

Felix Buhot (French 1847-1898)- ''L'Hiver A Paris'' (Bourcard and Goodfriend 128 v/IX)- etching, drypoint, aquatint, sulphur tint, softground and roulette, 1879, some staining and foxing in margins. 9

Felix BuhotFrench, 1847-1898Fete Nationale Au Boulevard de Clichy, 1878Etching, aquatint and drypoint, signed in the plate with the artist's red owl stampBustling city scenes framing the central stree

Felix Buhot (1847-1898) Le Débarquement au Angleterre, etching and drypoint, 1879, fifth, final state, signed and dedicated 'a Monsieur Roger Marx avec une pluie de remerciment / FD.', with the art

Felix Buhot (French 1847-1898)- ''Une Matinee d'Hiver au Quai de l'Hotel Dieu'' (Bourcard and Goodfriend 123)- etching, 1877, smudges in upper and lower margin. 8 1/4 x 11 3/4''

Buhot, Félix (France, 1847-1898). Une Matinee d'hiver au Quai de l'hotel-Dieu. 1876 Etching. Signed in plate and in pencil, l.r. 36.2 x 48.5 cm. Condition: Toning and foxing throughout sheet; Slight

Félix Buhot (France) 1847-1898. Les Grandes chaumières. Etching and drypoint, 1881. Bourcard/Goodfriend 150, iii-iv/VI. Exhibited Félix Buhot: Master Printmaker, C & J Goodfriend, New Y

FÉLIX BUHOT La Dame aux Cygnes. Etching, aquatint and drypoint, 1879. 130x180 mm; 5x7 inches, full margins. Third state (of 3). With the artist's red ink stamp (Lugt 977, lower center recto). A v

Felix Buhot (France 1847-1898) Etching "Les Petites Chaumieres" from 1878. Etching on woven paper, signed lower right and with red stamp captioned "une des premieres epreuves d'essai" (one of the firs

Felix-Hilaire Buhot (1847-1898), "Westminster Palace in Progress Park", etching. Sight 12 1/2" x 16 1/2". Knoedler Gallery New York City label verso.

Etching of Westminster Bridge by Felix Hilaire Buhot (1847-1898). Signed on the bottom with the FB Owl stamp, Felix Buhot's signature and the #3, and illegible writing in pencil. Etching with frame is

Joan Miro (Spanish, 1893-1983) and Jacques Dupin (French, 1927-2012), "L'Issue DÈrobÈe," Paris: Maeght Editeur, 1974. Portfolio of ten drypoint etchings with aquatint in colors on Arch

Edgar Degas (French, 1834-1917). “Mary Cassatt au Louvre” - c. 1879/80, etching, aquatint, drypoint, and electric crayon on Japan, impression from the cancelled plate. Reference: Adhemar, Cachin 5

Boxed Balls, from Recent Etchings I, 1979 sgn. and dated l.r. in pencil with heart Thiebaud 1979; numbered l.l.

KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

Pablo Picasso (1881-1973) Etreinte I (Bloch 1110; Baer 1103 V.B.b) Etching with drypoint, 1963, on BFK Rives wove paper, signed and numbered 37/50 in pencil, published by Galerie L. Leiris, Paris, 196

JOAN MIRÓ (Spanish, 1893–1983) "L'Aigrette Rouge" 1976. Framed carborundum etching and aquatint in colors, on Arches paper, signed and numbered 29/50. Publisher: Maeght Editeur, Paris; Literature:

Henri Matisse (French: 1869 - 1954) Etching and aquatint in colours on wove Arches paper titled "L'Espagnole a la Mantille". Engraved by Jacques Villon. Printed by Calcographie du Louvre, Paris. Publi

Alexander Calder (1898-1976) Devil, 1974 Etching and aquatint in colors on Richard de Bas v. Auvergne paper, signed in pencil and numbered 34/80, published by Editions de l'Herne, Paris, with full mar

JOAN MIRO (1893 - 1983)"L'ECOLIERE AU BUISSON"Year: 1971Colour etching and aquatint on wove paper by Arches Dimensions: 92x63.5 cmSigned and numbered XX/50 in pencilPublished by Maeght, Paris / Printe

LE LIT GROS ÉDREDON (WITH LIPS) (MOMA 480.3/XI)Color etching, aquatint, drypoint and engraving, 1997, on Somerset paper, signed, dated and numbered 14/100 in pencil, printed by Harlan & Weave

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu